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design-project<br />

The work of today’s designer. You have to<br />

know how to combine what it actually is and<br />

create the right feeling – this is creativity. Of<br />

course, professionalism also comes into play<br />

as well as personal taste: an understanding of<br />

how materials work and what type of effect<br />

they give.<br />

It is no secret that seeing is believing especially<br />

when it comes down to something as large<br />

and as costly as a construction project. Modern<br />

3D-modelling allows you to see the building before<br />

it has been built and it has now become<br />

a bridge between the different project phases,<br />

enhancing the mutual understanding of all<br />

involved. Efficiency, a quick turn-around and its<br />

likeness to the real thing have all predetermined<br />

the success of visual modelling technology. It is<br />

possible that visual technology will find other<br />

uses in other areas of our lives besides architecture<br />

and design in the very near future.<br />

that ‘a design should flow from the architecture.<br />

I think that an architect’s and a designer’s<br />

main task is just to unite and bring together<br />

large and small forms’.<br />

And of course, design elements should dovetail<br />

into one another. The trump card of many<br />

contemporary designs is the use of identical<br />

materials. In this Millenium Park bathroom, for<br />

example, a long slate counter- top is built into<br />

the wall and the unit has an integrated slate<br />

washbasin, giving a single, smooth monolith-effect.<br />

This is a very effective and individual design.<br />

This type of approach is important not only for<br />

high-end clients: lower-end clients are also now<br />

moving towards using the same materials’.<br />

61

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