Boxoffice® Pro - December 2013
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<strong>2013</strong>: WORLD MARKET ANALYSIS<br />
The only Japanese film to crack the $100 million mark in the<br />
local market, Hayao Miyazaki’s The Wind Rises has grossed<br />
$118.5 million in the domestic market. The film opens in North<br />
America on February 21, 2014.<br />
the original’s $41.5 million run in 2011 by bringing in $26.4 million<br />
in its theatrical run. Schlussmacher posted a $23.8 million take in its<br />
home country. The biggest comedy of the year, however, came from<br />
Hollywood. The Hangover Part III charmed German audiences and<br />
walked away from the market with a $31 million gross; a positive result<br />
that still fell below the expectations set by The Hangover Part II’s $42.6<br />
million take from 2011. The Hangover Part III finished the year behind<br />
Django Unchained and Despicable Me 2 as the third-biggest release of<br />
<strong>2013</strong>.<br />
ITALY<br />
n It took a single weekend for Italian comedy Sole a catinelle to become<br />
the highest-grossing film of <strong>2013</strong>. The comedy starring Checco Zalone<br />
collected $25.4 million in its debut, leaving the former frontrunner for<br />
the year’s box office title, Iron Man 3, in the dust with a $20.9 million<br />
take.<br />
Italian comedies have had similar juggernaut performances in the<br />
past. The last time a domestic comedy took over the market occurred<br />
with Che bella giornata, a film that never relinquished its box office dominance<br />
after a January 2011 release that culminated with a $59.3 million<br />
gross. The total gross of Che bella giornata was $30 million above the tally<br />
of that year’s second place film, Harry Potter and the Deathly Hallows:<br />
Part 2.<br />
Italian audiences showed support for a number of other domestic<br />
releases throughout the year. Comedies Il principe abusivo and Benevenuto<br />
Presidente! collected $18.9 million and $11.1 million, respectively.<br />
Domestic dramas also connected with audiences; La migliore offerta<br />
featured performances by Geoffrey Rush and Donald Sutherland, along<br />
with a score composed by the legendary Ennio Moricone. The film went<br />
on to earn $12 million in its home country. Paolo Sorrentino, one of<br />
the country’s most acclaimed active filmmakers, collected $8.7 million<br />
with La grande bellezza, the best outing of his career in his home nation.<br />
La grande bellezza is Italy’s submission for best foreign film at this year’s<br />
Academy Awards.<br />
A trio of animated films also found box office success. Despicable Me<br />
2 improved upon the original’s $17.5 million gross with a $20.5 million<br />
run, making it the highest-grossing animated release of the year. The<br />
Croods impressed with a $15 million take, and Monsters University edged<br />
out Monsters, Inc. with a $12 million tally that beat the original’s $11.2<br />
million gross.<br />
JAPAN<br />
n Hayao Miyazaki, the Japanese auteur behind modern classics like<br />
Princess Mononoke, Spirited Away, and Howl’s Moving Castle, announced<br />
his retirement this year. Miyazaki’s films have left an impression on film<br />
history, and his name is on a shortlist of world-renowned animators who<br />
have advanced the art form through their work. Whether The Wind Rises<br />
will truly prove to be Miyazaki’s final film remains to be seen (there have<br />
been rumors suggesting his return), but there is little doubt that Miyazaki’s<br />
swan song was the biggest story at the Japanese box office of <strong>2013</strong>.<br />
The Wind Rises became the only film to break the $100 million mark in<br />
Japan this year after the animated film grossed $118.5 million since its<br />
July debut.<br />
Animation is the dominant genre in Japan, overshadowing nearly all<br />
other releases in terms of box office returns. Anime is a particular bright<br />
spot for contemporary Japanese cinema, responsible for some of the year’s<br />
biggest hits. The anime standouts of the year include Doraemon the Movie:<br />
Nobita’s Secret Gadget Museum ($40.5 million); Detective Conan Movie<br />
17: Private Eye in the Distant Sea ($36 million); and Dragonball Z: Kami<br />
to Kami ($31.1 million).<br />
Hollywood’s animated releases were led by a commanding performance<br />
from Monsters University. The Disney/Pixar release was the<br />
second biggest film in the market with $90.1 million, the largest sum<br />
22 BoxOffice ® <strong>Pro</strong> The Business of Movies DECEMBER <strong>2013</strong>