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Journal

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Emily began studying the piano at Haworth in 1833 or 1834 and she<br />

soon played, in the words of Ellen Nussey, ‘with precision and brilliancy’. In<br />

1842 she studied piano at the Heger pensionnat in Brussels and even gave<br />

piano lessons to some of the younger students there. After returning to<br />

Haworth, she acquired a new piano. At this time, in the words of Ellen<br />

Nussey, ‘the ability with which [Emily] took up music was amazing, the style,<br />

the touch, and the expression was that of a Professor absorbed heart and<br />

soul in her theme.’ While Emily did not compile a list of tunes she had a<br />

collection of music books.<br />

Anne played piano and sang. Her playing may not have been as brilliant as<br />

Emily’s, though they played duets. She did compile a songbook of hymns and<br />

popular tunes. She also wrote several hymns and some of her poems have<br />

been set to music.A composer, Jack Hartley Rhodes set five of Anne’s poems<br />

and one of Charlotte’s to music.<br />

Branwell learnt the flute when he was 14 and compiled a list of tunes that are<br />

recorded in his flute book, including Blue Bonnets Ower the Border, Auld Lang<br />

Syne, Jock o’ Hazeldean, Oh! No – We Never Mention Her, (Home) Sweet Home, The<br />

Campbells Are Comin’, Ye Banks and Braes o’ Bonny Doon.He also played the organ<br />

Charlotte did not play an instrument. Apparently she was too short sighted to<br />

see the music. However her interest and love of music are well known. Some<br />

of her poems were later set to music.<br />

The Brontë piano<br />

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