Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
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Next, ano<strong>the</strong>r group: 10 years ago, two women<br />
from Leipzig founded Carivari. The word<br />
Carivari means something like a happy disorder.<br />
As a collective for artists’ books, multiples and<br />
small edition prints, Christiane Baumgartner<br />
and Sabine Golde understand Carivari as a<br />
platform for a creative cooperation <strong>of</strong> text and<br />
image.<br />
Christiane Baumgartner has her focus on<br />
artists’ books, printmaking, and video. In this<br />
book, she takes <strong>the</strong> verses 1224 — 1237 from<br />
Goe<strong>the</strong>’s Faust and breaks <strong>the</strong>m down to <strong>the</strong><br />
geometrical elements <strong>of</strong> <strong>the</strong> letters <strong>the</strong>mselves:<br />
horizontal and vertical lines and segments <strong>of</strong><br />
circles. Screenprinted, <strong>the</strong> unreadable elements<br />
add up to readable letters because she uses<br />
translucent paper.<br />
Goe<strong>the</strong>’s Faust: Verses 1224 - 1237 Christiane Baumgartner<br />
Speed is a book that has obviously to do with her<br />
video work. 26 videostills are combined with a<br />
text by Paul Virilio. Christiane Baumgartner is<br />
here dealing with abstract landscapes, reducing<br />
<strong>the</strong>m to a visual structure and thus translating<br />
from a natural to an artificial form.<br />
Speed Christiane Baumgartner / Paul Virilio<br />
Sabine Golde is particularly interested in poetry<br />
and music. Several times she has used work by<br />
John Cage as a starting point for her artist’s<br />
books. Here it is in 45 minutes for a speaker<br />
including a CD with an interpretation <strong>of</strong> <strong>the</strong><br />
piece by <strong>the</strong> pianist Steffen Schleiermacher.<br />
Sounds are not just sounds, but letters as well,<br />
as Cage said. Sabine Golde’s typography tends<br />
to turn into images. In this book she interprets<br />
<strong>the</strong> poem Ebene by Johannes Bobrowski. Large<br />
letters are spread over <strong>the</strong> accordion book,<br />
leaving a lot <strong>of</strong> “empty” space to add to <strong>the</strong><br />
55<br />
Above: 45 minutes for a speaker Sabine Golde / John Cage<br />
Ebene Sabine Golde / Johannes Bobrowski<br />
“sound” <strong>of</strong> <strong>the</strong> text. This corresponds with <strong>the</strong><br />
“flat land” that Bobrowski talks about in his<br />
poem. Die Farbe der Leere (<strong>the</strong> colour <strong>of</strong><br />
emptiness) contains fragments from poems by<br />
Vittorio Sereni set in Italian as well as in <strong>the</strong>ir<br />
German translation. Sabine Golde’s<br />
typographical compositions are dense and<br />
colourful. The text “illustrates” itself.<br />
Die Farbe der Leere Sabine Golde / Vittorio Sereni<br />
CTL Presse stands for Clemens Tobias Lange<br />
and his press, or, as he explains himself: “book<br />
different”. For over 14 years, <strong>the</strong> careful<br />
research for <strong>the</strong> poetic application <strong>of</strong> little used<br />
traditional, fine, or forgotten materials is as<br />
important for him as <strong>the</strong> choice and <strong>the</strong> quality<br />
<strong>of</strong> <strong>the</strong> text. He <strong>of</strong>ten collaborates with o<strong>the</strong>r<br />
artists. In this book with <strong>the</strong> title Mexico you see<br />
photographs by Stephan Köhler. It is a twovolume<br />
artist’s book. Each volume includes 33<br />
black-and-white photographs printed by<br />
Clemens Tobias Lange onto photo-sensitive<br />
handmade Kozo paper, combined with a text<br />
comprising letters to Stephan Köhler from<br />
friends in Mexico, set and printed by hand.