Solitons in Nonlocal Media
Solitons in Nonlocal Media
Solitons in Nonlocal Media
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List of Figures<br />
1.1 (a) In the isotropic phase the molecules are positioned without long<br />
range order. (b) In nematics the molecules have no positional order, but<br />
have an orientational order. The molecular mean axis at each po<strong>in</strong>t is<br />
expressed by a vectorial field ˆn called director. . . . . . . . . . . . . . . 8<br />
1.2 Typical dimensions of a 5CB molecule (a) and chemical structure (b). . 8<br />
1.3 Spherical reference system. Axis z is directed as the director ˆn. . . . . . 9<br />
1.4 (a) In absence of external electric fields the director lies on the plane yz,<br />
form<strong>in</strong>g an angle θ0 with ˆz. (b) When an electric field is applied parallel<br />
to ˆy, a dipole is <strong>in</strong>duced <strong>in</strong> the molecules, which rotates towards the<br />
electric field <strong>in</strong> order to m<strong>in</strong>imize their energy. The equilibrium angle<br />
θ is reached when the total torque act<strong>in</strong>g on molecules becomes null. I<br />
note how rotations take place <strong>in</strong> a plane def<strong>in</strong>ed by the excitation geometry. 12<br />
2.1 Sketch of the NLC sample: (a) side view, (b) top view, (c) front view.<br />
Voltage at 1kHz is applied along x via two transparent electrodes de-<br />
posited onto the glass slides that def<strong>in</strong>e the yz plane. ITO stands for<br />
Indium T<strong>in</strong> Oxide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16<br />
2.2 (a) Experimental set-up. (b) Input field E and its polarization <strong>in</strong> the<br />
plane xy at z = 0. i.e. at the <strong>in</strong>terface between air and NLC. Sign<br />
convention is such that β shown <strong>in</strong> the figure is positive. . . . . . . . . . 17<br />
2.3 Director ˆn and the two angles ξ and γ used to describe its orientation<br />
<strong>in</strong> space. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17<br />
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