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digital artists<br />

your monster machine back in the office. Lassen<br />

points to the ability to use netbooks when<br />

traveling. “Inspiration happens anywhere, and<br />

now I can chronicle that and then take it back and<br />

do post-work on it. You want to be ready for that<br />

idea. Otherwise, when you drive back to the<br />

house, you won’t have the same idea.”<br />

Salonen recently completed her fantasy novel<br />

Ordera, supplying not only the text but artwork<br />

as well. On top of that, she’s finished commissions<br />

Desert Sand (2009) by Kirsi Salonen, is the<br />

portrait of a wild, proud, and free-spirited elfish<br />

girl. It has a painterly touch, mixed with realism.<br />

She considers it her “fantasy portrait.”<br />

and other projects, so being busy is just part of<br />

her DNA. A key for her is being able to work<br />

when the inspiration hits. “I’m extremely<br />

Whether composing soundtracks for feature films or video games,<br />

remixing pop songs, or assembling new hip-hop tunes, many musicians today<br />

rely on extensive audio sample libraries to bring their ideas to life. Sample<br />

libraries can comprise thousands of short recordings of anything from<br />

orchestral strings to rare world instruments, captured with varied volumes,<br />

playing techniques, and acoustic settings so musicians can have a full<br />

spectrum of sound at their fingertips.<br />

For musicians such as Justin Lassen who rely on digital audio workstations<br />

for composing and recording, traditional hard disk drives can produce<br />

significant bottlenecks in the creative workflow. Loading the massive libraries<br />

into software-based samplers and “virtual instruments” can be a timeconsuming<br />

process. Add to that the mechanical limitations and high failure<br />

rates of traditional hard disk drives, and musicians can face compositions<br />

and sample libraries that are vulnerable to loss. After years of experiencing<br />

dropped notes and audio glitches, including a devastating loss of years of<br />

work because of a hard drive crash, Lassen knew he needed a reliable, durable<br />

drive that would let him take his work on the road.<br />

spontaneous when it comes to working. I tend to<br />

work in dashes and do as much as possible<br />

without wearing myself out. I’m a sort of<br />

workaholic; I paint ‘til I drop on my keyboard.<br />

Sometimes I take one job at a time and focus on<br />

it, but sometimes it’s all multitasking. Doing art<br />

isn’t always a day job. Inspiration might strike in<br />

the middle of the night, and then I grab it.”<br />

Golden Weaver (2010)<br />

by Kirsi Salonen.<br />

<strong>Intel</strong><strong>®</strong> Solid-State Drives Enhance Music Production<br />

Ruiz agrees, saying he has no real set pattern to<br />

his creativity. “Sometimes I’ll be incredibly<br />

disciplined for hours at a time, and other times I<br />

can’t stand more than five minutes of it! Music<br />

really helps, or putting a movie on in the<br />

background. I really never can tell what mood I’ll<br />

be in, but that’s when I have to ‘override’ myself<br />

and create whether I feel like it or not. The<br />

computer is a double-edged sword. I have all the<br />

tools and speed the machine has to offer, and at<br />

the same time I have the mother of all<br />

(continued on page 30)<br />

Self-Centered by Alex Ruiz. Ruiz has worked as an<br />

illustrator, concept artist, art instructor, and prolific<br />

digital artist.<br />

Lassen installed 300-GB <strong>Intel</strong><strong>®</strong> Solid State Drives (<strong>Intel</strong><strong>®</strong> SSDs) in his<br />

primary mobile workstation—an Apple MacBook* Pro with an <strong>Intel</strong><strong>®</strong> Core i7<br />

processor. “In my environment, the <strong>Intel</strong> SSDs cut loading time for each multilayered<br />

instrument from five minutes to just 30 seconds,” he said.<br />

The <strong>Intel</strong> SSDs also helped eliminate dropped notes and audio problems<br />

experienced with hard disk drives. “With hard disk drives, I couldn’t play or<br />

perform many compositions in real time without glitches or dropped notes,”<br />

said Lassen. “And with <strong>Intel</strong> SSDs, I experienced zero dropped notes. These<br />

drives are performance ready, even for compositions with layered instrument<br />

patches or passages with repetitive, fast notes. These drives allow me to<br />

realize compositions that I envision, without limitations.”<br />

“When I wake up in the middle of the night with a great idea, the last<br />

thing I want to do is wait for instruments to load—I lose that inspiration,” said<br />

Lassen. “With <strong>Intel</strong> SSDs, I can start working almost instantly so I can capture<br />

the inspiration the moment I have it.”<br />

intel visual adrenaline no. 10, 2011 31

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