Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

More documents

Recommendations

Info

Artist’s Book Yearbook 2003-2005 Published by Impact Press at The Centre for Fine Print Research University of the West of England, Bristol September 2003 ISBN 0 9536076 9 0 © 2003 publication, Impact Press © 2003 images, individual artists © 2003 texts, individual authors Editor: Sarah Bodman Associates: Tanya Peixoto and John Bently Design: Sarah Bodman Design Advisor: Keith Jones Cover Design: Tom Sowden The views expressed within the Artist’s Book Yearbook 2003-2005 are not necessarily those of the editor or publisher. CENTRE FOR FINE PRINT RESEARCH Impact Press Centre for Fine Print Research UWE, Bristol Faculty of Art, Media and Design Kennel Lodge Road Bristol BS3 2JT Tel: 0117 32 84747 Fax: 0117 32 84824 www.uwe.ac.uk/amd/cfpr Sarah.Bodman@uwe.ac.uk Back issues of the Artist’s Book Yearbook are still available. For the 2001-2 issue please contact: Impact Press at our address. For the years: 1994-1995, 1996-1997 and 1998-1999 please contact: Tanya Peixoto Bookartbookshop 17 Pitfield Street London N1 6HB Tel: 020 7608 1333 www.bookartbookshop.com info@bookartbookshop.com
Contents Artist’s page Genevieve Waller facing page 1 Introduction Sarah Bodman 1 Cooking the Books: Ron King and Circle Press at the Yale Center for British Art, USA Elisabeth Fairman 3 Ten Books on my New Bookshelf; a review John Bently 11 Artist’s page Otto 15 Memo: This is not an Artist’s Book: a New Zealand Collection Elizabeth Eastmond 17 The Battle of The Books / TNWK Sarah Bodman 27 Some Reformations Susan Johanknecht 33 Artist’s page Lucy May Schofield 38 Booklyn: describing an artist defined aesthetic of artists’ books Marshall Weber 39 Size Matters Dr Stephen Bury 47 Yes it’s True; Artists Make Books Andi McGarry 51 13+: Contemporary Book Art From Germany Ulrike Stoltz 53 One year of bookartbookshop 2002 - 2003 Tanya Peixoto 66 An Essay About Reading An Artist’s Book About Reading Sarah Jacobs 67 Our art goes in multiple artists’ (chaps) books Artgoes 71 Cut out and keep Chap Book Artgoes 75 The Special Books Collection of The Scottish National Gallery of Modern Art Ann Simpson 77 Artist’s page Alec Finlay 81 Gli Italiani - The Italians Carrie Galbraith 83 Artist’s page Kate Farley 89 ARCHIVE: a race against the instant? Chris Taylor 91 Making Books Emma Hill 95 Artist’s Book Publishers 103 Bookshops and Galleries in the UK 105 International Bookshops and Galleries 107 Artist’s Book Centres 110 Book Arts Collections/Archives UK & Eire 113 International Archives and Collections 117 Visual Studies Workshop Press and Archive, USA Sarah Bodman 121 Book Arts Organisations 125 Artist’s page Alec Finlay 127 Book Arts Websites 128 Artist’s Book Website Review Guy Begbie 130 Artist’s page Paul Laidler 132 Artist’s Book Fairs 133 Book Arts Courses 134 Short Courses, Workshops and Summer Schools in Book Arts 137 Artist’s page Steve McPherson 140 Print Studios and Print Facilities 141 Materials Suppliers 144 Bookbinders 145 Magazines and Journals 146 Reference and related publications on the book arts 149 Reference and Contemporary Exhibition Catalogues 150 Artist’s page Kristen Merola 152 Artist’s Book Review Andrew Eason 153 Artist’s page Andrew Lanyon 165 Artist’s page contributors 166 Listings of Artist’s Books 2002 - 2005 167 Artist’s page Alec Finlay 215 End page Tom Sowden 216
Page 1: Artist’s Book Yearbook 2003-2005
Page 6 and 7: Ron King, photograph: F. A. Parisod
Page 8 and 9: doodle in a spiral-bound notebook,
Page 10 and 11: Other critics mentioned Ron’s pre
Page 12 and 13: Exhibition at Yale Center for Briti
Page 15 and 16: Ten books on my new bookshelf; a re
Page 17 and 18: Noggins Mark Pawson (October 2001)
Page 20 and 21: Voyage into Matter: Four Mylar and
Page 22 and 23: Paul’s Unwrapping the Body from 1
Page 24 and 25: later in the year. Although careful
Page 26 and 27: Sampler, with an essay by art histo
Page 28 and 29: But in the context of the book, wha
Page 30 and 31: 'The Services Ancient The For Use I
Page 32 and 33: were added, coded, reworked and pro
Page 34 and 35: Book 2: The Legacy continues onward
Page 36 and 37: Love Karen Reimer (writing as Eve R
Page 38 and 39: drainboard. This is a reformed cook
Page 40 and 41: I imagine that the carved and graff
Page 43 and 44: Booklyn: describing an artist defin
Page 45 and 46: 3. Commit to the codex. Booklyn lik
Page 47 and 48: Current Events Maureen Cummins, 200
Page 49 and 50: Education (see separate entry under
Page 51 and 52: Size Matters Dr Stephen Bury One of
Page 53 and 54:
Above and below: The Book of the Wo
Page 55 and 56:
Yes it’s True; Artists Make Books
Page 57 and 58:
13+: Contemporary Book Art From Ger
Page 59 and 60:
Next, another group: 10 years ago,
Page 61 and 62:
Mexico Clemens Tobias Lange / Steph
Page 63 and 64:
Ein Cartesischer Hund John Gerard T
Page 65 and 66:
egard as an attempt of reconstructi
Page 67 and 68:
Im Städel Frankfurter Edition (Ber
Page 69 and 70:
Books and boats are both strong met
Page 71 and 72:
An Essay About Reading An Artist’
Page 73 and 74:
It is also the time of the story, n
Page 81 and 82:
The Special Books Collection of The
Page 83 and 84:
From the collection, clockwise from
Page 86 and 87:
Roberta Bridda Col ricordo infine 1
Page 88 and 89:
Loretta Cappanera Ali di Carta (2)
Page 90 and 91:
Images above: Stefania Missio Gli A
Page 92:
and exhibitions about artists’ bo
Page 96 and 97:
currently at play within the struct
Page 98 and 99:
Knife Edge at the Eagle: Another Si
Page 100 and 101:
Smith was exploring ways of bringin
Page 102 and 103:
The choice of artists went wider th
Page 104 and 105:
set to resemble the pages of the Ta
Page 106 and 107:
PUPA PRESS
Page 108 and 109:
Red Fox Press Cashel Foxford Co. Ma
Page 110 and 111:
Contemporary Printmaking British Ar
Page 112 and 113:
Grahame Galleries + Editions Centre
Page 114 and 115:
The center also sponsors a travelli
Page 116 and 117:
Book Arts Collections / Archives UK
Page 118 and 119:
Norwich School of Art and Design Ar
Page 120 and 121:
Wimbledon School of Art Library Mer
Page 122 and 123:
costly bindings; Jhr dr R.M. Raderm
Page 124 and 125:
Visual Studies Workshop Press and A
Page 126 and 127:
Pomeroy’s Stereo Views / Ver Mult
Page 128 and 129:
Book Arts Organisations Booklyn (US
Page 131 and 132:
Book Arts Websites www.andreweason.
Page 133 and 134:
Artist’s Book Website Review Guy
Page 136 and 137:
Artist’s Book Fairs There are var
Page 138 and 139:
BA (Hons) Illustration, Design Craf
Page 140 and 141:
Short Courses, Workshops and Summer
Page 142:
The Faculty of Art, Media and Desig
Page 145 and 146:
Curwen Print Study Centre Chilford
Page 147 and 148:
Materials Suppliers William Cowley
Page 149 and 150:
Magazines and Journals Afterimage V
Page 151 and 152:
JAB JOURNAL OF ARTISTS‘ BOOKS ISS
Page 153 and 154:
Smith, Keith A. and Jordan, Fred A.
Page 156 and 157:
Artist’s Book Reviews Andrew Easo
Page 158 and 159:
the assembly of poetic reflection a
Page 160 and 161:
Judging by the quality of image and
Page 162 and 163:
a labour of love, showcasing the ar
Page 164 and 165:
The physical production of the book
Page 166 and 167:
A Fishy Wish Hannah Grice Hannah Gr
Page 169 and 170:
Artist’s page contributors For ea
Page 171:
The Jante Law Mette-Sophie D. Ambec
Page 174 and 175:
is Portuguese for islands). An oblo
Page 176 and 177:
Bicknell, Les Eva’s Place Sibton
Page 178 and 179:
December 2002 Book Works, London IS
Page 180:
El Miró Invisible Nils Burwitz and
Page 184 and 185:
of flints, untouched, existing only
Page 186 and 187:
In the Time of Crow Artist: Penelop
Page 188 and 189:
Firmament Andrew Eason Digitally -
Page 190 and 191:
Wipe Mixed authors/artists Publishe
Page 192 and 193:
Hamaniora Rosalind Nashashibi Chron
Page 194 and 195:
Believe Me Artist: Rachel Hazell Au
Page 196 and 197:
Idaho Center for the Book MS 1525 1
Page 198 and 199:
irds, and text in middle slipcase.
Page 200 and 201:
France Tel: 0033 1 4522 1228 lydiam
Page 202 and 203:
created in the space between the pa
Page 204 and 205:
Immoral Compass Artist / Author: Mi
Page 206 and 207:
Limited handprinted edition signed
Page 208 and 209:
Perforated Love Notes Lucy May Scho
Page 210 and 211:
Sample Book Christine Tacq Inspired
Page 212 and 213:
The Enduring Freedoms Mystik Writin
Page 214 and 215:
Waller, Angie 2330 Stanley Hills Dr
Page 216:
Wild Pansy Press School of Fine Art
show all

Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

Create successful ePaper yourself

Delete template?

Save as template?