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Boxoffice-June.1989

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"<br />

Mark Bennett and the Bay Theatre<br />

By David H. Chadderdon<br />

On the Front Line is an ongoing column<br />

on theatre management from the manager's<br />

point of view What is it like to be on the<br />

front line of theatrical exhibition? What<br />

types of unique problems do managers face<br />

m the day-to-day operation of a movie<br />

theatre^ How do managers promote their<br />

theatres and their films, how do they develop<br />

long-term relationships with their employees,<br />

what do they do to make their<br />

theatre survive in today's hectic and competitive<br />

entertainment environment^ Contributing<br />

writer David H Chadderdon, with<br />

IS years experience as a projectionist and<br />

manager for the Goodrich and Redstone circuits,<br />

will regularly profile theatre managers<br />

and their operations, bringing their success<br />

stories, "hands-on" experiences, and "secrets<br />

of the trade" to the pages of <strong>Boxoffice</strong><br />

THE<br />

Bay Theatre on Main Street in<br />

Seal Beach, California is a typical<br />

"art house." It's an old neighborhood<br />

theatre situated in one of the most beautiful<br />

locations in the country. Strollers<br />

saunter by, enjoying a quaint seaside<br />

shopping district located about a mile<br />

from the beach Mark Bennett has worked<br />

there for a year and a half<br />

Bennett says he has a lot of regulars<br />

who come to every show. "Of those, most<br />

live within walking distance. Seal Beach is<br />

a great place to take a walk at night. Most<br />

of our customers don't like standing in<br />

line. We don't get big audiences, so there's<br />

never a line. We've just had the biggest<br />

Saturday night we've had in a year and a<br />

half and I think it amounted to 380<br />

people."<br />

There are both AMC and United Artists'<br />

six-plexes just down the road, and according<br />

to Bennett, "We usually try to get<br />

movies they wouldn't ordinarily get. 'Jean<br />

de Florette,' the French films, that type of<br />

product I don't think it's possible to compete<br />

with the mutliplexes on the big<br />

movies. I think we're better off sticking<br />

with the films they don't get and appealing<br />

to a completely different audience."<br />

The Bay's owners, Richard and Jane<br />

Loderhose of New York, put in an organ<br />

that came out of the Paramount Fox<br />

theatre in New York. "We've had organ<br />

concerts here with some fairly famous<br />

organ players," says Bennett. "When we<br />

hold organ concerts we show Laurel and<br />

Hardy films. In this age of mcgacolor and<br />

Dolby Stereo, it's really neat to see that<br />

sort of thing."<br />

Bennett has a small but loyal staff:<br />

three concession people, an assistant<br />

manager, a union projectionist and a janitor.<br />

"We have one guy who comes in<br />

every single day. He's been doing it for<br />

eight years and he really keeps the place<br />

clean. It's definitely nice that I don't have<br />

to take care of that."<br />

The Bay uses two concession people on<br />

Fridays and Saturdays and Bennett finds<br />

he doesn't have to do a lot of training. "It's<br />

extremely simple work. The only thing<br />

you really have to leam is how to use a<br />

cash register. All the prices are kept simple:<br />

my staff can add up sales in their<br />

heads even if there's a crowd."<br />

Bennett doesn't have a problem with<br />

storage either. "We have one closet that<br />

holds all of our candy and concession supplies.<br />

We don't have to order that much:<br />

we don't sell a hundred drinks in a week.<br />

So we'll order one box and it'll sit there for<br />

a month or so<br />

According to Bennett, the best thing<br />

about being the manager is being the boss.<br />

"I don't have somebody breathing down<br />

my neck all the time. The owners will be<br />

gone for months at a time. There's an<br />

apartment on the third floor and most of<br />

the time I don't even know when they're<br />

in. They split their time between here and<br />

New York."<br />

Bennett also likes the challenge of leading<br />

and directing others. "It's real tough to<br />

be able to get people to do what you want<br />

and not be tyrannical. There's a real fine<br />

line between being a jerk and getting<br />

what you want done. It's definitely a good<br />

experience. You've just got to kind of feel<br />

your way through it at first. No one can<br />

tell you how to do it; you have to experience<br />

it for yourself."<br />

Bennett's biggest dislikes are unruly<br />

customers and bad prints. Used prints are<br />

the norm with the Bay Theatre's slate of<br />

attractions and patron complaints escalate<br />

when there's something wrong with<br />

the print. "I really hate it when you get a<br />

bad print from a company, put it on, and it<br />

sounds or looks horrible, and there's nothing<br />

you can do — you can't get another<br />

print until the exchanges open. 'Sorry sir,<br />

want your money back?' "<br />

Like all managers, Bennett sometimes<br />

gets complaints from unreasonable customers.<br />

"Some people just seem to be<br />

there to yell at you. They just want to get<br />

out their frustrations and you pretty<br />

much have to not take it personally. You<br />

have to have a good sense of self because<br />

people are going to yell at you and tell you<br />

what a horrible person you are because<br />

you've ruined their evening. But it's part<br />

of the job.<br />

"The kind of movies we get here don't<br />

really attract an unruly crowd. I saw 'Eddie<br />

Murphy Raw' at another theatre and I<br />

couldn't imagine being the manager<br />

there. There was screaming and yelling<br />

and people were throwing things, and I'm<br />

sitting there seeing it all from the manager's<br />

point of view. There were ushers<br />

walking up and down the aisles the whole<br />

time. For me, that would be horrible. I<br />

can't imagine having to do that."<br />

Bennett attends Cal State University<br />

Long Beach and is studying business administration.<br />

But being a theatre manager<br />

is "The best job I can possibly think of"<br />

Bennett takes much pride in his<br />

theatre. "A lot of people I talk to have<br />

never been here. They think of it as a dark<br />

dingy theatre and they never actually get<br />

in and see that it's nice and that it's got<br />

class. We keep this place really clean.<br />

That's foremost, because when people<br />

come in, that's the first thing they look<br />

at.<br />

"These days most people want to go to<br />

a Cineplex-Odeon multi-plex. To me it<br />

seems like your're being herded in and<br />

out like cattle. Totally impersonal. It's<br />

definitely a different atmosphere here.<br />

We try to make people happy and accommodate<br />

them. Make them walk out wth a<br />

good taste in their mouth, so when they<br />

think of the Bay Theatre again they'll<br />

want to come back That's our way of<br />

competing: making it a nice, pleasant<br />

experience"<br />

^<br />

^2<br />

BOXOFFICF.

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