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The secular angel in contemporary children's literature: David ...

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subject to the laws of optics. <strong>The</strong>y engage <strong>in</strong> more <strong>in</strong>timate relations with<br />

humanity than <strong>in</strong> any other modern text. <strong>The</strong>ir representation engenders<br />

conceptual problems: as the poet John Dryden compla<strong>in</strong>ed, their<br />

numerousness is perplex<strong>in</strong>g. […] Milton’s <strong>angel</strong>s are a mix of literal<br />

representation, extensive learn<strong>in</strong>g, unusually theology, and <strong>in</strong>spired<br />

storytell<strong>in</strong>g, all subord<strong>in</strong>ated to a narrative that is at once descriptive and<br />

heuristic. (Raymond, 2010, 10)<br />

Pullman’s description of <strong>angel</strong>s—apart from their abovementioned ethereal nature—does not<br />

significantly differ from Milton’s <strong>in</strong> regards to their communication and relationships with<br />

humans. It is <strong>in</strong>terest<strong>in</strong>g to note, yet difficult to p<strong>in</strong>po<strong>in</strong>t, the reason beh<strong>in</strong>d Pullman’s<br />

decision to present them <strong>in</strong> a Christian light as far as their appearance and nature is concerned,<br />

while, at the same time, creat<strong>in</strong>g two apparently male <strong>angel</strong>s—defy<strong>in</strong>g their stereotypical<br />

asexual nature—who are <strong>in</strong> love with each other. Baruch and Balthamos are two <strong>angel</strong>s whose<br />

nature and background are <strong>in</strong>troduced <strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g of AS; they tell the truth, but are<br />

weaker than human be<strong>in</strong>gs because they do not have true flesh. <strong>The</strong>y are not of a high order<br />

among <strong>angel</strong>s and so they can barely be seen, especially <strong>in</strong> daylight. <strong>The</strong>y also state that they<br />

are far wiser than human be<strong>in</strong>gs. <strong>The</strong>y undoubtedly form a pair <strong>in</strong> the trilogy, as they are<br />

companions and have loved each other deeply for many years. Baruch, who was once a man,<br />

was transformed <strong>in</strong>to an <strong>angel</strong> by Balthamos.<br />

Despite the love that he has for Baruch, he also expresses gratitude <strong>in</strong> that he has learned<br />

to be k<strong>in</strong>der because of him. Baruch’s death <strong>in</strong> the AS changes Balthamos, and follow<strong>in</strong>g a<br />

short time of overwhelm<strong>in</strong>g grief, he vows to help Will <strong>in</strong> his quest, but to do so “cheerfully<br />

and will<strong>in</strong>gly, for the sake of Baruch” (Pullman, AS, 93). Both <strong>angel</strong>s play a small but a<br />

nonetheless vital role <strong>in</strong> the trilogy. <strong>The</strong>se two <strong>angel</strong>s, however, also stand for someth<strong>in</strong>g else.<br />

<strong>The</strong>ir apparent homosexual love for one another is one of the many reasons the author has<br />

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