Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
Artist's Book Yearbook 2003-2005 - Book Arts - University of the ...
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Artist’s <strong>Book</strong> Website Review<br />
Guy Begbie<br />
At <strong>the</strong> time <strong>of</strong> writing this review, Benedict<br />
Phillips site www.<strong>the</strong>Benedict.net is in <strong>the</strong><br />
process <strong>of</strong> being completed. However as it<br />
stands <strong>the</strong>re are some quirky pages that reveal<br />
an intelligent and witty approach to expanding<br />
one’s practice into a digital virtual structure,<br />
as well as providing clear information on<br />
conceptual projects that translate successfully<br />
into <strong>the</strong> web site format.<br />
At <strong>the</strong> opening page you can access A book for<br />
loozing in <strong>the</strong> street. This describes a project<br />
where an edition <strong>of</strong> books was produced from<br />
found discarded objects. These books were<br />
<strong>the</strong>n placed (effectively lost) along a route<br />
defined by <strong>the</strong>ir origins (where <strong>the</strong>y were<br />
found).<br />
Benedict Phillips is an artist, poet and curator<br />
based in Yorkshire, UK. The clear layout <strong>of</strong> <strong>the</strong><br />
homepage is reminiscent <strong>of</strong> double page<br />
spreads. Scrolling down to <strong>the</strong> second one, you<br />
can link to Homeless Houses. Here, bag sized<br />
house models inhabited with people symbols<br />
rendered onto <strong>the</strong>ir surfaces, are placed in or<br />
around public buildings in York. This work<br />
seems to highlight a social dilemma and a<br />
relationship between <strong>the</strong> users <strong>of</strong> <strong>the</strong>se<br />
buildings and <strong>the</strong>ir architectural fabric.<br />
Scrolling downwards, <strong>the</strong> word ‘fragile’ on a<br />
red banner demands attention on <strong>the</strong> next<br />
spread below. This sub-section <strong>of</strong> <strong>the</strong> site,<br />
documents aspects <strong>of</strong> an artistic endeavour, a<br />
collaboration between Benedict Phillips and<br />
Anne-Marie Culhane carried out in a Leeds<br />
park. The art works were produced by subtle<br />
interventions. These were intended to provide<br />
intriguing diversions for passers-by. A text intro<br />
gives details about <strong>the</strong> project. The viewer can<br />
navigate through thumbnail images to access<br />
documentation <strong>of</strong> specific artworks such as a<br />
book that draws parallels between <strong>the</strong> body and<br />
<strong>the</strong> park. Details <strong>of</strong> a touring exhibition <strong>of</strong> this<br />
work and associated educational workshops, are<br />
included with a summary <strong>of</strong> issues and ideas<br />
concerning <strong>the</strong> relationship <strong>of</strong> <strong>the</strong> public with<br />
130<br />
<strong>the</strong> park. The final curiosity <strong>of</strong> this site is <strong>the</strong><br />
Benedictionary, a phonetic alternative spelling<br />
site with <strong>the</strong> option to type in your own text to<br />
‘Benedikshonise’ it, an ecclesiastical overtone<br />
<strong>of</strong> blessed words.<br />
Edward Summerton’s site Edward Summerton At<br />
The Strict Nature Reserve<br />
http://myweb.tiscali.co.uk/strictnature/ is an<br />
intriguingly lucid presentation <strong>of</strong> a body <strong>of</strong><br />
work made up <strong>of</strong> disparate elements that all<br />
have a poetic resonance and Scottish identity.<br />
The site catalogues sculptural work, paintings,<br />
artists’books, postcard editions, installations,<br />
video and sound. Summerton’s site has <strong>the</strong><br />
option to be concluded with an exuberant<br />
piece <strong>of</strong> text. This links all <strong>the</strong> individual pieces<br />
<strong>of</strong> work in a description <strong>of</strong> a post apocalyptic<br />
journey through an urban / rural environment<br />
in which <strong>the</strong> narrator creates a contemporary<br />
subcultural mythology.<br />
The opening page <strong>of</strong> The Strict Nature Reserve<br />
takes you into a space resembling <strong>the</strong> periphery<br />
<strong>of</strong> redundant trading estate. You click on <strong>the</strong><br />
sign/hoarding and you are immediately<br />
confronted with a set <strong>of</strong> curious thumbnail<br />
images depicting Summerton’s work in a variety<br />
<strong>of</strong> genres. Having chosen <strong>the</strong> object option,<br />
I particularly liked <strong>the</strong> cloven Dear Shoes and <strong>the</strong><br />
Hollow Log vinyl Bag that is carried by <strong>the</strong> Fly<br />
Bastard in <strong>the</strong> narrators account. The enlarged<br />
versions <strong>of</strong> <strong>the</strong> thumbnails include <strong>the</strong> titles<br />
and media used to make <strong>the</strong> works. The Strict<br />
Nature Reserve site is utilitarian and<br />
functional in its design, a factor which is<br />
appropriate, given <strong>the</strong> ascetic nature <strong>of</strong><br />
Summerton’s work.<br />
Andrew Eason’s site www.andreweason.com<br />
opens with text and thumbnail images floating<br />
over an ochre and yellow striped home page.<br />
Following <strong>the</strong> threads <strong>of</strong> hypertext and images<br />
through <strong>the</strong> site, this striped backdrop is<br />
consistent in a variety <strong>of</strong> hues, creating a rich<br />
dressing to emphasise this book artists’ images<br />
and his concern with <strong>the</strong> finer nuances <strong>of</strong><br />
texture and mark. Eason is a Bristol based artist<br />
whose interest in presenting sequential text and<br />
image in <strong>the</strong> book form is informed by his<br />
position as a librarian at <strong>the</strong> city’s main public<br />
library.