Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>Book</strong> 2: The Legacy continues onward from <strong>the</strong><br />
meeting (<strong>of</strong> <strong>the</strong> books and <strong>the</strong> pact <strong>of</strong> TNWK)<br />
in The Ga<strong>the</strong>ring, and moves on to <strong>the</strong>ir first<br />
appearance in <strong>the</strong> classroom in Utrecht,<br />
covering <strong>the</strong> aforepromised: “Anyway <strong>the</strong>re’s a<br />
nasty surprise coming, followed by a reversal <strong>of</strong><br />
fortune.” The nasty suprise <strong>of</strong> an unproven<br />
“suicide” verdict <strong>of</strong> <strong>the</strong> shredded books in <strong>the</strong><br />
empty classroom is duly investigated.<br />
Nurse Trash’s private diary entry from <strong>Book</strong> 2: The Legacy<br />
TNWK, 2002<br />
The narrator, Nurse Trash tries to solve <strong>the</strong><br />
suicide riddle only to realise, as she tracks <strong>the</strong><br />
shredded texts down, breathlessly searching for<br />
pages 99-102, that <strong>the</strong>y have already been<br />
packaged up and posted back to England for<br />
<strong>the</strong>ir reversal <strong>of</strong> fortune, a rebirth in ano<strong>the</strong>r<br />
guise. At <strong>the</strong> end <strong>of</strong> The Legacy <strong>the</strong> text reads:<br />
“Writing in <strong>the</strong> words <strong>of</strong> Lord Byron, ‘when<br />
shall we three meet again?’ We leave until <strong>the</strong><br />
next chapter <strong>the</strong> question <strong>of</strong> control (led<br />
experiment). The show as <strong>the</strong>y say has to go<br />
on.”<br />
We three: is it (<strong>the</strong> two <strong>of</strong>) TNWK and The<br />
<strong>Book</strong>s or is it TNWK, The <strong>Book</strong>s and <strong>the</strong> reader?<br />
I am inclined towards <strong>the</strong> former, and would<br />
like to imagine that it is The <strong>Book</strong>s that are<br />
asking TNWK this question.<br />
<strong>Book</strong> 3: The Double Binding <strong>the</strong> two siblings arise,<br />
<strong>the</strong>se two are <strong>the</strong> new books 99 - 100 and 101 -<br />
102, each made from <strong>the</strong> correspondingly<br />
numbered pages <strong>of</strong> <strong>the</strong> 101 abandoned books.<br />
The “shre(a)d(d)ing” title appears once more on<br />
page 9, this time in <strong>the</strong> guise <strong>of</strong> an ancient<br />
30<br />
codex or manuscript that has lain dormant,<br />
waiting for centuries and now appears, out <strong>of</strong><br />
<strong>the</strong> darkest void, ready for its moment <strong>of</strong><br />
glorious recognition. This book is <strong>the</strong> visual tale<br />
<strong>of</strong> <strong>the</strong> books’ transformation and resurrection<br />
as everything goes in, like <strong>the</strong> Ark, two by two.<br />
The <strong>Book</strong>s are only a third <strong>of</strong> <strong>the</strong> way through<br />
<strong>the</strong>ir odyssey, as TNWK have written in <strong>Book</strong> 3;<br />
“The <strong>Book</strong>s are critical, borne away by waves<br />
and wind, lost in darkness and distance, <strong>the</strong>y<br />
shape us by <strong>the</strong> resistance <strong>the</strong>y <strong>of</strong>fer when we<br />
try to impose our form on <strong>the</strong>m.”<br />
Each page merges visual and written references<br />
to ideas and places mentioned within <strong>the</strong><br />
original shredded texts, The <strong>Book</strong>s are retelling<br />
(or reinventing now that <strong>the</strong>y have a new lease<br />
<strong>of</strong> life) <strong>the</strong>ir own history as <strong>the</strong> monolith<br />
shapes itself from <strong>the</strong> shreds <strong>of</strong> <strong>the</strong> discarded.<br />
The will <strong>of</strong> The <strong>Book</strong>s versus <strong>the</strong> will <strong>of</strong> TNWK,<br />
which <strong>of</strong> <strong>the</strong> two will triumph in <strong>the</strong> battle to<br />
impose <strong>the</strong>ir will upon <strong>the</strong> o<strong>the</strong>r is hard to<br />
predict, all we can do is be ready and waiting by<br />
<strong>the</strong> letterbox to find out what happens in <strong>the</strong><br />
next instalment.<br />
TNWK have an extensive website with detailed<br />
documentation <strong>of</strong> <strong>the</strong>ir work in relation to<br />
The <strong>Book</strong>s and o<strong>the</strong>r ongoing projects at:<br />
www.tnwk.net<br />
For fur<strong>the</strong>r information, or to subscribe to<br />
The <strong>Book</strong>s (including back issues) email:<br />
<strong>the</strong>books@tnwk.net<br />
The Millennium Collection, Scrap <strong>Book</strong>s One<br />
Hundred and The Enduring Freedoms Mystik<br />
Writing Pad are all available to order, see <strong>the</strong><br />
listings section for contact details.