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Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

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Next, ano<strong>the</strong>r group: 10 years ago, two women<br />

from Leipzig founded Carivari. The word<br />

Carivari means something like a happy disorder.<br />

As a collective for artists’ books, multiples and<br />

small edition prints, Christiane Baumgartner<br />

and Sabine Golde understand Carivari as a<br />

platform for a creative cooperation <strong>of</strong> text and<br />

image.<br />

Christiane Baumgartner has her focus on<br />

artists’ books, printmaking, and video. In this<br />

book, she takes <strong>the</strong> verses 1224 — 1237 from<br />

Goe<strong>the</strong>’s Faust and breaks <strong>the</strong>m down to <strong>the</strong><br />

geometrical elements <strong>of</strong> <strong>the</strong> letters <strong>the</strong>mselves:<br />

horizontal and vertical lines and segments <strong>of</strong><br />

circles. Screenprinted, <strong>the</strong> unreadable elements<br />

add up to readable letters because she uses<br />

translucent paper.<br />

Goe<strong>the</strong>’s Faust: Verses 1224 - 1237 Christiane Baumgartner<br />

Speed is a book that has obviously to do with her<br />

video work. 26 videostills are combined with a<br />

text by Paul Virilio. Christiane Baumgartner is<br />

here dealing with abstract landscapes, reducing<br />

<strong>the</strong>m to a visual structure and thus translating<br />

from a natural to an artificial form.<br />

Speed Christiane Baumgartner / Paul Virilio<br />

Sabine Golde is particularly interested in poetry<br />

and music. Several times she has used work by<br />

John Cage as a starting point for her artist’s<br />

books. Here it is in 45 minutes for a speaker<br />

including a CD with an interpretation <strong>of</strong> <strong>the</strong><br />

piece by <strong>the</strong> pianist Steffen Schleiermacher.<br />

Sounds are not just sounds, but letters as well,<br />

as Cage said. Sabine Golde’s typography tends<br />

to turn into images. In this book she interprets<br />

<strong>the</strong> poem Ebene by Johannes Bobrowski. Large<br />

letters are spread over <strong>the</strong> accordion book,<br />

leaving a lot <strong>of</strong> “empty” space to add to <strong>the</strong><br />

55<br />

Above: 45 minutes for a speaker Sabine Golde / John Cage<br />

Ebene Sabine Golde / Johannes Bobrowski<br />

“sound” <strong>of</strong> <strong>the</strong> text. This corresponds with <strong>the</strong><br />

“flat land” that Bobrowski talks about in his<br />

poem. Die Farbe der Leere (<strong>the</strong> colour <strong>of</strong><br />

emptiness) contains fragments from poems by<br />

Vittorio Sereni set in Italian as well as in <strong>the</strong>ir<br />

German translation. Sabine Golde’s<br />

typographical compositions are dense and<br />

colourful. The text “illustrates” itself.<br />

Die Farbe der Leere Sabine Golde / Vittorio Sereni<br />

CTL Presse stands for Clemens Tobias Lange<br />

and his press, or, as he explains himself: “book<br />

different”. For over 14 years, <strong>the</strong> careful<br />

research for <strong>the</strong> poetic application <strong>of</strong> little used<br />

traditional, fine, or forgotten materials is as<br />

important for him as <strong>the</strong> choice and <strong>the</strong> quality<br />

<strong>of</strong> <strong>the</strong> text. He <strong>of</strong>ten collaborates with o<strong>the</strong>r<br />

artists. In this book with <strong>the</strong> title Mexico you see<br />

photographs by Stephan Köhler. It is a twovolume<br />

artist’s book. Each volume includes 33<br />

black-and-white photographs printed by<br />

Clemens Tobias Lange onto photo-sensitive<br />

handmade Kozo paper, combined with a text<br />

comprising letters to Stephan Köhler from<br />

friends in Mexico, set and printed by hand.

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