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But to return to happier days. It was the summer of 1838 when the decision<br />

was made for Branwell to become a portrait painter in Bradford, despite<br />

significant gaps in his technical training. Bradford was chosen because it was<br />

the home of Patrick’s friend and relative by marriage, the Reverend William<br />

Morgan, who arranged Branwell’s lodgings with the Kirby family there. Both<br />

Morgan and the Vicar of Bradford, Henry Heap were amongst Branwell’s<br />

earliest sitters but neither portrait has survived.<br />

Bradford in the late 1830s was a thriving industrial town dependent on the<br />

wool industry, with enough wealthy families convinced of their own<br />

importance to ensure a demand for portraiture if not for art generally. The<br />

George Hotel in Market Street was a well-known, convivial meeting place for<br />

the artists, writers and musicians of Bradford. Branwell, with his exuberant<br />

wit and gift of repartéé, was a popular member of a lively group of about<br />

20 brilliant men, including the poet, Richard Story; Hartley Coleridge, son of<br />

Samuel Coleridge; Richard Waller, the portrait artist, plus several very<br />

successful artists/engravers including Joseph Clayton Bentley, William<br />

Overend Geller, John and Charles Cousen, and many more. Two members<br />

of the group became Branwell’s closest friends, the artist John Hunter<br />

Thompson who had also studied under William Robinson, and the brilliant<br />

sculptor, Joseph Bentley Leyland.<br />

Another member of the group was William Dearden, the Keighley<br />

schoolmaster who knew Branwell as a child. It was this staunch group of<br />

drinking companions who rallied to try and salvage Branwell’s reputation after<br />

the publication in 1857 of Elizabeth Gaskell’s The Life of Charlotte Brontë which<br />

they thought highlighted Charlotte’s virtue and unfairly exaggerated Branwell’s<br />

alcohol and drug problems. Dearden was the first to make the erroneous<br />

suggestion that Wuthering Heights was at least partly the work of Branwell<br />

Brontë when his article Who wrote Wuthering Heights? appeared in the Halifax<br />

Guardian on 15 June, 1867. The controversy this article sparked continues to<br />

this day. Francis Leyland, younger brother of Branwell’s closest friend, Joseph<br />

Bentley Leyland, wrote a two-volume biography in 1886: The Brontë Family<br />

with special reference to Patrick Branwell Brontë which could be renamed The Brontë<br />

Family and in defence of Patrick Branwell Brontë. Branwell’s friendship with Joseph<br />

Leyland probably led to more harm than good as they both became<br />

incurable alcoholics. Branwell’s death in 1848 was followed just three years<br />

later by that of Joseph Leyland, in debt and in the Manor Goal, Halifax, aged<br />

only thirty-nine.<br />

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