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& it ought not to be’. 11 Southey expressed the conventional Victorian censure<br />
against women writers, an opinion which could only increase Charlotte’s<br />
frustration at the limits put on women’s capacity to earn a living and to make<br />
a mark in the world. Ambition in a woman was frowned on and publication<br />
was conventionally seen as egotistical. Yet she was grateful for Southey’s<br />
acknowledgment of her talents and her reply carefully notes that he did not<br />
actually forbid her to write so long as she did not neglect her ‘real duties’.<br />
So she wrote on and the result, as you know, was four famous novels: The<br />
Professor, Jane Eyre, Shirley and Villette. But literary success did not mean that she<br />
escaped further disappointments in life—far from it. Plans for a school of<br />
her own (run with her sisters) failed, and further education in Brussels where<br />
she went to improve her languages and teach, resulted again in loneliness and<br />
deep depression. She felt isolated as a Protestant foreigner in a Roman<br />
Catholic country and the hero-worship she had for her teacher Constantin<br />
Heger, a devout married man, developed into an obsession. Her mental<br />
torture became so great that when wandering the streets and finding herself in<br />
the Catholic cathedral of Sainte Gudule, vehement Protestant though she was,<br />
she had an overwhelming need to make confession—a situation she later used<br />
to powerful effect in Villette. On her return home Charlotte kept the shameful<br />
torment of unrequited love for a married man a secret from her family; but it<br />
manifested itself in the headaches and ‘sickliness’ she suffered throughout the<br />
rest of her life whenever she was under stress. Again her writing provided<br />
consolation and she had her first taste of literary celebrity with her novel Jane<br />
Eyre. But the literary acclaim she had so long sought soon paled beside a<br />
further onslaught of family tragedy. Within a month of starting her novel<br />
Shirley, her three siblings died in rapid succession from tuberculosis: first<br />
Branwell, then Emily and finally Anne within only eight months of each other.<br />
Charlotte was now left desolate. She had lost not only her brother and two<br />
beloved sisters but the main support for her literary endeavours, since the<br />
three sisters had always discussed their plots, style and characters together. She<br />
turned again to her writing and persevered, grateful that she had an<br />
occupation and the courage to pursue it. The novel Shirley (1849) celebrates<br />
the need for activity in women’s lives and their right to self-respecting work.<br />
In Jane Eyre there is a pervasive image of life as a pilgrimage towards that<br />
country ‘from whose bourn No traveller returns’. Hers is the journey of a<br />
passionate young woman who—like her author—seeks self-respect and<br />
independence, who must endure the degradation of being a governess, who<br />
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