Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
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As long as <strong>the</strong> sheets are in <strong>the</strong> box, <strong>the</strong>y can<br />
be turned like <strong>the</strong> pages <strong>of</strong> a book, <strong>the</strong><br />
transparency <strong>of</strong> <strong>the</strong> paper creating new images<br />
in <strong>the</strong> combination <strong>of</strong> <strong>the</strong> sheets. But this book<br />
is not bound: this <strong>of</strong>fers <strong>the</strong> opportunity to <strong>the</strong><br />
reader to combine <strong>the</strong> sheets in a different<br />
form, thus making up his or her own text.<br />
Liegend/Im Fall Uta Schneider / Uwe Warnke<br />
Ulrike Stoltz has a focus on mythological<br />
<strong>the</strong>mes and antiquity, <strong>the</strong> old stories and texts.<br />
In her opinion, <strong>the</strong> past is not gone, it is still<br />
<strong>the</strong>re and has an influence on us. Ulrike Stoltz<br />
is interested in <strong>the</strong> presence <strong>of</strong> <strong>the</strong> origins, she<br />
likes to question <strong>the</strong> past what it has to tell us<br />
for today. She also likes to experiment with<br />
unusual materials.<br />
Medea Fragmente has a poem written by Ulrike<br />
Stoltz, that refers to <strong>the</strong> Greek goddess and her<br />
magic power. The text is printed with a laser<br />
printer onto paper, <strong>the</strong> images were created on<br />
a computer and printed with archival ink from<br />
an ink-jet printer. The sheets were <strong>the</strong>n<br />
laminated and bound in <strong>the</strong> form <strong>of</strong> a palm -<br />
leaf binding. This is a one-<strong>of</strong>-a-kind book.<br />
Above and below: Medea Fragmente Ulrike Stoltz<br />
64<br />
Orakelblätter (oracle sheets) is <strong>the</strong> seventh <strong>of</strong><br />
Ulrike Stoltz’s Sibylline <strong>Book</strong>s. This refers to<br />
<strong>the</strong> ancient prophetesses, <strong>the</strong> Sibyls, whose<br />
prophecies were kept in nine books on <strong>the</strong><br />
Capitol Hill in Rome. This book contains a text<br />
written by Ulrike Stoltz, a set <strong>of</strong> poems on<br />
remembering and forgetting. The images are<br />
photographs – some <strong>of</strong> <strong>the</strong>m are clearly<br />
recognisable for what <strong>the</strong>y are, o<strong>the</strong>rs are more<br />
vague. As loose sheets <strong>the</strong>y can be laid out in<br />
different combinations and interpreted in<br />
various ways. The images are printed with<br />
archival ink on joss paper.<br />
Orakelblätter Ulrike Stoltz<br />
Uta Schneider and Ulrike Stoltz have been<br />
collaborating for more than 16 years, now<br />
under <strong>the</strong> imprint . Their latest project<br />
is called The Boat-<strong>Book</strong> Project and deals with <strong>the</strong><br />
idea that boats and books are both containers<br />
as well as means <strong>of</strong> transport.<br />
Boundless consists <strong>of</strong> 7 folded sheets, each is a<br />
chapter dealing with various aspects <strong>of</strong> both<br />
books and boats. The pages <strong>of</strong> <strong>the</strong> folded sheets<br />
can be turned and read, this way <strong>the</strong> book<br />
functions like a concertina. When you unfold<br />
<strong>the</strong>m, you will see collaborative drawings by <strong>the</strong><br />
two <strong>of</strong> that run across <strong>the</strong> text.<br />
On <strong>the</strong> o<strong>the</strong>r side, you will see photographs <strong>of</strong><br />
a boat passing under a bridge: all 7 sheets put<br />
toge<strong>the</strong>r show <strong>the</strong> whole boat.<br />
Boundless Ute Schneider / Ulrike Stoltz