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Emily began studying the piano at Haworth in 1833 or 1834 and she<br />
soon played, in the words of Ellen Nussey, ‘with precision and brilliancy’. In<br />
1842 she studied piano at the Heger pensionnat in Brussels and even gave<br />
piano lessons to some of the younger students there. After returning to<br />
Haworth, she acquired a new piano. At this time, in the words of Ellen<br />
Nussey, ‘the ability with which [Emily] took up music was amazing, the style,<br />
the touch, and the expression was that of a Professor absorbed heart and<br />
soul in her theme.’ While Emily did not compile a list of tunes she had a<br />
collection of music books.<br />
Anne played piano and sang. Her playing may not have been as brilliant as<br />
Emily’s, though they played duets. She did compile a songbook of hymns and<br />
popular tunes. She also wrote several hymns and some of her poems have<br />
been set to music.A composer, Jack Hartley Rhodes set five of Anne’s poems<br />
and one of Charlotte’s to music.<br />
Branwell learnt the flute when he was 14 and compiled a list of tunes that are<br />
recorded in his flute book, including Blue Bonnets Ower the Border, Auld Lang<br />
Syne, Jock o’ Hazeldean, Oh! No – We Never Mention Her, (Home) Sweet Home, The<br />
Campbells Are Comin’, Ye Banks and Braes o’ Bonny Doon.He also played the organ<br />
Charlotte did not play an instrument. Apparently she was too short sighted to<br />
see the music. However her interest and love of music are well known. Some<br />
of her poems were later set to music.<br />
The Brontë piano<br />
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