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Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

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solid international network and database <strong>of</strong><br />

artists, educators, book art organisations, and<br />

collecting and exhibiting institutions. At this<br />

time book arts organisations have no central<br />

association, <strong>Book</strong>lyn would like to initiate a<br />

dialogue exploring how such an association<br />

could form.<br />

Finally, in acknowledging <strong>Book</strong>lyn’s success, we<br />

want to be a model for how a group <strong>of</strong> artists<br />

can successfully take <strong>the</strong> means <strong>of</strong> education,<br />

exhibition, distribution, and production into<br />

<strong>the</strong>ir own hands. With that in mind we look<br />

forward to assisting o<strong>the</strong>r <strong>Book</strong>lyn style artists’<br />

organisations to form and flourish throughout<br />

<strong>the</strong> world. Can we talk?<br />

Article distilled by Marshall Weber with assistance<br />

from Amy Ferrara, Emily Larned, Mark Wagner,<br />

and Eleanor Whitney<br />

Appendices<br />

Appendix 1 - Programmes:<br />

Available Exhibitions Committed to making <strong>the</strong><br />

book arts accessible to a wider public; <strong>Book</strong>lyn<br />

curates and produces <strong>the</strong>matic exhibitions <strong>of</strong><br />

artist books and related media for galleries,<br />

museums, libraries, schools, universities and<br />

o<strong>the</strong>r public sites. Exhibitions are modular and<br />

available in various configurations.<br />

…even <strong>the</strong> birds were on fire…<br />

A touring exhibition which features nine books<br />

created by New York City artists who witnessed<br />

and responded to 9/11 and its aftermath, with<br />

accompanying audio, installation, printed<br />

matter, performance artworks, community<br />

meetings, lectures, classes, workshops, and<br />

poetry readings. The exhibition features a fortyfive<br />

foot long and eight-foot high scroll collage<br />

<strong>of</strong> material related to 9/11 collected from <strong>the</strong><br />

streets <strong>of</strong> New York in 2001. The exhibition has<br />

toured throughout <strong>the</strong> United States and will<br />

tour Australia in 2004.<br />

44<br />

The Scroll Marshall Weber & various, 2001, collage, 50’ x 8’.<br />

Parallel Botany/Vegetable Mind<br />

A collaborative / interactive exhibition<br />

consisting <strong>of</strong> <strong>the</strong> pairing <strong>of</strong> innovative<br />

contemporary artists’ books and prints with<br />

rare sixteenth, seventeenth, eighteenth, and<br />

nineteenth century botanical prints and books<br />

selected from <strong>the</strong> host library’s collections.<br />

The exhibition explores <strong>the</strong> resonance between<br />

contemporary and antique botanicals and is<br />

structured to illustrate <strong>the</strong> historical<br />

development <strong>of</strong> natural <strong>the</strong>ory from <strong>the</strong><br />

Enlightenment to <strong>the</strong> current philosophy <strong>of</strong><br />

deep ecology. Originally part <strong>of</strong> <strong>the</strong> Parallel<br />

Botany exhibit, <strong>the</strong> Vegetable Mind performance<br />

is a simple yet striking, site-specific ecological /<br />

endurance piece involving planting people in<br />

<strong>the</strong> ground for varying amounts <strong>of</strong> time.<br />

Evidence <strong>of</strong> Creation; The Gabberjabs <strong>of</strong> Walter<br />

Hamady’s Perishable Press<br />

The Perishable Press has published one<br />

hundred and twenty-eight fine and awardwinning<br />

editions and will celebrate its fortieth<br />

anniversary in 2004. Hamady has published<br />

collaborations with various writers, including<br />

Robert Creeley and Allan Ginsberg, and artists,<br />

such as Warrington Colescott and Herman<br />

Zapf. This exhibit features <strong>the</strong> Gabberjab series;<br />

seven encyclopaedic, self-referential<br />

explorations <strong>of</strong> <strong>the</strong> book production<br />

accompanied by sketches, pro<strong>of</strong>s, mock-ups and<br />

o<strong>the</strong>r materials that comprehensively illuminate<br />

<strong>the</strong> books’ creation.

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