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ON THE HORIZON ><br />
DCS<br />
Digital Cinema Loudspeakers<br />
An integral part of<br />
the most complete<br />
D-Cinema<br />
Audio Solution<br />
DCP-100 Digital Cinema<br />
<strong>Pro</strong>cessor<br />
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DCS Loudspeakers<br />
©<strong>2011</strong> QSC Audio <strong>Pro</strong>ducts, LLC. All rights<br />
reserved. QSC and the QSC logo are registered<br />
trademarks of QSC Audio <strong>Pro</strong>ducts, LLC in the U.S.<br />
Patent and Trademark office and other countries.<br />
HELL ON WHEELS<br />
JOSEPH GORDON-LEVITT PUTS<br />
THE PEDAL TO THE METAL<br />
PREMIUM RUSH<br />
HARDCORE CYCLES<br />
DISTRIBUTOR Sony CAST Joseph Gordon-Levitt, Michael Shannon, Aasif Mandvi, Dania Ramirez, Jamie Chung, Aaron Tveit, Heather<br />
Lindell, Lauren Ashley Carter DIRECTOR David Koepp SCREENWRITERS David Koepp, John Kamps PRODUCER Gavin Polone GENRE<br />
Action RATING TBD RUNNING TIME TBD RELEASE DATE January 13, 2012<br />
> <strong>Pro</strong>duction for director David Koepp’s Premium Rush has had its pitfalls: like when star<br />
Joseph Gordon-Levitt was flung from a bike into the back of a taxi and endured 31 stitches<br />
for a gash in his arm. But the biggest drama happened, this August, when novelist Joe Quirk<br />
sued the studio for copyright infringement as his book The Ultimate Rush, a thriller about<br />
rollerblading messengers (published in 1998, the height of the blading trend), greatly resembled<br />
the plot of Premium Rush. A series of internal documents supported Quirk’s claims<br />
of intellectual property theft. But the production was wrapped (and the lawsuit continues)<br />
and the result is a taut actioner about a bike messenger who delivers a piece of mail so controversial<br />
that a dirty NY cop (Michael Shannon) bullies him into retrieving it (soooo against<br />
deliveryman rules). If you can overcome the silliness of men and women zooming on bikes,<br />
this is probably the coolest thing ever—I mean bike culture is huge, and so many celebrities<br />
talk about their early days as bike messengers as if it’s how they exercised their need for<br />
excitement before hitting it big. Everyone needs an adrenaline bump, right? And this film<br />
offers that, along with views of Manhattan as if taken right off a GPS. It’s stylized and serving<br />
hipsters with fixies, but is it cool? You be the judge.<br />
68 BOXOFFICE PRO NOVEMBER <strong>2011</strong>