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'/)<br />
APRIL<br />
TRAILERS<br />
Spring fever<br />
industry gets over the winter blues and is traditionally<br />
fertile in the month of April, giving birth to a whopping<br />
40 flicks this year, almost matching the 47 titles covered<br />
in BOXOFFICE a year ago. The boxoffice last year at this<br />
time was likewise lucrative, with the modest hits "Never<br />
Been Kissed" and "Life" eventually grossing $55.5 million<br />
and $63.8 million respectively and the breakout hit<br />
"Entrapment'' raking in $87.7 million. The timeframe also<br />
delivered critical hits that didn't fare so well at the boxoffice:<br />
Both "Go" and "Election" earned right around $15 million.<br />
And then there were the bombs that neither the critics<br />
nor the public liked: "The Out-of-Towners" fared the best at<br />
$28.5 million, but "Goodbye Lover," "Lost & Found,"<br />
"Pushing Tin" and "Idle Hands" all garnered less than $10<br />
million.<br />
April 2000 opens with<br />
James Toback's gritty "Black<br />
and White," "Return to Me"<br />
and "Head Over Heels," the<br />
latter two romantic comedies<br />
from MGM and Universal,<br />
respectively. Heavy-hitting<br />
independents Lions Gate,<br />
Paramount Classics and USA<br />
also bow "American<br />
Psycho," "The Virgin<br />
Suicides" and "Joe Gould's<br />
Secret" respectively, this<br />
weekend.<br />
A week later on April 14,<br />
Edward Norton makes his<br />
directorial debut in "Keeping<br />
the Faith," Sandra Bullock<br />
stars "28 Days,"<br />
in<br />
Paramount does double duty<br />
with "Bless the Child" and "Rules of Engagement" and professional<br />
wrestling busts onto the bigscreen in "Ready to<br />
Rumble." Lions Gate throws its hat into the ring with "The Big<br />
Kahuna," as does USA with "Where the Money Is."<br />
The third week of the month is a bit lighter than the previous<br />
two. Columbia bows its dance movie "Center Stage,"<br />
New Line scores with "Love and Basketball" and Universal<br />
sneaks in "U-571."<br />
Finally this month, April 28 is<br />
ladies' night. Fox's "Home Is<br />
Where the Heart Is" (pictured), MCM's "Things You Can Tell<br />
Just by Looking at Her" and Miramax's "Committed" all premiere<br />
this weekend. Other pics include New Line's<br />
"Frequency," Universale "The Skulls" (held from February)<br />
and Warner Bros.' long-delayed "Gossip." Also watch for<br />
"Texas Rangers," "The Yards" and "In Crowd" this month.<br />
^ Continuing our monthly filmmaker profiles, this month<br />
"""(OFFICE talked to Mary Harron, who directed "American<br />
ycho," Sophia Coppola, who directed "The Virgin Suicides'<br />
andd Angela Bettis, who stars in "Bless the Child."<br />
—Annlee Ellingsi<br />
Black and White<br />
In his follow-up to the controversial<br />
"Two Girls and a Guy," writerdirector<br />
James Toback has gathered<br />
an impressive ensemble—including<br />
Robert Downey Jr.<br />
("Bowfinger"), Gaby Hoffman<br />
("200 Cigarettes"), New York Nicks<br />
star Allan Houston, Jared Leto<br />
("Fight Club"), supermodel Claudia<br />
Schiffer, Brooke Shields ("The<br />
Bachelor"), Ben Stiller ("Mystery<br />
Men"), boxer Mike Tyson and Elijah<br />
Wood ("Deep Impact")—for his<br />
story about privileged white teens<br />
who have a reckless fascination<br />
with hip-hop culture. "Two Girls<br />
and a Guy" executive producers<br />
Mike Mailer and Daniel Bigel produce<br />
with Ron Rotholz ("American<br />
Psycho"). (Columbia, 4/5)<br />
Exploitips: Forced to edit "Two<br />
Girls and a Guy" to receive an R<br />
rating, Toback suffered the same<br />
fate here, trimming his opening<br />
scene to cut down on sexual<br />
explicitness. "Black and White"<br />
was nascent Palm Pictures first film<br />
production, though the company<br />
has already released films such as<br />
"Six-String Samurai" and the reissue<br />
of the Talking Heads documentary<br />
"Stop Making Sense."<br />
Envisioning a wider release for this<br />
pic, the indie teamed up with<br />
Columbia's Screen Gems in an<br />
unusual deal that calls for both<br />
companies to distribute and market<br />
"Black and White, " splitting the<br />
profits according to an undisclosed<br />
formula. BOXOFFICE reviewed the<br />
pic in Toronto, giving it 3.5 stars in<br />
the November 1999 issue: "'Black<br />
and White' is surely James<br />
Toback's 'Nashville' wannabe. The<br />
curious film doesn't quite work on<br />
that level, but it does offer its own<br />
compelling bleak vision of<br />
America in the late 1 990s.<br />
distances himself from the supernatural<br />
in this romance as a veterinarian<br />
who falls in love with the woman<br />
who, unbeknownst to him,<br />
received<br />
his deceased wife's heart.<br />
Minnie Driver ("An Ideal Husband")<br />
co-stars. Actress Bonnie Hunt directs<br />
a script she wrote with Samantha<br />
Goodman, Don Lake ('The Extreme<br />
Adventures of Super Dave") and<br />
Andrew Stern; lennie Lew Tugend<br />
("Free Willy") produces. (MGM, 4/7)<br />
Exploitips: Enormously popular as<br />
Fox Mulder on TV's "The X-Files,"<br />
Duchovny filmography varies widely,<br />
from the skin tiick "Rapture, " serial<br />
killing spree "Kalifornia " and mobster<br />
movie "Playing God," which<br />
also starred Timothy Hutton and<br />
Angelina lolie and grossed only a Utile<br />
over $4 million at the lx>xoffice.<br />
Driver's had better luck, voicing Jane<br />
last summer's "Tarzan" and starring<br />
in the indie hit "Good Will<br />
Hunting." Still, though she has<br />
romantic experience onscreen,<br />
Driver's never carried a movie,<br />
either. Tap into the film's plot<br />
device by coordinating with a local<br />
hospital to recruit organ donors and<br />
sponsor a blood drive.<br />
Head Over Heels<br />
Monica Porter ("Patch Adams")<br />
and Freddie Prinze Jr. ("She's All<br />
That") star in this romantic comedy<br />
about a New York art restorer<br />
who falls in love with her neighbor,<br />
despite the fact that she<br />
thinks she saw him murder someone,<br />
a la "Rear Window." China<br />
Chow ("The Big Hit") and models<br />
Shalom Harlow, Ivana Milicevic,<br />
Sarah O'Hare and Tomiko Fraser<br />
co-star. Mark Waters ("The House<br />
of Yes") directs a script by "There's<br />
Something About Mary's" Ed<br />
Decter and John J. Strauss and<br />
Ron Burch and David Kidd;<br />
Robert Simonds ("The Waterboy")<br />
produces. (Universal, 4/7)<br />
Exploitips:<br />
Potter dropped out<br />
of Disney's "Mission to Mars" to<br />
pick up this role after Claire<br />
Danes amicably parted from the<br />
project when both she and the<br />
filmmakers determined that the<br />
part was not suitable for her. Both<br />
Potter and Prinze have seen success<br />
in the romantic realm before,<br />
and their experience will give<br />
David Duchovny and Minnie<br />
Driver's "Return to Me" a run for<br />
its money this weekend, especially<br />
among younger viewers who<br />
will appreciate the film's associations<br />
with "The House of Yes,"<br />
"There's Something About Mary"<br />
and "The Waterboy. " For a clever<br />
double billing, consider Alfred<br />
Hitchcock's<br />
Buddy Boy<br />
Return to Me<br />
"X-Files" star David Duchovny<br />
"Rear Window," rereleased<br />
by Universal associate<br />
USA Films in January.<br />
In this thriller, Brit Aidan Gillen<br />
("Some Mother's Son") stars as an<br />
introvert who escapes the tedium<br />
of caring for his slovenly invalid<br />
mother by spying on his beautiful<br />
neighbor, played by<br />
Frenchwoman Emmanuelle<br />
Seigner ("The Ninth Gate").<br />
Writer-director Mark Hanlon<br />
makes his debut; Cary Woods<br />
("Copland") and Gina Mingacci<br />
produce. (Fine Line, 4/7 NY/LA)<br />
Exploitips: "Buddy Boy,"<br />
which played at both the Venice<br />
and Toronto Film Festivals, could<br />
be another candidate for double<br />
billing with "Rear Window"<br />
because of its voyeuristic themes.<br />
American Psycho<br />
Christian Bale ("Velvet<br />
Goldmine") stars in this controversial<br />
satire about the '80s<br />
yuppie lifestyle as a Wall<br />
Streeter who leads a double life<br />
16 boxoffice