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years ago, they were experimenting<br />
with making screens that were<br />
giants, that would fill a room wallto-wall,<br />
floor-to-ceiling. At the<br />
time, the technology didn't exist to<br />
get the image there with clarity."<br />
A similar attempt was made in<br />
the '80s by AMC, Jacobsen recalls.<br />
"They had all these whiz-bang<br />
ideas—'Let's make screens real<br />
big!'... The technology existed, but<br />
they didn't know how to do it.<br />
"All of a sudden, AMC had the<br />
same problem as 40 years ago: a<br />
huge screen, but they can't get an<br />
image on it," he says. "So those<br />
regressions over past history are<br />
going to happen again."<br />
STADIUM SEATING:<br />
DOWNHILL INCLINE?<br />
Stadium seating is the sport utility<br />
vehicle of '90s cinema design;<br />
everyone who's anyone has it. But,<br />
just as with the SUV, complaints<br />
about safety and expense have<br />
begun rumbling on the horizon, and<br />
some predict this fixture of contemporary<br />
cinema design will go the<br />
way of the earlier gas guzzlers.<br />
Stadium seating is too expensive,<br />
they say. The steps it requires present<br />
the possibility of accidents and,<br />
thus, lawsuits. It limits seating configurations<br />
for optimal sightlines.<br />
"It's such a hassle—so much money<br />
and time and space wasted in those<br />
buildings," Jacobsen says.<br />
Lawrence Dworkin, whose New<br />
York, N.Y. construction firm has<br />
built General Cinemas' sites, says<br />
the end of the rake is near. "It's<br />
going to be phased out, because it's<br />
twice as expensive to build."<br />
The Canadian-based Mesbur and<br />
Smith aren't quite as adamant on<br />
the subject, but the partners do see a<br />
relaxation of American building<br />
codes that will give seating designers<br />
more leeway. Mesbur says that,<br />
outside of the United States, where<br />
codes are more liberal, one can<br />
achieve a stadium theatre with better<br />
visibility, more consistent sightlines,<br />
and a less precipitous rake of<br />
the floor. The result is viewing that<br />
is more comfortable for the audience,<br />
particularly for elderly or disabled<br />
patrons who have difficulty<br />
negotiating stairs.<br />
"It becomes much more audiencefriendly,"<br />
he says.<br />
Specifically, current building<br />
code, Smith says, is too restrictive in<br />
terms of tread and riser heights. "In<br />
DESIGNER<br />
PREDICTIONS<br />
& PROPHECIES<br />
In our conversations, we came<br />
across a few especially notable<br />
forecasts of the cinema's future.<br />
We present four of them below.<br />
• Portable theatres. Some<br />
movie theatres could eventually<br />
break from their moorings and<br />
hit the road, according to architect<br />
Thomas Berkes, just like<br />
the oldtimers of the 1910s and<br />
1920s. But this time out it would<br />
not be a jalopy and a sheet; it<br />
would resemble a motor home,<br />
traveling to remote locations,<br />
where collapsible bleachers<br />
would be assembled on-site. "It<br />
can go on a freeway or a highway,"<br />
he says. "You set it up<br />
anywhere and run a film for a<br />
few days...and then move on."<br />
• Internet transactions. "You<br />
will be able to sit in your house<br />
and decide the time you want to<br />
go to a particular film, pick the<br />
seat you want to sit in, and<br />
order your menu off the web,"<br />
says Andrew Youngquist, president<br />
of Birtcher Construction,<br />
who expects internet transactions<br />
to free up cinema space in<br />
several ways.<br />
You won't, for example, need<br />
as large a lobby area or as many<br />
concession stands. "You walk in,<br />
merely say your name, and they<br />
know what time you're going to<br />
be there—so your food service is<br />
already prepared, and you just<br />
walk into theatre," he says.<br />
• Motorized seats. Youngquist<br />
also pictures the theatres of the<br />
near future being equipped with<br />
chairs from which vibrations and<br />
sounds will emanate. "You will<br />
actually become a part of the cinema<br />
itself," he says.<br />
• Crying rooms. Youngquist<br />
sees a resurrection of soundproof<br />
rooms, where mothers can<br />
watch the film with their babies<br />
without disturbing other patrons.<br />
"I think people want that<br />
privacy of not having a baby<br />
crying in their ear when they're<br />
viewing a love story."<br />
28 BOXOFFK I