The secular angel in contemporary children's literature: David ...
The secular angel in contemporary children's literature: David ...
The secular angel in contemporary children's literature: David ...
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concepts. As a result, the Fall’s mean<strong>in</strong>g and significance is <strong>in</strong>verted and transformed <strong>in</strong>to a<br />
beneficial and necessary act of freedom for humanity.<br />
<strong>The</strong> notion and ‘struggle’ between the contraries, <strong>in</strong>nocence and experience, is also<br />
challenged and the merits of each placed under scrut<strong>in</strong>y when viewed through a <strong>secular</strong> lens,<br />
ma<strong>in</strong>ly as a result of the sometimes f<strong>in</strong>e l<strong>in</strong>e that separates good and evil, and the complicated<br />
and unclear def<strong>in</strong>ition of <strong>in</strong>nocence and of experience. A clear example of this is the fact that<br />
the child protagonist Lyra is represented as <strong>in</strong>nocent and somewhat ignorant <strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g<br />
of the trilogy, but upon closer <strong>in</strong>spection she can be described as significantly more <strong>in</strong>telligent<br />
and perceptive than other children her age. It cannot be denied that Pullman’s atheistic beliefs<br />
envelop his render<strong>in</strong>g of the story of Genesis. This is evident not only <strong>in</strong> the portrayal of the<br />
fraudulent God-figure and his Regent Metatron, who was once a man, and a descendant of<br />
Adam, but, most of all, <strong>in</strong> his detailed description of the corrupt Magisterium, created by men<br />
seek<strong>in</strong>g control over others. Thus, it seems that the author’s disda<strong>in</strong> is aimed mostly towards<br />
the atrocities and wrong-do<strong>in</strong>gs of organised religion <strong>in</strong> the past few centuries; acts of<br />
violence and hatred that were implemented and executed <strong>in</strong> the name of God and the<br />
Church. 10 However, the assumption that Pullman is “of the Devil’s party” (de Bertodano,<br />
2002) as Blake stated Milton was, could not be further from the truth; for, not be<strong>in</strong>g on God’s<br />
side does not presuppose an alliance with the Devil. Ultimately, the virtues and morals the<br />
novel endorses are love, compassion, bravery, and the strength of character to fight for what is<br />
righteous and just, aga<strong>in</strong>st all odds.<br />
10 In an <strong>in</strong>terview, Pullman declares that his antipathy to the Church comes “from history. It comes from the<br />
record of the Inquisition, persecut<strong>in</strong>g heretics and tortur<strong>in</strong>g Jews and all that sort of stuff; and it comes from the<br />
other side, too, from the Protestants burn<strong>in</strong>g the Catholics. It comes from the <strong>in</strong>sensate pursuit of <strong>in</strong>nocent and<br />
crazy old women, and from the Puritans <strong>in</strong> America burn<strong>in</strong>g and hang<strong>in</strong>g the witches – and it comes not only<br />
from the Christian church but also from the Taliban. Every s<strong>in</strong>gle religion that has a monotheistic god ends up by<br />
persecut<strong>in</strong>g other people and kill<strong>in</strong>g them because they don’t accept him. Wherever you look <strong>in</strong> history, you f<strong>in</strong>d<br />
that. It’s still go<strong>in</strong>g on” (Heat and Dust: Pullman Interview, 2006).<br />
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