Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
O<strong>the</strong>r critics mentioned Ron’s preoccupation<br />
with <strong>the</strong> alphabet, a ‘basic ingredient <strong>of</strong> <strong>the</strong><br />
book-making recipe.’ William Zimmer, also<br />
from <strong>the</strong> New York Times, was intrigued by <strong>the</strong><br />
way that ‘various letters seem to appear and<br />
retreat via <strong>the</strong> pop-up cutting and folding<br />
process,’ remarking on Ron’s treatment <strong>of</strong> <strong>the</strong><br />
alphabet as ‘something that is at once familiar<br />
and mysterious.’ Critics and visitors alike were<br />
delighted by one <strong>of</strong> Ron’s most challenging<br />
projects, The White Alphabet (1984), shown fully<br />
extended in a long wall case. A reading area at<br />
<strong>the</strong> end <strong>of</strong> <strong>the</strong> exhibition provided visitors with<br />
<strong>the</strong> opportunity to actually handle a number <strong>of</strong><br />
Circle Press books.<br />
The published catalogue serves as a<br />
comprehensive record <strong>of</strong> Circle Press<br />
publications, from its start in 1967 with <strong>the</strong><br />
publication <strong>of</strong> Chaucer’s Prologue, to <strong>the</strong> latest<br />
project issued in 2001, King’s Tabernacle: Hole,<br />
Horse, & Hell-box. It includes an insightful essay<br />
by Andrew Lambirth as well as fascinating<br />
commentary and complete bibliographic<br />
information on <strong>the</strong> individual works by Ron<br />
himself. Handsomely designed by Thomas<br />
Manss and Kathrin Jacobsen <strong>of</strong> Thomas Manss<br />
& Company, London, <strong>the</strong> limited-edition work<br />
includes a cover and special inserts designed by<br />
King.<br />
Judith H<strong>of</strong>fberg, editor <strong>of</strong> Umbrella, wrote in<br />
<strong>the</strong> December 2002 issue <strong>of</strong> that journal:<br />
‘This book is a joy to behold, not only for <strong>the</strong><br />
typography, but <strong>the</strong> images…. The catalogue is<br />
a labour <strong>of</strong> love, a gift to us <strong>the</strong> readers, a gift<br />
to those who revere Ron King, and a gift to<br />
generations from now who can document this<br />
amazing book artist.’<br />
Elisabeth Fairman<br />
Curator <strong>of</strong> Rare <strong>Book</strong>s and Manuscripts at<br />
<strong>the</strong> Yale Center for British Art, New Haven,<br />
Connecticut, USA<br />
6<br />
Elisabeth Fairman is responsible for <strong>the</strong><br />
acquisition and care <strong>of</strong> <strong>the</strong> Center’s collection<br />
<strong>of</strong> artists’ books. Contact her by e-mail at:<br />
elisabeth.fairman@yale.edu or write to her at:<br />
Department <strong>of</strong> Rare <strong>Book</strong>s and Manuscripts,<br />
Yale Center for British Art, PO Box 208280,<br />
New Haven, CT 06520, USA.<br />
For fur<strong>the</strong>r information on <strong>the</strong> Yale Center for<br />
British Art, consult <strong>the</strong>ir web site at:<br />
www.yale.edu/ycba<br />
Copies <strong>of</strong> Cooking The <strong>Book</strong>s are still available<br />
from <strong>the</strong> Center’s Museum shop (e-mail <strong>the</strong><br />
manager for details: lizbeth.oconnor@yale.edu)<br />
or directly from Circle Press.<br />
Consult <strong>the</strong> Circle Press web site for details <strong>of</strong><br />
<strong>the</strong> catalogue, as well as o<strong>the</strong>r works that are<br />
still in print, at:<br />
http://www.circlepress.com/circle_press/pilot/