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W3C CSS2 Cascading Style Sheets, level 2 - instructional media + ...

W3C CSS2 Cascading Style Sheets, level 2 - instructional media + ...

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far-right<br />

Same as ’60deg’. With ’behind’, ’120deg’.<br />

right-side<br />

Same as ’90deg’. With ’behind’, ’90deg’.<br />

leftwards<br />

Moves the sound to the left, relative to the current angle. More precisely,<br />

subtracts 20 degrees. Arithmetic is carried out modulo 360 degrees. Note<br />

that ’leftwards’ is more accurately described as "turned counter-clockwise,"<br />

since it always subtracts 20 degrees, even if the inherited azimuth is already<br />

behind the listener (in which case the sound actually appears to move to the<br />

right).<br />

rightwards<br />

Moves the sound to the right, relative to the current angle. More precisely,<br />

adds 20 degrees. See ’leftwards’ for arithmetic.<br />

This property is most likely to be implemented by mixing the same signal into<br />

different channels at differing volumes. It might also use phase shifting, digital<br />

delay, and other such techniques to provide the illusion of a sound stage. The<br />

precise means used to achieve this effect and the number of speakers used to<br />

do so are user agent-dependent; this property merely identifies the desired end<br />

result.<br />

Example(s):<br />

H1 { azimuth: 30deg }<br />

TD.a { azimuth: far-right } /* 60deg */<br />

#12 { azimuth: behind far-right } /* 120deg */<br />

P.comment { azimuth: behind } /* 180deg */<br />

If spatial-azimuth is specified and the output device cannot produce sounds<br />

behind the listening position, user agents should convert values in the rearwards<br />

hemisphere to forwards hemisphere values. One method is as follows:<br />

if 90deg < x

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