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EXECUTIVE SUITE (continued from page ##)<br />
Frame rates and laser projection were on the agenda as two technologies<br />
that offer the possibility of improved quality but challenging<br />
business models. And of course 3D remains an important technology<br />
discussion point. A reinvigorated NATO Technology Committee<br />
will address all of these issues in the coming weeks and months.<br />
As NATO made clear in a recent report to its members, the end<br />
of film is near and every exhibitor must finalize their own plans<br />
to convert to digital, or make the decision to exit the business. The<br />
NATO meetings in Washington served to remind members of all<br />
the complicated issues at stake, as well as the resources available to<br />
navigate through those challenges.<br />
the association focuses on outreach.<br />
Members discussed the most significant development of the year—<br />
the test of four studios with so-called “premium” VOD with DirecTV.<br />
Those gathered concluded that the test has been a failure for the<br />
studios, and expressed their gratitude for the members of the creative<br />
community who spoke out in support of the theatrical experience.<br />
In a moment of déjà vu, however, Universal Studios announced<br />
in the middle of the NATO meetings their intention to conduct a<br />
PVOD test with an extraordinarily short window in two markets:<br />
Atlanta, Georgia and Portland, Oregon. As this column went to print,<br />
the issue remained unresolved. (Given the fact that the DirecTV<br />
announcement was made during CinemaCon, and the Universal<br />
suggestion was made during NATO’s annual meetings, one exhibitor<br />
joked that perhaps NATO shouldn’t meet any more!)<br />
The news about Universal served to reinforce the priority attention<br />
given by the association to the issue of windows. During its<br />
meeting, the Executive Board confirmed its intention to dedicate the<br />
resources necessary to continue the industry’s outreach to the creative<br />
and financial communities, and to the broader public, as well.<br />
DIGITAL CINEMA ROLL-OUT ACCELERATES<br />
During the discussions of the NATO Advisory Board, in select committee<br />
and task force meetings, and during informal chats at the receptions<br />
and meal functions, digital cinema remained a significant<br />
focal point. NATO staff presented data on the pace of the roll out<br />
and the strength of 3D. Independent operators discussed issues of<br />
concern to them, including the continued activities of the Cinema<br />
Buying Group. The Advisory Board meeting included a productive<br />
conversation between the Department of Justice, NATO staff and<br />
lawyers, and volunteer member leaders regarding the inclusion<br />
of technologies for the deaf and blind within the broader digital<br />
cinema roll-out.<br />
Technology always constitutes an important part of the NATO<br />
discussions, and this year was no different. Members examined the<br />
issue of satellite delivery and the current work to develop an open<br />
delivery utility that can be used by all suppliers and all exhibitors.<br />
MOVIE THEFT COMPLICATES BUSINESS MODELS AND<br />
STIMULATES VARIED REACTIONS AMONG EXHIBITORS<br />
In advance of the annual meetings, NATO staff and volunteers on<br />
the association’s Membership Committee conducted and analyzed<br />
a survey of members. (The survey, which reflected strong member<br />
support of the association and its activities, was discussed during<br />
the meetings. Members seeking more information should contact<br />
the NATO offices.) One finding of the survey surprised the association’s<br />
president. When the members were asked to establish the<br />
relative priority of a list of issues, windows, d-cinema and government<br />
relations issues appeared in a group of top priorities, while<br />
movie theft appeared in a lower group of mid-level priorities.<br />
Data suggests that exhibitors in the U.S. lose $700 million or<br />
more in ticket sales every year because of pirated movies. And<br />
that data is six years old—it predates Transformers, The Dark Knight<br />
and Twilight. The MPAA has conducted newer research and the<br />
association hopes to have the results soon. It is likely, though, that<br />
the number has grown and domestic exhibitors may be losing ten<br />
percent of their business to theft. Given the magnitude of the economic<br />
impact, contrasted with the mid-level interest of industry<br />
leaders, NATO has some work to do in terms of member education.<br />
At the annual meetings, movie theft constituted a priority. In<br />
addition to the lobbying efforts, the members also discussed the<br />
rewards program, patron notification methods, detection technologies<br />
and other related issues. NATO’s Executive Board established a<br />
task force of members to examine new detection technologies and<br />
discuss possible models for implementation.<br />
GOVERNMENT RELATIONS ISSUES CONTINUE TO<br />
COMMAND ATTENTION<br />
In addition to the lobbying on movie theft legislation, other government<br />
relations issues were discussed at the annual meetings.<br />
On the federal level, NATO continues its work to reduce payment<br />
card processing fees, to affect pending rules regarding menu labeling<br />
requirements, to prevent or soften the burden of new labor<br />
relations rules and to change rules that prohibit the use of laser<br />
projectors in cinemas.<br />
NATO also coordinates with various regional units across the<br />
country. The regional unit leaders also met in Washington to discuss<br />
such state and local issues as admission taxes, beverage taxes, minimum<br />
wage requirements and more.<br />
The breadth of topics discussed during the week in Washington<br />
simply exceeds the space limitations of this column. Any member<br />
or industry supporter who desires more information should contact<br />
the NATO offices. For now, the NATO staff thanks the many members<br />
who journeyed to our nation’s capital for the meetings.<br />
12 BOXOFFICE PRO NOVEMBER <strong>2011</strong>