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Boxoffice® Pro - December 2013

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FORREST GUMP<br />

Hanks has<br />

worked with<br />

Steven Spielberg<br />

three times:<br />

Saving Private Ryan,<br />

The Terminal, and<br />

Catch Me If You Can<br />

TOY STORY<br />

his momentum. For the fourth consecutive<br />

summer, Hanks delivered a crowd-pleasing hit<br />

when he reteamed with Ron Howard—the<br />

man who gave him his big-screen break in<br />

Splash—for 1995’s Apollo 13. It outgrossed<br />

every summer movie except Batman Forever.<br />

Late 1995 also saw the feature-film debut<br />

of Pixar, which cast Hanks and Tim Allen as<br />

Woody and Buzz for Toy Story. The first entirely<br />

computer-generated animated movie in history<br />

earned $192 million at home and $362 million<br />

globally. Hanks became the star of back-to-back<br />

box office champs.<br />

After dabbling in writing and directing with<br />

1996’s That Thing You Do!, Hanks returned to<br />

the summer box office in Steven Spielberg’s<br />

Saving Private Ryan, a film that yielded the already-beloved<br />

actor another Oscar nomination.<br />

You’ve Got Mail, Toy Story 2, and The Green<br />

Mile proceeded to become hits between 1998<br />

and 1999, followed by 2000’s holiday blockbuster<br />

Cast Away (which gave Hanks his fifth<br />

lead-acting nomination from the Academy).<br />

By this point, what else was left for Hanks<br />

to do? His streak of commercially successful<br />

hits continued on through Road to Perdition<br />

and two more team-ups with Spielberg in Catch<br />

Me If You Can and 2004’s more modest hit The<br />

Terminal. The Coen Brothers’ 2004 remake of<br />

The Ladykillers unfortunately marked Hanks’<br />

first box office flop in eight years (and only his<br />

second since 1990).<br />

This point effectively marked a transition<br />

for the veteran’s box office career. Taking fewer<br />

roles and for more personal reasons, Hanks<br />

churned out another animated favorite in<br />

2004’s The Polar Express. After the disappointing<br />

run of Charlie Wilson’s War, he landed his first<br />

live-action franchise with 2006’s The Da Vinci<br />

Code—a $218 million domestic/$758 million<br />

global blockbuster. Audiences weren’t as thrilled<br />

with the adaptation of the popular book, leading<br />

to lower—but still respectable—returns for the<br />

2009 follow-up, Angels & Demons.<br />

Over the last few years, Hanks has again<br />

seen the highs and lows of the box office. Larry<br />

Crowne, Extremely Loud & Incredibly Close,<br />

and Cloud Atlas all performed below hopes and<br />

expectations. Conversely, 2010’s Toy Story 3<br />

gave the venerable actor the highest-grossing<br />

movie of his career with $415 million domestically<br />

and $1.06 billion overall (topping Gump,<br />

although certainly not when accounting for<br />

inflation).<br />

With very few dramatic roles since 2000’s<br />

Cast Away, Hanks recently snapped the cold<br />

42 BoxOffice ® <strong>Pro</strong> The Business of Movies DECEMBER <strong>2013</strong>

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