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A Guide to the ALM Thesis - iSites - Harvard University

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34<br />

| Chapter 3: The Research Proposal<br />

In this regard, we urge you <strong>to</strong> consult <strong>the</strong> online course catalogue for <strong>the</strong> Faculty of Arts and Sciences <strong>to</strong> ensure<br />

that <strong>the</strong>re are faculty teaching courses in <strong>the</strong> general area of your proposed <strong>to</strong>pic. The catalogue will also tell you<br />

<strong>the</strong> rank of <strong>the</strong> instruc<strong>to</strong>r involved. <strong>Thesis</strong> direc<strong>to</strong>rs must hold <strong>the</strong> rank of senior lecturer, assistant professor,<br />

associate professor, full professor, or professor emeritus/emerita and be voting members of <strong>the</strong> Faculty of Arts<br />

and Sciences; or hold a senior-level teaching appointment in one of <strong>the</strong> o<strong>the</strong>r faculties (such as Law, Education,<br />

Medicine). Not all instruc<strong>to</strong>rs in <strong>the</strong> Extension program meet <strong>the</strong>se requirements, so <strong>the</strong> fact that you had a certain<br />

professor in an Extension course does not necessarily mean that this person is eligible <strong>to</strong> direct an <strong>ALM</strong> <strong>the</strong>sis.<br />

How do you choose a research <strong>to</strong>pic? Like any large undertaking, this one is easiest <strong>to</strong> approach if broken down<br />

in<strong>to</strong> smaller steps. Your first step should be simply <strong>to</strong> brains<strong>to</strong>rm: make a list of <strong>to</strong>pics that might interest you.<br />

They may be related <strong>to</strong> papers you have written for earlier Extension courses, <strong>to</strong> your reading, or <strong>to</strong> issues raised<br />

in connection with your work. Let <strong>the</strong> list take shape over several days or weeks until you have a number of<br />

<strong>to</strong>pics. Then go down <strong>the</strong> list and rank <strong>the</strong> <strong>to</strong>pics in order of preference.<br />

Step two involves discussing your list with <strong>the</strong> research advisor for your field. Bearing his or her responses in mind,<br />

you are now ready <strong>to</strong> select one <strong>to</strong>pic for step three. Take a blank piece of paper and write briefly what you know<br />

and what you would like <strong>to</strong> find out about <strong>the</strong> <strong>to</strong>pic. It will be helpful <strong>to</strong> keep <strong>the</strong> following questions in mind:<br />

• What has been said about this subject already?<br />

• Which aspects of this <strong>to</strong>pic remain unexplored or unresolved?<br />

• Do any questionable or erroneous assumptions characterize <strong>the</strong> previous writings on<br />

this <strong>to</strong>pic?<br />

• Is <strong>the</strong>re a particular method or approach <strong>to</strong> this <strong>to</strong>pic that might shed new light on it?<br />

Writing in this way tests your interest and also suggests how much you need <strong>to</strong> discover in order <strong>to</strong> begin <strong>to</strong><br />

prepare a proposal on <strong>the</strong> chosen <strong>to</strong>pic. If, for example, you are interested in medieval architecture but find that<br />

you cannot think of a single ca<strong>the</strong>dral you know well, <strong>the</strong>n you have a lot of work ahead of you, and you may<br />

want <strong>to</strong> rethink <strong>the</strong> <strong>to</strong>pic. If your short essay proves <strong>to</strong> you that <strong>the</strong> <strong>to</strong>pic is not worth pursuing, move <strong>to</strong> <strong>the</strong> next<br />

on your list of interests and write briefly again, and so on, until you feel satisfied with <strong>the</strong> <strong>to</strong>pic you have selected.<br />

Once a general research <strong>to</strong>pic has been chosen, <strong>the</strong> next step should be <strong>to</strong> find ways <strong>to</strong> limit it, give it clearer<br />

focus, and shape it in<strong>to</strong> a tightly defined research problem or question. If <strong>the</strong> problem is <strong>to</strong>o broad, <strong>the</strong> research<br />

is likely <strong>to</strong> remain superficial. There will simply be <strong>to</strong>o much material for you <strong>to</strong> investigate. Conversely, <strong>the</strong> <strong>to</strong>pic<br />

may be so narrow that not enough material exists <strong>to</strong> do it justice. You may find yourself fascinated by a particular<br />

<strong>to</strong>pic but discover that <strong>the</strong>re is only one article on it and that it is written in a language you do not read. It is <strong>the</strong>n<br />

wise <strong>to</strong> choose ano<strong>the</strong>r <strong>to</strong>pic.<br />

All this does not mean, however, that <strong>the</strong> <strong>the</strong>sis cannot deal with important issues. It should. But <strong>the</strong> mark of a<br />

careful and competent researcher is <strong>to</strong> know how <strong>to</strong> pick <strong>the</strong> proper angle from which <strong>to</strong> approach an issue.<br />

Consider, for example, <strong>the</strong> problem of u<strong>to</strong>pias. No <strong>the</strong>sis could possibly encompass all <strong>the</strong> ramifications of<br />

this <strong>to</strong>pic. Instead, <strong>the</strong> investiga<strong>to</strong>r might examine u<strong>to</strong>pias created in a particular period or country, or <strong>the</strong><br />

psychological or economic ramifications of particular u<strong>to</strong>pian systems. Alternatively, one might focus on <strong>the</strong><br />

A <strong>Guide</strong> <strong>to</strong> <strong>the</strong> <strong>ALM</strong> <strong>Thesis</strong>

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