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Journal

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...The time is 1812, the place is Yorkshire.<br />

Robert Gerard Moore is a mill owner trying to upgrade his machinery but<br />

forestalled by the Luddites ( - Damn - ) and legislation associated with the<br />

Napoleonic wars.<br />

Catherine Helstone is a dispossessed 18-year old who comes to his house to<br />

learn French from his sister and falls in love (that’s with him, not his sister).<br />

Shirley Keeldar is an orphaned heiress who turns up and takes over the estate<br />

of Fieldhead and looks like making off with Robert.<br />

Other denizens are Mrs Pryor, Shirley’s governess; and Robert’s brother Louis<br />

who works as a tutor for Shirley’s uncle.<br />

Robert tries to marry Shirley for her money to<br />

save his mill and is rejected.<br />

Legislation changes, Robert’s fortunes improve<br />

and he marries Caroline; Shirley marries Louis<br />

after exhausting every other possibility first; Mrs<br />

Pryor turns out to be Caroline’s long lost<br />

mamma; and Currer Bell turns out to be either<br />

Charlotte Bronte or Shirley’s next-door<br />

neighbour. ....<br />

What I am going to focus on, is the question of<br />

what, exactly is ‘real’ in the novel, and what is<br />

fictional. I present, for example, this image of<br />

Oakwell Hall, the real Fieldhead of the novel.<br />

A picture of the sea by Rene Magritte,<br />

including a picture of a picture of a sea.<br />

Fieldhead in fiction – Oakwell Hall in reality<br />

- 55 -<br />

Here we have a picture of a<br />

sea juxtaposed with a view<br />

out the window of the real<br />

sea. Or, rather, it is a picture<br />

of the sea by Rene Magritte,<br />

and also included in the<br />

subject matter of that<br />

picture, a picture of a picture<br />

of a sea.

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