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Boxoffice® Pro - December 2013

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<strong>2013</strong>: WORLD MARKET ANALYSIS<br />

The only Japanese film to crack the $100 million mark in the<br />

local market, Hayao Miyazaki’s The Wind Rises has grossed<br />

$118.5 million in the domestic market. The film opens in North<br />

America on February 21, 2014.<br />

the original’s $41.5 million run in 2011 by bringing in $26.4 million<br />

in its theatrical run. Schlussmacher posted a $23.8 million take in its<br />

home country. The biggest comedy of the year, however, came from<br />

Hollywood. The Hangover Part III charmed German audiences and<br />

walked away from the market with a $31 million gross; a positive result<br />

that still fell below the expectations set by The Hangover Part II’s $42.6<br />

million take from 2011. The Hangover Part III finished the year behind<br />

Django Unchained and Despicable Me 2 as the third-biggest release of<br />

<strong>2013</strong>.<br />

ITALY<br />

n It took a single weekend for Italian comedy Sole a catinelle to become<br />

the highest-grossing film of <strong>2013</strong>. The comedy starring Checco Zalone<br />

collected $25.4 million in its debut, leaving the former frontrunner for<br />

the year’s box office title, Iron Man 3, in the dust with a $20.9 million<br />

take.<br />

Italian comedies have had similar juggernaut performances in the<br />

past. The last time a domestic comedy took over the market occurred<br />

with Che bella giornata, a film that never relinquished its box office dominance<br />

after a January 2011 release that culminated with a $59.3 million<br />

gross. The total gross of Che bella giornata was $30 million above the tally<br />

of that year’s second place film, Harry Potter and the Deathly Hallows:<br />

Part 2.<br />

Italian audiences showed support for a number of other domestic<br />

releases throughout the year. Comedies Il principe abusivo and Benevenuto<br />

Presidente! collected $18.9 million and $11.1 million, respectively.<br />

Domestic dramas also connected with audiences; La migliore offerta<br />

featured performances by Geoffrey Rush and Donald Sutherland, along<br />

with a score composed by the legendary Ennio Moricone. The film went<br />

on to earn $12 million in its home country. Paolo Sorrentino, one of<br />

the country’s most acclaimed active filmmakers, collected $8.7 million<br />

with La grande bellezza, the best outing of his career in his home nation.<br />

La grande bellezza is Italy’s submission for best foreign film at this year’s<br />

Academy Awards.<br />

A trio of animated films also found box office success. Despicable Me<br />

2 improved upon the original’s $17.5 million gross with a $20.5 million<br />

run, making it the highest-grossing animated release of the year. The<br />

Croods impressed with a $15 million take, and Monsters University edged<br />

out Monsters, Inc. with a $12 million tally that beat the original’s $11.2<br />

million gross.<br />

JAPAN<br />

n Hayao Miyazaki, the Japanese auteur behind modern classics like<br />

Princess Mononoke, Spirited Away, and Howl’s Moving Castle, announced<br />

his retirement this year. Miyazaki’s films have left an impression on film<br />

history, and his name is on a shortlist of world-renowned animators who<br />

have advanced the art form through their work. Whether The Wind Rises<br />

will truly prove to be Miyazaki’s final film remains to be seen (there have<br />

been rumors suggesting his return), but there is little doubt that Miyazaki’s<br />

swan song was the biggest story at the Japanese box office of <strong>2013</strong>.<br />

The Wind Rises became the only film to break the $100 million mark in<br />

Japan this year after the animated film grossed $118.5 million since its<br />

July debut.<br />

Animation is the dominant genre in Japan, overshadowing nearly all<br />

other releases in terms of box office returns. Anime is a particular bright<br />

spot for contemporary Japanese cinema, responsible for some of the year’s<br />

biggest hits. The anime standouts of the year include Doraemon the Movie:<br />

Nobita’s Secret Gadget Museum ($40.5 million); Detective Conan Movie<br />

17: Private Eye in the Distant Sea ($36 million); and Dragonball Z: Kami<br />

to Kami ($31.1 million).<br />

Hollywood’s animated releases were led by a commanding performance<br />

from Monsters University. The Disney/Pixar release was the<br />

second biggest film in the market with $90.1 million, the largest sum<br />

22 BoxOffice ® <strong>Pro</strong> The Business of Movies DECEMBER <strong>2013</strong>

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