Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

More documents

Recommendations

Info

natural organism. As a consequence the choice of the theme for the annual production evolves from the experiences of the previous year. For example themes have been : Das Plagiat (plagiarism): 20 artists copying each other, every copy being the original for the next one in line; Das Unsägliche (unspeakable): I write a text for your picture / you illustrate my text (involving 19 artists); Das Gastmahl (the banquet): 17 artists were invited to eat and drink and make art and read Platon’s Symposium, resulting in a series of one-ofa-kind artists’ books; Exerzitien (religious exercises): 18 artists spent a week together in complete silence in a monastery, only communicating by exchanging pictures drawn into “cell books”. The illustrations (opposite) show samples from Frankfurter Edition’s latest project: Im Städel (At the Städel-Museum) art about art. Fifteen artists investigated selected items of the Museum of Fine Art in Frankfurt, resulting in a collection of contemporary responses to classical paintings of the 17th to 20th century, here especially works that all deal with Courbet’s The Wave. Hartmut Andryczuk is artist, author, publisher and journalist all in one. He is especially interested in book arts’ networks, artists’ magazines networks, and, of course, the internet as a platform for literature and fine arts. For 10 years, his Hybriden Verlag has been a forum for contemporary experimental artists’ books with contributions by Pierre Garnier, Valeri Scherstjanoi, Wolfgang Müller and others. Often Hartmut Andryczuk invites artists to work on a certain subject, such as Schädlingsbekämpfung/pest control or Virenbibliothek. He often collaborates with artists and authors such as Freddy Flores Knistoff or Felix Martin Furtwängler and publishes some different sorts of magazines (periodicals): Unikatmaschine, MMM-Diarium, Hybridenland. Works include texts, sculptures, installations, performances, audio-CDs, and editions which document what’s happening and continue to explore the results. Uta Schneider is an artist especially interested in collaboration. Rather than monologues in self-assertion the interest in artistic dialogue 62 becomes important. Jeder wusste um was es ging (Everybody knew what it was all about) is the result of one of these artistic dialogues: a collaboration of Uta Schneider with the painter Thomas Dahmen. The book consists of three parts with the themes lines, planes, and figures, all printed from linocuts, woodcuts and cardboard cuts. Each part was printed page after page starting with the first page; the translucent paper connects not only the open double spread but also the pages following. Jeder wusste um was es ging Uta Schneider / Thomas Dahmen Every page is the result of what has been printed before and influences the next pages. Hand set texts were added and printed in white, as the text should not be in the foreground, but rather be a commentary voice in the background. The book can be read as a visual essay on perception: how do forms and figures influence each other, how are image and text related to one another? - these are some of the questions the book deals with. Liegend/Im Fall uses a text by Uwe Warnke, with whom Uta Schneider has done a few other books as well. Here, the text, which consists only of one sentence (which I think is a speciality of the German language!) leads to the structure of the book: From colon to colon, the text is cut into 49 parts. Each part of the text is printed onto the middle of a square sheet of transparent paper, with overlapping elements of illustrations. The 49 squares make up one big square of 7 x 7 sheets, thus giving one image and the text in its proper order.
Im Städel Frankfurter Edition (Bernd Wolf and Coco Gediehn) Fifteen artists investigated selected items of the Museum of Fine Art in Frankfurt, resulting in a collection of contemporary responses to classical paintings of the 17th to 20th century, here especially works that all deal with Courbet’s The Wave Schädlingsbekämpfung/pest control Hartmut Andryczuk Virenbibliothek Hartmut Andryczuk
Page 1 and 2:
Artist’s Book Yearbook 2003-2005
Page 3:
Contents Artist’s page Genevieve
Page 6 and 7:
Ron King, photograph: F. A. Parisod
Page 8 and 9:
doodle in a spiral-bound notebook,
Page 10 and 11:
Other critics mentioned Ron’s pre
Page 12 and 13:
Exhibition at Yale Center for Briti
Page 15 and 16: Ten books on my new bookshelf; a re
Page 17 and 18: Noggins Mark Pawson (October 2001)
Page 20 and 21: Voyage into Matter: Four Mylar and
Page 22 and 23: Paul’s Unwrapping the Body from 1
Page 24 and 25: later in the year. Although careful
Page 26 and 27: Sampler, with an essay by art histo
Page 28 and 29: But in the context of the book, wha
Page 30 and 31: 'The Services Ancient The For Use I
Page 32 and 33: were added, coded, reworked and pro
Page 34 and 35: Book 2: The Legacy continues onward
Page 36 and 37: Love Karen Reimer (writing as Eve R
Page 38 and 39: drainboard. This is a reformed cook
Page 40 and 41: I imagine that the carved and graff
Page 43 and 44: Booklyn: describing an artist defin
Page 45 and 46: 3. Commit to the codex. Booklyn lik
Page 47 and 48: Current Events Maureen Cummins, 200
Page 49 and 50: Education (see separate entry under
Page 51 and 52: Size Matters Dr Stephen Bury One of
Page 53 and 54: Above and below: The Book of the Wo
Page 55 and 56: Yes it’s True; Artists Make Books
Page 57 and 58: 13+: Contemporary Book Art From Ger
Page 59 and 60: Next, another group: 10 years ago,
Page 61 and 62: Mexico Clemens Tobias Lange / Steph
Page 63 and 64: Ein Cartesischer Hund John Gerard T
Page 65: egard as an attempt of reconstructi
Page 69 and 70: Books and boats are both strong met
Page 71 and 72: An Essay About Reading An Artist’
Page 73 and 74: It is also the time of the story, n
Page 81 and 82: The Special Books Collection of The
Page 83 and 84: From the collection, clockwise from
Page 86 and 87: Roberta Bridda Col ricordo infine 1
Page 88 and 89: Loretta Cappanera Ali di Carta (2)
Page 90 and 91: Images above: Stefania Missio Gli A
Page 92: and exhibitions about artists’ bo
Page 96 and 97: currently at play within the struct
Page 98 and 99: Knife Edge at the Eagle: Another Si
Page 100 and 101: Smith was exploring ways of bringin
Page 102 and 103: The choice of artists went wider th
Page 104 and 105: set to resemble the pages of the Ta
Page 106 and 107: PUPA PRESS
Page 108 and 109: Red Fox Press Cashel Foxford Co. Ma
Page 110 and 111: Contemporary Printmaking British Ar
Page 112 and 113: Grahame Galleries + Editions Centre
Page 114 and 115: The center also sponsors a travelli
Page 116 and 117:
Book Arts Collections / Archives UK
Page 118 and 119:
Norwich School of Art and Design Ar
Page 120 and 121:
Wimbledon School of Art Library Mer
Page 122 and 123:
costly bindings; Jhr dr R.M. Raderm
Page 124 and 125:
Visual Studies Workshop Press and A
Page 126 and 127:
Pomeroy’s Stereo Views / Ver Mult
Page 128 and 129:
Book Arts Organisations Booklyn (US
Page 131 and 132:
Book Arts Websites www.andreweason.
Page 133 and 134:
Artist’s Book Website Review Guy
Page 136 and 137:
Artist’s Book Fairs There are var
Page 138 and 139:
BA (Hons) Illustration, Design Craf
Page 140 and 141:
Short Courses, Workshops and Summer
Page 142:
The Faculty of Art, Media and Desig
Page 145 and 146:
Curwen Print Study Centre Chilford
Page 147 and 148:
Materials Suppliers William Cowley
Page 149 and 150:
Magazines and Journals Afterimage V
Page 151 and 152:
JAB JOURNAL OF ARTISTS‘ BOOKS ISS
Page 153 and 154:
Smith, Keith A. and Jordan, Fred A.
Page 156 and 157:
Artist’s Book Reviews Andrew Easo
Page 158 and 159:
the assembly of poetic reflection a
Page 160 and 161:
Judging by the quality of image and
Page 162 and 163:
a labour of love, showcasing the ar
Page 164 and 165:
The physical production of the book
Page 166 and 167:
A Fishy Wish Hannah Grice Hannah Gr
Page 169 and 170:
Artist’s page contributors For ea
Page 171:
The Jante Law Mette-Sophie D. Ambec
Page 174 and 175:
is Portuguese for islands). An oblo
Page 176 and 177:
Bicknell, Les Eva’s Place Sibton
Page 178 and 179:
December 2002 Book Works, London IS
Page 180:
El Miró Invisible Nils Burwitz and
Page 184 and 185:
of flints, untouched, existing only
Page 186 and 187:
In the Time of Crow Artist: Penelop
Page 188 and 189:
Firmament Andrew Eason Digitally -
Page 190 and 191:
Wipe Mixed authors/artists Publishe
Page 192 and 193:
Hamaniora Rosalind Nashashibi Chron
Page 194 and 195:
Believe Me Artist: Rachel Hazell Au
Page 196 and 197:
Idaho Center for the Book MS 1525 1
Page 198 and 199:
irds, and text in middle slipcase.
Page 200 and 201:
France Tel: 0033 1 4522 1228 lydiam
Page 202 and 203:
created in the space between the pa
Page 204 and 205:
Immoral Compass Artist / Author: Mi
Page 206 and 207:
Limited handprinted edition signed
Page 208 and 209:
Perforated Love Notes Lucy May Scho
Page 210 and 211:
Sample Book Christine Tacq Inspired
Page 212 and 213:
The Enduring Freedoms Mystik Writin
Page 214 and 215:
Waller, Angie 2330 Stanley Hills Dr
Page 216:
Wild Pansy Press School of Fine Art
show all

Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

Create successful ePaper yourself

Delete template?

Save as template?