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THE ELIZABETHAN FAIRIES

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INTRODUCTION 3<br />

sought for machinery in the superstitions of their native country.<br />

" The fays, which nightly dance upon the wold," were an inter-<br />

esting subject; and the creative imagination of the bard, improv-<br />

ing upon the vulgar belief, assigned to them many of those fanci-<br />

ful attributes and occupations, which posterity have since associ-<br />

ated with the name of fairy. In such employments, as rearing the<br />

drooping flower, and arranging the disordered chamber, the fairies<br />

of South Britain gradually lost the harsher character of the dwarfs,<br />

or elves. Their choral dances were enlivened by the introduction<br />

of the merry goblin Puck, for whose freakish pranks they exchanged<br />

their original mischievous propensities. The fairies of Shakespeare,<br />

Drayton, and Mennis, therefore, at first exquisite fancy portraits,<br />

may be considered as having finally operated a change in the origi-<br />

nal which gave them birth.<br />

While the fays of South Britain received such attractive and<br />

poetical embellishments, those of Scotland, who possessed no such<br />

advantage, retained more of their ancient, and appropriate char-<br />

a~ter.~<br />

The original folk fairies " of Britain, and more espe-<br />

cially those of Scotland," Scott represented as " retaining<br />

the unamiable qualities, and diminutive size, of the Gothic<br />

elves." lo The fairies of England he seems to have re-<br />

garded as harmless.ll<br />

Scott's essay is an important document in the history<br />

of English fairy mythology, since it is one of the first l2<br />

statements, if not the first; of Shakespeare's influence on<br />

the fairies of popular superstition and of Shakespeare's<br />

use of Robin Goodfellow, and one of the first statements<br />

9 Ibid., Vol. 11, pp. 222-224.<br />

lo Ibid., p. 185.<br />

l1 Ibid., p. 178.<br />

12 J. 0. Halliwell, in his Memoranda on the Midsummer Night's<br />

Dream, 1879, p. 13, states: " Charles Lamb, in a manuscript that 1<br />

have seen, speaks of Shakespeare as having ' invented the fairies '; by<br />

which, I presume, he means that his refinement of the popular notion<br />

of them was sufficiently expansive to justify the strong epithet."

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