barbara jansen - BADA

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experiments The graphics below, represent the four scenes, time-lines, from colour flow_ part 1. The colour order used in the illustration below does not correspond to colour order 1. In this illustration I have used clear, distinct colours to demonstrate the principles of the four different scenesThereby H = represents holding time and F = fading time. H H H H H etc. scene 1: scene 2: F H F H F H F F H F H F H scene 3: F H F H F H F scene 4: time line: 2 seconds 2 seconds 2 seconds 2 seconds 2 seconds 2 seconds 2 se 34
H F H F etc. F H F H F etc. H F H F etc. conds 2 seconds 2 seconds 2 seconds 2 seconds 2 seconds 2 seconds 35
Page 1 and 2: Composing over time, temporal patte
Page 3 and 4: Composing over time, temporal patte
Page 5 and 6: PRELUDE. . . . . . . . . . . . . .
Page 7 and 8: Textiles With the beginning of the
Page 9 and 10: on the circadian dominated body pro
Page 11 and 12: in Light Shell (2008) and Light and
Page 13 and 14: quickly became my main goal. Explor
Page 15 and 16: This form of physical involvement i
Page 17 and 18: physical objects, viz. the developm
Page 19 and 20: “The work of designing light is a
Page 22 and 23: experiments
Page 24 and 25: experiments Experimental Set-up: La
Page 26 and 27: experiments There are two ways in w
Page 30 and 31: experiments colour flow_part 1 The
Page 38 and 39: experiments colour flow_part 1 In t
Page 40 and 41: experiments colour flow_part 2 Expe
Page 42 and 43: experiments colour flow_part 2 scen
Page 44 and 45: experiments colour flow_part 2 Scen
Page 46 and 47: experiments colour flow_part 2 Rese
Page 48 and 49: EXPERIMENTS such a solution is an o
Page 50: experiments colour flow_part 2 The
Page 53 and 54: ate complex patterns, compositions
Page 56 and 57: experiments rhythm exercise Experim
Page 62 and 63: experiments rhythm exercise_part 1
Page 64 and 65: experiments rhythm exercise_part 1
Page 66 and 67: experiments rhythm exercise_part 1_
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Page 77 and 78: hythm exercise_part 2 “step by st
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Page 81 and 82: 1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
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Third Set-up First Second Third Set
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Phrase 12 ... ... ... 87
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experiments rhythm exercise_part 3
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Third Set-up: Code Microcontroler D
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The thirteen voices are now playing
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experiments avoiding making them ap
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experiments The following descripti
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experiments The element in Part 1 w
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Third Set-up Fourth Set-up gives th
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Creating timing/timeline for each L
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Expressions - achieved The research
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Timing order: Voice/LED 3 Voice/LED
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Time - Light Warum ziehen gewisse D
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Composition Research Diary Note (rh
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∞ ∞ elements unit composition =
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Non-physical Variables: Notions: Li
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Design process: Instrument + Compos
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come of my work in the form of text
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Research Results Concluding the res
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acknowledgements
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eferences
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eferences HEMMINGS, J. 2012. Warp +
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efernces NOSAD. N.D. NOSAD. Availab
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Page: 10 Graphics: DEHOFF, P. 2008.
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Optical Fibres “What are optical
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woven light - powered by sun energy
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Page 175 and 176:
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Industrial weaving MA Studies, 2006
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Industrial weaving MA Studies, 2006
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Light Shell MA Thesis, 2008 The Swe
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Esparteria EL Puerto de Santa Maria
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Esparteria Pilas, Andaluzia, Spain,
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Textiles, between 2005-2008. Many t
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Figure 1 Figure 2 Figure 3 on indus
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Figure 4 Figure 5 Figure 6 a heat s
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into knitted structures 3D knitting
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cepts incorporating dynamic lightin
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This paper has discussed a varying
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SMART TEXTILES BARBARA JANSEN rhyth
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of designing textiles using a new v
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SMART TEXTILES BARBARA JANSEN, MARI
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206 52
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DESIGN PROCESS The starting point o
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barbara jansen - BADA

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