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THE ELIZABETHAN FAIRIES

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96 APPEARANCE AND CHARACTERISTICS<br />

2 FAY Will YOU haue any fine musicke?<br />

3 FAY Most daintie musicke ?<br />

Mopso We must set a face on't now; there's no flying;<br />

no, Sir, we are very merrie, I thanke you.<br />

I FAY 0 but you shall, Sir.<br />

. . . . . . . . .<br />

I FAY Wilt please you daunce, sir.<br />

10. Indeed, sir, I cannot handle my legges.<br />

2 FAY 0 you must needs daunce and sing,<br />

Which if you refuse to doe<br />

We will pinche you blacke and blew;<br />

And about we goe.<br />

They all daunce in a ring and sing, as followeth.<br />

Round about, round about, in a fine ring a,<br />

Thus we daunce, thus we daunce, and thus we sing a:<br />

Trip and go, too and fro, ouer this Greene a,<br />

All about, in and out, for our braue Queene a.<br />

Round about, round about, in a fine Ring a,<br />

Thus we daunce, thus we daunce, and thus we sing a:<br />

Trip and go, too and fro, ouer this Greene a,<br />

All about, in and out, for our braue Queene a.<br />

Ye haue daunc't round about in a fine Ring a,<br />

We haue daunc't lustily and thus we sing a;<br />

All about, in and out, ouer this Greene a,<br />

Too and fro, trip and go, to our braue Queene a.140<br />

These two attributes of dancing and singing may, in<br />

part, account for the fairies' popularity in the age of<br />

Shakespeare when rounds and catches, airs and madrigals,<br />

corantos and galliards were all the fashion.<br />

It is possible, because of the fairies' numerous appear-<br />

ances in the theatre, that there are fewer records in Eng-<br />

land than in Scotland, of their other means of locomo-<br />

tion, which was riding. In the translation of Huon of<br />

140 Maydes Met., 11, 2.

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