Album: For Everyone Artist: Sunbears! Label: None Release Date: Febrauary 15, 2008 This haunt<strong>in</strong>g, spacious rock music may be as <strong>the</strong>atrical as Jonathan Berl<strong>in</strong>’s last major project, St. August<strong>in</strong>e’s Bernard, when performed live with former Bernard drummer Jared Bowser, but <strong>the</strong> music on this six-song EP plays perfectly, even without <strong>the</strong> c<strong>in</strong>ematic display. Somewhere between Postal Service and Radiohead, this album easily transcends any expectation you might have for local music. In fact, this is <strong>the</strong> sort of album that could get you <strong>in</strong>to a serious relationship. Go pick up a girl at <strong>the</strong> Pearl (preferably one that likes Coldplay and Radiohead, but just adores Snow Patrol and Interpol) and play this EP on <strong>the</strong> way to <strong>the</strong> afterparty. She won’t believe her ears and she won’t believe you when you say <strong>the</strong>y are local. She’ll be yours until you show her a band that sucks (or that is just totally dude rock). Hav<strong>in</strong>g said that, let me clear a few th<strong>in</strong>gs up about this album. Although I wouldn’t categorize it as dude rock (that would be someth<strong>in</strong>g more Queens of <strong>the</strong> Stone Age or Tomahawk), it is far more engag<strong>in</strong>g than <strong>the</strong> bor<strong>in</strong>g balladeers of <strong>the</strong> Coldplay and Snow Patrol set. I’ve been referr<strong>in</strong>g to Sunbears! as a “<strong>the</strong>y,” which is true dur<strong>in</strong>g 8 MAY 2008 | eu jacksonville monthly | music albums Album: The Explicits Artist: The Explicits Label: Explicit Records Release Date: April 8, 2008 The Explicits’ first album has now be<strong>com</strong>e my album of choice for kick<strong>in</strong>g virtual ass. I took <strong>the</strong> album on its first test run while play<strong>in</strong>g City of Villa<strong>in</strong>s. It would make a great soundtrack for any MMORPG from Warcraft to EVE onl<strong>in</strong>e. Someth<strong>in</strong>g about <strong>the</strong>ir angry gutter punk music just seems to fit. When I read <strong>the</strong> press release (someth<strong>in</strong>g I try not to do before I listen to <strong>the</strong> album), I found that lead s<strong>in</strong>ger Renee Phoenix def<strong>in</strong>ed her favorite track (<strong>the</strong> metal-thrashesque album ender ‘Hollywood’) <strong>in</strong> video game terms. Turns out she’s a WOW fan. I’ve seen <strong>the</strong> band live, and found <strong>the</strong> album to be slightly less edgy, but it <strong>in</strong> a positive way. Any fan of <strong>the</strong> local Jacksonville band will recognize songs like ‘Indestructible,’ which <strong>the</strong>y’ve been play<strong>in</strong>g at least s<strong>in</strong>ce last year. The band members are all under 21 and <strong>the</strong> lead goes to UNF, where she’ll be earn<strong>in</strong>g an English degree <strong>in</strong> between rock<strong>in</strong>g out <strong>in</strong> various Florida venues. It’s old school punk, a little screamo with raspy, tuff vocals. The lead, who sounds like a guy, is actually <strong>the</strong> petite Renee Phoenix, who I’m conv<strong>in</strong>ced gargles gravel between sets. Metal t<strong>in</strong>ges all <strong>the</strong> songs, particularly <strong>the</strong> guitar work, but it’s all about punk with a slight hook. While metal guitar solos tend to go on and on and on, <strong>the</strong> dom<strong>in</strong>ant punk side of <strong>the</strong> band curbs <strong>the</strong>se, keep<strong>in</strong>g it short and sweet, with brief metal goodness slapped between layers of punk. While I enjoyed most of <strong>the</strong> tracks, one particular song irked me with l<strong>in</strong>es such as “I’m so over it/ I’m sick of your sh*t,” set to <strong>the</strong> most pop-like hooky melody of <strong>the</strong> album. Luckily <strong>the</strong> songs <strong>com</strong>e back to <strong>the</strong>ir home ground, and ‘Over It’ was <strong>the</strong> only miss on <strong>the</strong> album. The rest of it hits hard. ‘Suffocate’ opens <strong>the</strong> album with <strong>the</strong> sort of hooky angst and raw edge that makes punk so much damn fun. S<strong>in</strong>ce <strong>the</strong>y’ve hit <strong>the</strong> magic MySpace number, with over 30,000 friends, <strong>the</strong>y’ve taken <strong>the</strong> next step by putt<strong>in</strong>g out this album. In true punk tradition, <strong>the</strong>y’ve started <strong>the</strong>ir own label, Explicit Records, and cut <strong>the</strong>ir first self-titled record. I can only hope that <strong>the</strong>ir next album will be as good. Check <strong>the</strong>m out on MySpace, so you can say you knew <strong>the</strong>m before <strong>the</strong>y made it big. - Er<strong>in</strong> Thursby <strong>the</strong>ir live performaces, but this EP was recorded by Jonathan alone. And his talent reverberates through <strong>the</strong> catchy lyrical hooks on songs such as ‘Stars’ and <strong>in</strong> <strong>in</strong>toxicat<strong>in</strong>g <strong>in</strong>strumental hooks as on ‘It’s Too Late.’ The drums alone will pull you <strong>in</strong>to ‘We Are Bl<strong>in</strong>d.’ ‘Lovely Little Anecdotes’ is so expertly crafted and recorded, it is hard to imag<strong>in</strong>e what else Sunbears! could possibly do to grab <strong>the</strong> attention of a formidable label. All of <strong>the</strong> songs are also rich with a rhythmic and electronic sort of creativity that is a little baffl <strong>in</strong>g. Every time this EP teeters on <strong>the</strong> edge of seem<strong>in</strong>g grossly trite, <strong>the</strong> song shifts to someth<strong>in</strong>g so surpris<strong>in</strong>g that it w<strong>in</strong>s you back aga<strong>in</strong> and makes you believe that perhaps <strong>the</strong> part before wasn’t even as trite as you thought. It hypnotizes you after-<strong>the</strong>-fact. Somewhere <strong>in</strong> this shoegazer pop rockscape, <strong>the</strong>re is a h<strong>in</strong>t of avant-garde. If you can’t stand croony two-piece rock bands that only feature keyboards, drums, and electronics, <strong>the</strong>n you should avoid Sunbears! <strong>in</strong> spite of how brilliant <strong>the</strong>y are. But if you love to have that excit<strong>in</strong>g new album that few people have heard, buy For Everyone and put ‘We Are Bl<strong>in</strong>d’ or ‘Stars’ on a couple of those mix CDs you make for girls. It’ll work. For a while. Let’s hope that Jonathan and Jared don’t take too long record<strong>in</strong>g a full length so that you can keep her around for a while. Six songs can get tired pretty fast, no matter how good <strong>the</strong>y are. - Jon Bosworth Album: Worldwide Artist: The Death Set Label: Counter Records (N<strong>in</strong>ja Tune Rock Impr<strong>in</strong>t) Release Date: April 22, 2008 If I called The Death Set’s music “Girl Scout an<strong>the</strong>m punk”, that could describe it accurately without giv<strong>in</strong>g you any better of an idea of what to expect from <strong>the</strong>ir performance at TSI Disco<strong>the</strong>que this month. But <strong>the</strong> truth is, I imag<strong>in</strong>e that this band was started by some Girl Scouts that decided to stop scout<strong>in</strong>g, bought a guitar and a Casio and took <strong>the</strong>ir high-energy cheer-like an<strong>the</strong>ms to <strong>the</strong> next level by load<strong>in</strong>g <strong>the</strong>m with angst and play<strong>in</strong>g for college kids all over <strong>the</strong> country. Of course this isn’t true. Actually, band founders Beau Velasco and Johnny Siera began play<strong>in</strong>g <strong>the</strong>ir reckless pop music <strong>in</strong> Sydney, Australia <strong>in</strong> 2005 and <strong>the</strong>n relocated to Baltimore after an experimental st<strong>in</strong>t <strong>in</strong> Brooklyn. The <strong>current</strong> l<strong>in</strong>eup, accord<strong>in</strong>g to <strong>the</strong>ir MySpace page, also <strong>in</strong>cludes Peter O’ Connell, Jahphet Landis, and Joey Sulkowski. None of whom, I suspect, have ever been Girl Scouts. In some of <strong>the</strong> album’s tracks, such as ‘Negative Th<strong>in</strong>k<strong>in</strong>g’ as well as ‘Selective Memories,’ this male presence is discernable, but songs like ‘Peak Oil,’ ‘Intermission,’ ‘Listen to this Collision’ and ‘Impossible’ blast this cheerleader punk nuanced by electronic sounds and a driv<strong>in</strong>g-but-simplistic drum rhythm. While <strong>the</strong>ir publicist <strong>com</strong>pares <strong>the</strong>m fi rst and foremost to <strong>in</strong>fl uences such as <strong>the</strong> Buzzcocks and M<strong>in</strong>or Threat, <strong>the</strong> songs that really stand out as belong<strong>in</strong>g uniquely to The Death Set are someth<strong>in</strong>g a bit more pop. The album could be defi ned by <strong>the</strong> punk numbers; songs such as ‘A Day <strong>in</strong> <strong>the</strong> Wife’ and ‘Heard It All Before’ are certa<strong>in</strong>ly old-school punk <strong>in</strong>fl uenced. But punky electro-pop songs such as ‘Around <strong>the</strong> World,’ ‘Superzero,’ and, my personal favorite, ‘Mov<strong>in</strong>g Forward’ show a fanciful and ruthlessly danceable Death Set that works just as well on a mix playlist for a friend as <strong>the</strong>y do with<strong>in</strong> <strong>the</strong> context of this album. It is songs like <strong>the</strong>se that stitch <strong>the</strong> disparate genres toge<strong>the</strong>r <strong>in</strong> a fashion that makes <strong>the</strong> album feel like an <strong>in</strong>tentionally crafted whole. They tie <strong>the</strong> room toge<strong>the</strong>r. If you are show<strong>in</strong>g Worldwide to someone that has never heard <strong>the</strong> band, I re<strong>com</strong>mend start<strong>in</strong>g it on ‘Mov<strong>in</strong>g Forward’ (track 12) and <strong>the</strong>n just let it play. By <strong>the</strong> time <strong>the</strong> song ‘MFDS’ (track 13) <strong>com</strong>es on, <strong>the</strong>y are sure to ask who this band is, and you get to answer, so appropriately, ‘Mo<strong>the</strong>r F**k<strong>in</strong>g Death Set.’ The Death Set are play<strong>in</strong>g TSI on Wednesday, May 7th with Bonde du Role. - Jon Bosworth
music | eujacksonville.<strong>com</strong> | MAY 2008 9