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Boxoffice-June.1989

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ments from our readers, but there were<br />

Most Popular<br />

1. Rain Man<br />

2. Twins<br />

3. Naked Gun<br />

4. Working Girl<br />

5. Scrooged<br />

6. The Land Before Time<br />

7. Mississippi Burning<br />

8. Beaches<br />

9. Dirty, Rotten Scoundrels<br />

10. Young Guns<br />

Best Film<br />

1. Rain Man<br />

2. Mississippi Burning<br />

3. Working Girl<br />

4. The Accidental Tourist<br />

5. Gorillas in the Mist<br />

6. Dangerous Liaisons<br />

7. Twins<br />

8. Tequila Sunrise<br />

9. The Naked Gun<br />

10. Oliver & Co.<br />

lotte, N.C. "And 'Dead Ringers' was riveting.<br />

Jeremy Irons' performance was<br />

much too classy for the Academy's<br />

mundane tastes."<br />

'"Women on the Verge of a Nervous<br />

Breakdovirn' was a pleasant and unexpected<br />

surprise," raved Woody Bnmson,<br />

who works for Pacific Theatres in San<br />

Diego. "I thought 'The Beast' was in-<br />

also words of praise for some films credible and did not get the attention it<br />

which didn't find universal appeal last richly deserved," complains Thomas<br />

year. '"Torch Song Trilogy' was Newsom of TMT Management in Portland,<br />

touching, illuminating and memorable,"<br />

says F.M. Hough with Q-Notes in Char-<br />

Ore. '"Salaam Bombay!' made for<br />

riveting cinema, and 'Bird' was a complexly<br />

detailed film that was directed<br />

excellently by Clint Eastwood. The film<br />

ebbs and flows like a piece of modem<br />

jazz," enthuses Wendeslaus Schulz with<br />

Star Theatres in Bay St. Louis, Miss.<br />

And Ron Yardley, who keeps his eye<br />

on the movies while working for DHS,<br />

Inc., in San Diego, applauds a whole<br />

trend which he finds encouraging:<br />

"Hooray for Hollywood women! Four of<br />

the five films that I selected as having<br />

the highest aesthetic quality had women<br />

as their major headliners," he<br />

writes. "Only the wonderful Dustin<br />

Hoffman broke the string that the likes<br />

of Jodie Foster, Melanie Griffith, Glenn<br />

Close and Sigoumey Weaver put together.<br />

Not long ago, no female — outside<br />

of Meryl Streep — could carry the<br />

weight of a movie on her shoulders.<br />

You've come a long way, lady!"<br />

Give The Grumblers Their Say<br />

Inevitably, however, there are those<br />

who thought that the closing months of<br />

1988 brought nothing but turkeys, and<br />

they're not happy about it. The common<br />

word in their complaints is "mediocre."<br />

"It was a very dull Christmas season,"<br />

reports T. Campion with Laemmle<br />

Theatres in Los Angeles. "There was little<br />

that really grabbed your attention,<br />

and there was a lot of mediocre product.<br />

It's enough to drive one to a video<br />

store."<br />

"There was not an impressive array<br />

[of films] to choose from," says James<br />

H. Atherton, a retired manager with<br />

Cineplex Odeon in Atlanta. "Mediocrity<br />

was more the rtile than the exception."<br />

"There were not many blockbusters<br />

last year; none, I would say. We need<br />

more good family, PG-rated shows,"<br />

says Bert Lee with Lee Theatres in Terry,<br />

Mont. "All of the films except<br />

"Twins' were standard, mediocre fare.<br />

They were the kinds of movies that we<br />

used to use as 'fill-ins' between hits.<br />

There are no hits today," observes D.<br />

Farber, who works for Cinema Designs<br />

in Livingston, Mont. Michael Chamberlin<br />

with Cineplex Odeon's Marketplace<br />

Six in Bowie, Md., concurs, adding:<br />

"Nothing in '88 could equal the greatness<br />

of last year's 'The Last Emperor' or<br />

'Broadcast News' There were no grept<br />

films last year, just some very good<br />

ones, piled in with mediocrity."<br />

"The movies that you listed are some<br />

of the worst selections 1 have seen in<br />

years. Couldn't Hollywood do any better?"<br />

asks Martin Stringfellow with Reel<br />

Theatres in Richfield, Utah. "The presidential<br />

race was just as exciting to<br />

choose from." Obviously, it was not a<br />

kinder, gentler year at the movies for<br />

Mr. Stringfellow.<br />

A Summation<br />

Finally, C.W. Rose, who is employed<br />

by Floyd Theatres in Lakeland, Fla.,<br />

offers an observation which, in its simplicity<br />

and eloquence, could threaten<br />

Jack Valenti as the most articulate<br />

spokesperson on the film industry:<br />

"All films were great; [although]<br />

some [were] a little better than others."<br />

Amen.<br />

Mi

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