barbara jansen - BADA

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appendix 1 Industrial weaving MA Studies, 2006-07, The Swedish School of Textiles, University of Borås Testing PMMA opical fibres (0,5mm, 0,75mm) in the warp system of a shaft machine (Dornier). Steel and copper used as weft materials, recolouring the light colour (white LED lamp). 176
Industrial weaving MA Studies, 2006-07, The Swedish School of Textiles, University of Borås Testing PMMA optical fibres (0,25mm) in weft system of shaft machine (Dornier), cooperation with company FOV, Borås. 177
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Composing over time, temporal patte
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Composing over time, temporal patte
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PRELUDE. . . . . . . . . . . . . .
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Textiles With the beginning of the
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on the circadian dominated body pro
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in Light Shell (2008) and Light and
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quickly became my main goal. Explor
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This form of physical involvement i
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physical objects, viz. the developm
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“The work of designing light is a
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experiments
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experiments Experimental Set-up: La
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experiments There are two ways in w
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experiments colour flow_part 1 The
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experiments The graphics below, rep
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experiments colour flow_part 1 In t
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experiments colour flow_part 2 Expe
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experiments colour flow_part 2 scen
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experiments colour flow_part 2 Scen
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experiments colour flow_part 2 Rese
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EXPERIMENTS such a solution is an o
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ate complex patterns, compositions
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experiments rhythm exercise Experim
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experiments rhythm exercise_part 1
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experiments rhythm exercise_part 1_
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hythm exercise_part 2 “step by st
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1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,
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1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
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play 83
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Third Set-up First Second Third Set
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Phrase 12 ... ... ... 87
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Third Set-up: Code Microcontroler D
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The thirteen voices are now playing
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experiments avoiding making them ap
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Page 126 and 127: experiments rhythm exercise_part 6
Page 128 and 129: experiments The following descripti
Page 130 and 131: experiments rhythm exercise_part 6
Page 132: experiments The element in Part 1 w
Page 135 and 136: Third Set-up Fourth Set-up gives th
Page 137 and 138: Creating timing/timeline for each L
Page 139 and 140: Expressions - achieved The research
Page 141 and 142: Timing order: Voice/LED 3 Voice/LED
Page 143 and 144: Time - Light Warum ziehen gewisse D
Page 145 and 146: Composition Research Diary Note (rh
Page 147 and 148: ∞ ∞ elements unit composition =
Page 149 and 150: Non-physical Variables: Notions: Li
Page 151 and 152: Design process: Instrument + Compos
Page 153 and 154: come of my work in the form of text
Page 155 and 156: Research Results Concluding the res
Page 158 and 159: acknowledgements
Page 160 and 161: eferences
Page 162 and 163: eferences HEMMINGS, J. 2012. Warp +
Page 164: efernces NOSAD. N.D. NOSAD. Availab
Page 167 and 168: Page: 10 Graphics: DEHOFF, P. 2008.
Page 169 and 170: Optical Fibres “What are optical
Page 171 and 172: woven light - powered by sun energy
Page 173 and 174: woven light - powered by sun energy
Page 175: woven light - powered by sun energy
Page 179 and 180: Industrial weaving MA Studies, 2006
Page 181 and 182: Light Shell MA Thesis, 2008 The Swe
Page 183 and 184: Esparteria EL Puerto de Santa Maria
Page 185 and 186: Esparteria Pilas, Andaluzia, Spain,
Page 187 and 188: Textiles, between 2005-2008. Many t
Page 189 and 190: Figure 1 Figure 2 Figure 3 on indus
Page 191 and 192: Figure 4 Figure 5 Figure 6 a heat s
Page 193 and 194: into knitted structures 3D knitting
Page 195 and 196: cepts incorporating dynamic lightin
Page 197 and 198: This paper has discussed a varying
Page 200 and 201: SMART TEXTILES BARBARA JANSEN rhyth
Page 202 and 203: of designing textiles using a new v
Page 204 and 205: SMART TEXTILES BARBARA JANSEN, MARI
Page 206 and 207: 206 52
Page 208 and 209: DESIGN PROCESS The starting point o
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