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A Guide to the ALM Thesis - iSites - Harvard University

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| Chapter 4: The <strong>ALM</strong> <strong>Thesis</strong><br />

The abstract is typically a one-page, double-spaced summary, although a second page is also acceptable. It<br />

presents a succinct overview of <strong>the</strong> <strong>the</strong>sis including (1) <strong>the</strong> hypo<strong>the</strong>sis or basic goal of <strong>the</strong> project, (2) <strong>the</strong> relevant<br />

background, (3) <strong>the</strong> research methods employed, (4) <strong>the</strong> chief results, and (5) <strong>the</strong> author’s overall conclusion(s)<br />

in that order. An outline of <strong>the</strong> <strong>the</strong>sis is not a satisfac<strong>to</strong>ry substitute for <strong>the</strong> abstract. A sample abstract from<br />

an Area C <strong>the</strong>sis in <strong>the</strong> field of English is shown below. Two additional samples from Areas A and B are found in<br />

Appendix 2.<br />

↕<br />

(1 double space down from <strong>to</strong>p margin, 1½" <strong>to</strong>tal)<br />

↕<br />

Abstract<br />

(Text begins here, 2 double spaces below <strong>the</strong> title. This is what is meant by quadruple spacing.) This study investigates <strong>the</strong><br />

causes for <strong>the</strong> rise of statistical thinking during <strong>the</strong> 19th century and questions <strong>the</strong> extent <strong>to</strong> which <strong>the</strong> subsequent<br />

popular fascination with statistical studies influenced <strong>the</strong> literary art of Charles Dickens. If Dickens shared a healthy<br />

ambivalence about statistics with his Vic<strong>to</strong>rian readers, did that feeling shape his art in some way? Data drawn from<br />

contemporary literature, personal correspondence, and Dickens’ own work all show evidence of a progressive and<br />

parallel interest in ma<strong>the</strong>matical and statistical language and <strong>the</strong>mes. That is <strong>to</strong> say, as statistical inquiry grew more<br />

popular in <strong>the</strong> real world of Charles Dickens, statistical rhe<strong>to</strong>ric grew in <strong>the</strong> world of his fiction. This study traces that<br />

progress through “The Mudfog Papers” (1836-37), A Christmas Carol (1843), and The Chimes (1844) <strong>to</strong> its culmination<br />

in Hard Times (1854). The investigation concludes that in Hard Times Dickens perfected <strong>the</strong> rhe<strong>to</strong>ric of quantification—<br />

<strong>the</strong> use of statistical and ma<strong>the</strong>matical language and imagery—and employed it as an integral satiric element. With <strong>the</strong><br />

rhe<strong>to</strong>ric of quantification as a satiric device, Dickens raised <strong>to</strong> an art form <strong>the</strong> language of numbers, or quantification,<br />

so pervasive in popular culture. Through <strong>the</strong> rhe<strong>to</strong>ric of quantification Dickens expressed ano<strong>the</strong>r unique feature of his<br />

genius for transforming real-life fact in<strong>to</strong> fiction.<br />

Note: As in <strong>the</strong> research proposal, <strong>the</strong> abstract asks and answers a question. If <strong>the</strong> rest of<br />

<strong>the</strong> <strong>the</strong>sis were missing, <strong>the</strong> abstract could stand alone as a summary of <strong>the</strong> research, and<br />

would be comprehensible <strong>to</strong> a reader unfamiliar with <strong>the</strong> text.<br />

A <strong>Guide</strong> <strong>to</strong> <strong>the</strong> <strong>ALM</strong> <strong>Thesis</strong>

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