barbara jansen - BADA

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appendix 1 to develop new ways of working. Therefore one can say the field of Smart Textiles opens up for a shift in design practice. Not only do new materials generate new working methods and aesthetic and conceptual possibilities for textiles, they also oblige the designer to gain knowledge outside of their traditional field. Knowledge about electronics, programming, light and light technology needs to be implemented, and therefore does not only influence the field of tasks for the designer. Besides that, it will also need to involve design education, to make future designers being able to approach these new dimensions of designing. The field of Smart Textiles, for example working with lighting design, opens up more and more towards a dynamic and interactive design approach in textile design, which marks a big shift in the fields design practice. Craft and industrial processes have been used to explore the lighting possibilities for optical fibres in textile structures. Does craft stand against industrial? No, they in fact complement each other very well in a practice based design research approach. Both feature individual strengths: craft based processes allow a very free and direct working access and high flexibility in material choices and technical decisions. On the other hand industrial processes allow testing future visions in a bigger scale. Besides that, both ways create very specific aesthetic expressions. The work in the field of Smart Textiles develops a new type of working within craft, it allows to go beyond current industrial possibilities, and thereby pushes the industry towards new potential. Being able to merge them, like in Light Shell, enables to create future visions for textiles. The series of projects and experiments presented in this paper have initially started in weaving technology; exploring possibilities of how light can be integrated into a woven structure. A range of lighting expressions and conceptual applications areas have been investigated and are presented through samples and prototypes produced both through craft and industrial possibilities. Out of these two-dimensional explorations into textile light design, threedimensional investigations have been initiated. Resulting in models which integrate 3D knitting technology as well as working methods from weaving with optical fibres, by weaving in by hand optical fibres into 3D artefacts. Transferring knowledge from one technology to the other has enhanced the possibility to create future visions of lighting design through the media textile. 196
This paper has discussed a varying range of examples which explore aesthetical possibilities of how optical fibres can be integrated as an active part into textile structures. The final models of Light Shell visualize experiments in creating concepts of spaces for well being through the media light and textiles. Besides that, all examples of light investigations lay a base for new design technologies in weaving and knitting technology towards the integration of optical fibres into textile structures. REFERENCES Boyce, Peter, R. (2003). Human factors in lighting. [2nd Edition]. London, New York: Taylor & Francis Cimo, Mary (23.01.2006). New Math: Two Plus Two Equals Three. Retrieved April 17, 2008 from Lighting Research Center, LRC News at http://www.lrc.rpi.edu/resources/news/enews/Jan06/general303.html Dess, N. K. (2000). Shedding light on moods, Psychology Today (Vol. 33, pp. 26): Sussex Publishers Inc. Glofab (n.d.). Retrieved August 19, 2008 from the Glofab webpage at http:// www.glofab.se Jansen, Barbara (2007). Barbara Jansen, woven light – powered by sun energy. In: Über Grenzen, Mart- Stam- Förderpreis 2006 [exhibition catalogue]. Berlin: Mart-Stam-Fördergesellschaft Jansen, Barbara (2008). Light Shell. Master thesis, Swedish School of Textiles, University of Borås, Borås LBM-An Energy Focus Company (n.d.). Retrieved July 16, 2008 from the LBM webpage at http://lbm-efo.com Licht und Gesundheit (2008). Sechstes Symposium Licht und Gesundheit; Berlin, Germany, March13-14, 2008. Berlin: Technische Universität Berlin Luminex (2003-2006). Retrieved August 19, 2008 from Luminex webpage at www.luminex.it Parans Solar Lighting AB (n.d.). Retrieved July 1, 2008 from the Parans Solar Lighting webpage at http://www.parans.com Parans Solar Lighting AB (2008). Parans [catalogue]. Göteborg: Parans Solar Lighting AB Philips Lumalive (2004-2008). Retrieved June 24, 2008 from the Philips Lumalive webpage at http://www.lumalive.com 197
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PRELUDE. . . . . . . . . . . . . .
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Textiles With the beginning of the
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on the circadian dominated body pro
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in Light Shell (2008) and Light and
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quickly became my main goal. Explor
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experiments
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EXPERIMENTS such a solution is an o
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barbara jansen - BADA

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