barbara jansen - BADA

More documents

Recommendations

Info

appendix 1 Light Shell View into exhibition, December 2008, Textile-and Fashion Factory, Borås Design concept 1: lit up via white LED lamp and Design concept 2: has projected film inside to show dynamic lighting/daylight rhythm. 182
Esparteria EL Puerto de Santa Maria, Andaluzia, Spain, July 2009 Vineyard from Terry`s, El Puerto de Santa Maria 183
Page 1 and 2:
Composing over time, temporal patte
Page 3 and 4:
Composing over time, temporal patte
Page 5 and 6:
PRELUDE. . . . . . . . . . . . . .
Page 7 and 8:
Textiles With the beginning of the
Page 9 and 10:
on the circadian dominated body pro
Page 11 and 12:
in Light Shell (2008) and Light and
Page 13 and 14:
quickly became my main goal. Explor
Page 15 and 16:
This form of physical involvement i
Page 17 and 18:
physical objects, viz. the developm
Page 19 and 20:
“The work of designing light is a
Page 22 and 23:
experiments
Page 24 and 25:
experiments Experimental Set-up: La
Page 26 and 27:
experiments There are two ways in w
Page 28 and 29:
Page 30 and 31:
experiments colour flow_part 1 The
Page 32 and 33:
Page 34 and 35:
experiments The graphics below, rep
Page 36 and 37:
Page 38 and 39:
experiments colour flow_part 1 In t
Page 40 and 41:
experiments colour flow_part 2 Expe
Page 42 and 43:
experiments colour flow_part 2 scen
Page 44 and 45:
experiments colour flow_part 2 Scen
Page 46 and 47:
experiments colour flow_part 2 Rese
Page 48 and 49:
EXPERIMENTS such a solution is an o
Page 50:
Page 53 and 54:
ate complex patterns, compositions
Page 56 and 57:
experiments rhythm exercise Experim
Page 58 and 59:
Page 60 and 61:
Page 62 and 63:
experiments rhythm exercise_part 1
Page 64 and 65:
Page 66 and 67:
experiments rhythm exercise_part 1_
Page 68 and 69:
Page 70 and 71:
Page 72 and 73:
Page 74:
Page 77 and 78:
hythm exercise_part 2 “step by st
Page 79 and 80:
1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,
Page 81 and 82:
1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
Page 83 and 84:
play 83
Page 85 and 86:
Third Set-up First Second Third Set
Page 87 and 88:
Phrase 12 ... ... ... 87
Page 90 and 91:
Page 92 and 93:
Page 94:
Page 97 and 98:
Third Set-up: Code Microcontroler D
Page 99 and 100:
The thirteen voices are now playing
Page 102 and 103:
Page 104 and 105:
Page 106 and 107:
Page 108 and 109:
Page 110 and 111:
Page 112 and 113:
Page 114 and 115:
Page 116 and 117:
Page 118 and 119:
Page 120 and 121:
experiments avoiding making them ap
Page 122:
Page 126 and 127:
Page 128 and 129:
experiments The following descripti
Page 130 and 131:
Page 132: experiments The element in Part 1 w
Page 135 and 136: Third Set-up Fourth Set-up gives th
Page 137 and 138: Creating timing/timeline for each L
Page 139 and 140: Expressions - achieved The research
Page 141 and 142: Timing order: Voice/LED 3 Voice/LED
Page 143 and 144: Time - Light Warum ziehen gewisse D
Page 145 and 146: Composition Research Diary Note (rh
Page 147 and 148: ∞ ∞ elements unit composition =
Page 149 and 150: Non-physical Variables: Notions: Li
Page 151 and 152: Design process: Instrument + Compos
Page 153 and 154: come of my work in the form of text
Page 155 and 156: Research Results Concluding the res
Page 158 and 159: acknowledgements
Page 160 and 161: eferences
Page 162 and 163: eferences HEMMINGS, J. 2012. Warp +
Page 164: efernces NOSAD. N.D. NOSAD. Availab
Page 167 and 168: Page: 10 Graphics: DEHOFF, P. 2008.
Page 169 and 170: Optical Fibres “What are optical
Page 171 and 172: woven light - powered by sun energy
Page 177 and 178: Industrial weaving MA Studies, 2006
Page 179 and 180: Industrial weaving MA Studies, 2006
Page 181: Light Shell MA Thesis, 2008 The Swe
Page 185 and 186: Esparteria Pilas, Andaluzia, Spain,
Page 187 and 188: Textiles, between 2005-2008. Many t
Page 189 and 190: Figure 1 Figure 2 Figure 3 on indus
Page 191 and 192: Figure 4 Figure 5 Figure 6 a heat s
Page 193 and 194: into knitted structures 3D knitting
Page 195 and 196: cepts incorporating dynamic lightin
Page 197 and 198: This paper has discussed a varying
Page 200 and 201: SMART TEXTILES BARBARA JANSEN rhyth
Page 202 and 203: of designing textiles using a new v
Page 204 and 205: SMART TEXTILES BARBARA JANSEN, MARI
Page 206 and 207: 206 52
Page 208 and 209: DESIGN PROCESS The starting point o
show all

barbara jansen - BADA

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?