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Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...

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Artist’s <strong>Book</strong> Website Review<br />

Guy Begbie<br />

At <strong>the</strong> time <strong>of</strong> writing this review, Benedict<br />

Phillips site www.<strong>the</strong>Benedict.net is in <strong>the</strong><br />

process <strong>of</strong> being completed. However as it<br />

stands <strong>the</strong>re are some quirky pages that reveal<br />

an intelligent and witty approach to expanding<br />

one’s practice into a digital virtual structure,<br />

as well as providing clear information on<br />

conceptual projects that translate successfully<br />

into <strong>the</strong> web site format.<br />

At <strong>the</strong> opening page you can access A book for<br />

loozing in <strong>the</strong> street. This describes a project<br />

where an edition <strong>of</strong> books was produced from<br />

found discarded objects. These books were<br />

<strong>the</strong>n placed (effectively lost) along a route<br />

defined by <strong>the</strong>ir origins (where <strong>the</strong>y were<br />

found).<br />

Benedict Phillips is an artist, poet and curator<br />

based in Yorkshire, UK. The clear layout <strong>of</strong> <strong>the</strong><br />

homepage is reminiscent <strong>of</strong> double page<br />

spreads. Scrolling down to <strong>the</strong> second one, you<br />

can link to Homeless Houses. Here, bag sized<br />

house models inhabited with people symbols<br />

rendered onto <strong>the</strong>ir surfaces, are placed in or<br />

around public buildings in York. This work<br />

seems to highlight a social dilemma and a<br />

relationship between <strong>the</strong> users <strong>of</strong> <strong>the</strong>se<br />

buildings and <strong>the</strong>ir architectural fabric.<br />

Scrolling downwards, <strong>the</strong> word ‘fragile’ on a<br />

red banner demands attention on <strong>the</strong> next<br />

spread below. This sub-section <strong>of</strong> <strong>the</strong> site,<br />

documents aspects <strong>of</strong> an artistic endeavour, a<br />

collaboration between Benedict Phillips and<br />

Anne-Marie Culhane carried out in a Leeds<br />

park. The art works were produced by subtle<br />

interventions. These were intended to provide<br />

intriguing diversions for passers-by. A text intro<br />

gives details about <strong>the</strong> project. The viewer can<br />

navigate through thumbnail images to access<br />

documentation <strong>of</strong> specific artworks such as a<br />

book that draws parallels between <strong>the</strong> body and<br />

<strong>the</strong> park. Details <strong>of</strong> a touring exhibition <strong>of</strong> this<br />

work and associated educational workshops, are<br />

included with a summary <strong>of</strong> issues and ideas<br />

concerning <strong>the</strong> relationship <strong>of</strong> <strong>the</strong> public with<br />

130<br />

<strong>the</strong> park. The final curiosity <strong>of</strong> this site is <strong>the</strong><br />

Benedictionary, a phonetic alternative spelling<br />

site with <strong>the</strong> option to type in your own text to<br />

‘Benedikshonise’ it, an ecclesiastical overtone<br />

<strong>of</strong> blessed words.<br />

Edward Summerton’s site Edward Summerton At<br />

The Strict Nature Reserve<br />

http://myweb.tiscali.co.uk/strictnature/ is an<br />

intriguingly lucid presentation <strong>of</strong> a body <strong>of</strong><br />

work made up <strong>of</strong> disparate elements that all<br />

have a poetic resonance and Scottish identity.<br />

The site catalogues sculptural work, paintings,<br />

artists’books, postcard editions, installations,<br />

video and sound. Summerton’s site has <strong>the</strong><br />

option to be concluded with an exuberant<br />

piece <strong>of</strong> text. This links all <strong>the</strong> individual pieces<br />

<strong>of</strong> work in a description <strong>of</strong> a post apocalyptic<br />

journey through an urban / rural environment<br />

in which <strong>the</strong> narrator creates a contemporary<br />

subcultural mythology.<br />

The opening page <strong>of</strong> The Strict Nature Reserve<br />

takes you into a space resembling <strong>the</strong> periphery<br />

<strong>of</strong> redundant trading estate. You click on <strong>the</strong><br />

sign/hoarding and you are immediately<br />

confronted with a set <strong>of</strong> curious thumbnail<br />

images depicting Summerton’s work in a variety<br />

<strong>of</strong> genres. Having chosen <strong>the</strong> object option,<br />

I particularly liked <strong>the</strong> cloven Dear Shoes and <strong>the</strong><br />

Hollow Log vinyl Bag that is carried by <strong>the</strong> Fly<br />

Bastard in <strong>the</strong> narrators account. The enlarged<br />

versions <strong>of</strong> <strong>the</strong> thumbnails include <strong>the</strong> titles<br />

and media used to make <strong>the</strong> works. The Strict<br />

Nature Reserve site is utilitarian and<br />

functional in its design, a factor which is<br />

appropriate, given <strong>the</strong> ascetic nature <strong>of</strong><br />

Summerton’s work.<br />

Andrew Eason’s site www.andreweason.com<br />

opens with text and thumbnail images floating<br />

over an ochre and yellow striped home page.<br />

Following <strong>the</strong> threads <strong>of</strong> hypertext and images<br />

through <strong>the</strong> site, this striped backdrop is<br />

consistent in a variety <strong>of</strong> hues, creating a rich<br />

dressing to emphasise this book artists’ images<br />

and his concern with <strong>the</strong> finer nuances <strong>of</strong><br />

texture and mark. Eason is a Bristol based artist<br />

whose interest in presenting sequential text and<br />

image in <strong>the</strong> book form is informed by his<br />

position as a librarian at <strong>the</strong> city’s main public<br />

library.

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