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Here’s the first line:<br />
Of late years, an abundant shower of curates has fallen upon the<br />
north of England: they lie very thick on the hills; every parish has one<br />
or more of them; they are young enough to be very active, and<br />
ought to be doing a great deal of good’.<br />
This is Jane Austen stuff – a not wildly dissimilar opening to ‘It is a truth<br />
universally acknowledged, that a single man in possession of a good fortune,<br />
must be in want of a wife’.<br />
Jane Eyre was a success before Shirley was published; I personally had read Jane<br />
Eyre before I read Shirley; we are told on the title page that this is by Currer<br />
Bell the author of Jane Eyre.<br />
But given all this background, I did have both experience and expectations<br />
when picking up Shirley. The experience was of a<br />
somewhat romantic journey, with Byronic heroes<br />
and exotic foreign wives in the attic.I also know,<br />
from general experience of authors and of artists in<br />
general, that a second work is often both more<br />
prosaic, and also something of a let-down after the<br />
first. Indeed, going back to my opening remarks<br />
referencing a fellow member who thought it was<br />
unreadable, and our brief survey, this ‘let-down’<br />
aspect goes some way to explaining that.<br />
‘Something cool lies before you’ we are told in the<br />
opening, the novel Shirley. And partly, that effect is<br />
a reflection of how novelists and artists develop.<br />
They start off simply, and the sheer power of<br />
inspiration creates a convincing masterpiece. Then,<br />
no doubt, with a sense of vertigo at the rapidity of their ascent, they outthink<br />
themselves, they overcomplicate things, and they become more earnest.<br />
Shirley is an analytical book, indeed it is analytical of text. There’s a nice line in<br />
Chapter 36 where Shirley says: ‘A beautiful sentence! Let us take it to pieces!’<br />
(And just to complete that story of simplistic starts and complicated middles<br />
– in later life we often get a very high quality integration of the initial fervour,<br />
and the subsequent youthful over-engineering, resulting in an assured mature<br />
simplicity. Not that the Brontës really lived that long.)<br />
I was still trying to keep on the straight and narrow. By the time I’d gotten<br />
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