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Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

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O<strong>the</strong>r critics mentioned Ron’s preoccupation<br />

with <strong>the</strong> alphabet, a ‘basic ingredient <strong>of</strong> <strong>the</strong><br />

book-making recipe.’ William Zimmer, also<br />

from <strong>the</strong> New York Times, was intrigued by <strong>the</strong><br />

way that ‘various letters seem to appear and<br />

retreat via <strong>the</strong> pop-up cutting and folding<br />

process,’ remarking on Ron’s treatment <strong>of</strong> <strong>the</strong><br />

alphabet as ‘something that is at once familiar<br />

and mysterious.’ Critics and visitors alike were<br />

delighted by one <strong>of</strong> Ron’s most challenging<br />

projects, The White Alphabet (1984), shown fully<br />

extended in a long wall case. A reading area at<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> exhibition provided visitors with<br />

<strong>the</strong> opportunity to actually handle a number <strong>of</strong><br />

Circle Press books.<br />

The published catalogue serves as a<br />

comprehensive record <strong>of</strong> Circle Press<br />

publications, from its start in 1967 with <strong>the</strong><br />

publication <strong>of</strong> Chaucer’s Prologue, to <strong>the</strong> latest<br />

project issued in 2001, King’s Tabernacle: Hole,<br />

Horse, & Hell-box. It includes an insightful essay<br />

by Andrew Lambirth as well as fascinating<br />

commentary and complete bibliographic<br />

information on <strong>the</strong> individual works by Ron<br />

himself. Handsomely designed by Thomas<br />

Manss and Kathrin Jacobsen <strong>of</strong> Thomas Manss<br />

& Company, London, <strong>the</strong> limited-edition work<br />

includes a cover and special inserts designed by<br />

King.<br />

Judith H<strong>of</strong>fberg, editor <strong>of</strong> Umbrella, wrote in<br />

<strong>the</strong> December 2002 issue <strong>of</strong> that journal:<br />

‘This book is a joy to behold, not only for <strong>the</strong><br />

typography, but <strong>the</strong> images…. The catalogue is<br />

a labour <strong>of</strong> love, a gift to us <strong>the</strong> readers, a gift<br />

to those who revere Ron King, and a gift to<br />

generations from now who can document this<br />

amazing book artist.’<br />

Elisabeth Fairman<br />

Curator <strong>of</strong> Rare <strong>Book</strong>s and Manuscripts at<br />

<strong>the</strong> Yale Center for British Art, New Haven,<br />

Connecticut, USA<br />

6<br />

Elisabeth Fairman is responsible for <strong>the</strong><br />

acquisition and care <strong>of</strong> <strong>the</strong> Center’s collection<br />

<strong>of</strong> artists’ books. Contact her by e-mail at:<br />

elisabeth.fairman@yale.edu or write to her at:<br />

Department <strong>of</strong> Rare <strong>Book</strong>s and Manuscripts,<br />

Yale Center for British Art, PO Box 208280,<br />

New Haven, CT 06520, USA.<br />

For fur<strong>the</strong>r information on <strong>the</strong> Yale Center for<br />

British Art, consult <strong>the</strong>ir web site at:<br />

www.yale.edu/ycba<br />

Copies <strong>of</strong> Cooking The <strong>Book</strong>s are still available<br />

from <strong>the</strong> Center’s Museum shop (e-mail <strong>the</strong><br />

manager for details: lizbeth.oconnor@yale.edu)<br />

or directly from Circle Press.<br />

Consult <strong>the</strong> Circle Press web site for details <strong>of</strong><br />

<strong>the</strong> catalogue, as well as o<strong>the</strong>r works that are<br />

still in print, at:<br />

http://www.circlepress.com/circle_press/pilot/

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