barbara jansen - BADA

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experiments rhythm exercise Experimental Set-up: Laptop Microcontroler (Arduino) Driver LEDs: 13 Braid: 13in1 56
LED Each LED has a dimming range of 0 - 255: 0 = light off, or light intensity = 0 255 = light full on, or light intensity = 255 CODE The code used facilitates individual control of thirteen LEDs [thirteen DMX channels]. Thus, each LED can be activated independently and given its very own rhythm. When the light sequence of one LED has been run once, it automatically enters into an endless series of repetitions with an identical modus. 57
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Composing over time, temporal patte
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Composing over time, temporal patte
Page 5 and 6: PRELUDE. . . . . . . . . . . . . .
Page 7 and 8: Textiles With the beginning of the
Page 9 and 10: on the circadian dominated body pro
Page 11 and 12: in Light Shell (2008) and Light and
Page 13 and 14: quickly became my main goal. Explor
Page 15 and 16: This form of physical involvement i
Page 17 and 18: physical objects, viz. the developm
Page 19 and 20: “The work of designing light is a
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Page 24 and 25: experiments Experimental Set-up: La
Page 26 and 27: experiments There are two ways in w
Page 30 and 31: experiments colour flow_part 1 The
Page 34 and 35: experiments The graphics below, rep
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Page 42 and 43: experiments colour flow_part 2 scen
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Page 46 and 47: experiments colour flow_part 2 Rese
Page 48 and 49: EXPERIMENTS such a solution is an o
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Page 53 and 54: ate complex patterns, compositions
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Page 77 and 78: hythm exercise_part 2 “step by st
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Page 81 and 82: 1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
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Page 85 and 86: Third Set-up First Second Third Set
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Page 97 and 98: Third Set-up: Code Microcontroler D
Page 99 and 100: The thirteen voices are now playing
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experiments rhythm exercise_part 4
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experiments avoiding making them ap
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experiments The following descripti
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experiments The element in Part 1 w
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Third Set-up Fourth Set-up gives th
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Creating timing/timeline for each L
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Expressions - achieved The research
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Timing order: Voice/LED 3 Voice/LED
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Time - Light Warum ziehen gewisse D
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Composition Research Diary Note (rh
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∞ ∞ elements unit composition =
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Non-physical Variables: Notions: Li
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Design process: Instrument + Compos
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come of my work in the form of text
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Research Results Concluding the res
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acknowledgements
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eferences
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eferences HEMMINGS, J. 2012. Warp +
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efernces NOSAD. N.D. NOSAD. Availab
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Page: 10 Graphics: DEHOFF, P. 2008.
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Optical Fibres “What are optical
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woven light - powered by sun energy
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Industrial weaving MA Studies, 2006
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Industrial weaving MA Studies, 2006
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Light Shell MA Thesis, 2008 The Swe
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Esparteria EL Puerto de Santa Maria
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Esparteria Pilas, Andaluzia, Spain,
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Textiles, between 2005-2008. Many t
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Figure 1 Figure 2 Figure 3 on indus
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Figure 4 Figure 5 Figure 6 a heat s
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into knitted structures 3D knitting
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cepts incorporating dynamic lightin
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This paper has discussed a varying
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SMART TEXTILES BARBARA JANSEN rhyth
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of designing textiles using a new v
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SMART TEXTILES BARBARA JANSEN, MARI
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206 52
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DESIGN PROCESS The starting point o
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