barbara jansen - BADA

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appendix 1 SubTela (n.d.). Retrieved June 25, 2008 from the SubTela webpage at http://subtela. hexagram.ca/blog Wingfield, Rachel (2001). Light Sleeper: A silent alarm clock. Retrieved April 18, 2009 from the Loop. pH Design Research Studio at http://loop.ph/bin/view/ Loop/LightSleeper Worbin, Linda (2006). Dynamic Textile Patterns: Designing with Smart Textiles. Licentiate thesis, Department of Computer Science and Engineering, Chalmers University of Technology, Gothenburg FIGURES Figure 1–3: Photos: by author (2006) Figure 4–6: Photos: by The Swedish School of Textiles (2007) Figure 7–12: Photos: by Henrik Bengtsson, Imaginara (2008) 198
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Composing over time, temporal patte
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Composing over time, temporal patte
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PRELUDE. . . . . . . . . . . . . .
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Textiles With the beginning of the
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on the circadian dominated body pro
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in Light Shell (2008) and Light and
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quickly became my main goal. Explor
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This form of physical involvement i
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physical objects, viz. the developm
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“The work of designing light is a
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experiments
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experiments Experimental Set-up: La
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experiments There are two ways in w
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experiments colour flow_part 1 The
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experiments The graphics below, rep
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experiments colour flow_part 1 In t
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experiments colour flow_part 2 Expe
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experiments colour flow_part 2 scen
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experiments colour flow_part 2 Scen
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experiments colour flow_part 2 Rese
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EXPERIMENTS such a solution is an o
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ate complex patterns, compositions
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experiments rhythm exercise Experim
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experiments rhythm exercise_part 1
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experiments rhythm exercise_part 1_
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hythm exercise_part 2 “step by st
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1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,
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1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
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play 83
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Third Set-up First Second Third Set
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Phrase 12 ... ... ... 87
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Third Set-up: Code Microcontroler D
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The thirteen voices are now playing
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experiments avoiding making them ap
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experiments The following descripti
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experiments The element in Part 1 w
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Third Set-up Fourth Set-up gives th
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Creating timing/timeline for each L
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Expressions - achieved The research
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Timing order: Voice/LED 3 Voice/LED
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Time - Light Warum ziehen gewisse D
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Composition Research Diary Note (rh
Page 147 and 148: ∞ ∞ elements unit composition =
Page 149 and 150: Non-physical Variables: Notions: Li
Page 151 and 152: Design process: Instrument + Compos
Page 153 and 154: come of my work in the form of text
Page 155 and 156: Research Results Concluding the res
Page 158 and 159: acknowledgements
Page 160 and 161: eferences
Page 162 and 163: eferences HEMMINGS, J. 2012. Warp +
Page 164: efernces NOSAD. N.D. NOSAD. Availab
Page 167 and 168: Page: 10 Graphics: DEHOFF, P. 2008.
Page 169 and 170: Optical Fibres “What are optical
Page 171 and 172: woven light - powered by sun energy
Page 177 and 178: Industrial weaving MA Studies, 2006
Page 179 and 180: Industrial weaving MA Studies, 2006
Page 181 and 182: Light Shell MA Thesis, 2008 The Swe
Page 183 and 184: Esparteria EL Puerto de Santa Maria
Page 185 and 186: Esparteria Pilas, Andaluzia, Spain,
Page 187 and 188: Textiles, between 2005-2008. Many t
Page 189 and 190: Figure 1 Figure 2 Figure 3 on indus
Page 191 and 192: Figure 4 Figure 5 Figure 6 a heat s
Page 193 and 194: into knitted structures 3D knitting
Page 195 and 196: cepts incorporating dynamic lightin
Page 197: This paper has discussed a varying
Page 201 and 202: and the potential opportunities to
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Page 205 and 206: DESIGN CONTEXT Textiles are widely
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Page 209: BARBARA JANSEN The Swedish School o
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barbara jansen - BADA

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