barbara jansen - BADA

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experiments rhythm exercise_part 5 “Erwacht Ihr Schläfer drinnen” Rhythm exercise_part 5 is based on 11 voices. The Arduino board has been replaced through the DMX Replay Unit, and the braid is playing only with 11 voices. This experiment is exploring the rhythmic structure of the old German canon “Erwacht Ihr Schläfer drinnen” (“Awake you sleepers inside”, melody by Giacomo G. Ferrari, 1763-1842). The canon is based on three parts and each part is repeated once before the melody moves on to the next part (see notes below). In an attend to understand something about rhythmic structures in music, this simple melody was chosen, with the original aim of later playing the three canon voices on three braids. First, it has been explored how to transfer the traditional note notation into a more graphical notation. Each ton in the pitch range has been given a colour. The pitch range spans two octaves from C – F` (every pitch height triggering one voice/LED). Thereby the pitches from the lover octave were represented in darker colours and from the higher octave by lighter colours, for example D = dark brown, D`= light brown, F = dark green, F`= light green (see illustration below right). In the previous notation system, the length of a line represented a specific time duration. The notes below have been transferred into rectangles and the horizontal length of the rectangle represents the time duration of the note. The height of a line represents the light intensity value and the height position of a square corresponds to the height position of the notation of an individual pitch. Together, colour and height position of a square represent a specific pitch and therewith a specific voice/LED inside the braid. 114
F`= E`= D`= C`= H A G F E D C = = = = = = = = LED 11 = LED 10 = LED 9 = LED 8 = LED 7 = LED 6 = LED 5 = LED 4 = LED 3 = LED 2 = LED 1 115
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Composing over time, temporal patte
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Composing over time, temporal patte
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PRELUDE. . . . . . . . . . . . . .
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Textiles With the beginning of the
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on the circadian dominated body pro
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in Light Shell (2008) and Light and
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quickly became my main goal. Explor
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This form of physical involvement i
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physical objects, viz. the developm
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“The work of designing light is a
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experiments
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experiments Experimental Set-up: La
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experiments There are two ways in w
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experiments colour flow_part 1 The
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experiments The graphics below, rep
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experiments colour flow_part 1 In t
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experiments colour flow_part 2 Expe
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experiments colour flow_part 2 scen
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experiments colour flow_part 2 Scen
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experiments colour flow_part 2 Rese
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EXPERIMENTS such a solution is an o
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ate complex patterns, compositions
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experiments rhythm exercise Experim
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experiments rhythm exercise_part 1
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Page 85 and 86: Third Set-up First Second Third Set
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Page 97 and 98: Third Set-up: Code Microcontroler D
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Page 137 and 138: Creating timing/timeline for each L
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Page 158 and 159: acknowledgements
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Page 162 and 163: eferences HEMMINGS, J. 2012. Warp +
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efernces NOSAD. N.D. NOSAD. Availab
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Page: 10 Graphics: DEHOFF, P. 2008.
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Optical Fibres “What are optical
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woven light - powered by sun energy
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Industrial weaving MA Studies, 2006
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Industrial weaving MA Studies, 2006
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Light Shell MA Thesis, 2008 The Swe
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Esparteria EL Puerto de Santa Maria
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Esparteria Pilas, Andaluzia, Spain,
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Textiles, between 2005-2008. Many t
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Figure 1 Figure 2 Figure 3 on indus
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Figure 4 Figure 5 Figure 6 a heat s
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into knitted structures 3D knitting
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cepts incorporating dynamic lightin
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This paper has discussed a varying
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SMART TEXTILES BARBARA JANSEN rhyth
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of designing textiles using a new v
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SMART TEXTILES BARBARA JANSEN, MARI
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206 52
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DESIGN PROCESS The starting point o
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