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••*<br />
GRIZZLY FALLS<br />
Starring Daniel Clark, Bryan Brown.<br />
Richard Harris, Tom Jackson and Oliver<br />
Tobias. Directed by Stewart Raffill.<br />
Written by Richard Beattie. Produced by<br />
Peter S. Hampton and Allan Scott. A<br />
Providence Entertainment release.<br />
Adventure. Rated PG for wilderness<br />
adventure violence and some mild language.<br />
Running time: 9.1 min.<br />
This is a trip down memory lane to<br />
those Disney and similar films where all<br />
the kids were the heroes<br />
and all the animals cute<br />
when they weren't being<br />
ferocious. It<br />
takes a serious<br />
suspension of reality to<br />
enjoy them. But, hey, isn't<br />
that what movies are all<br />
about?<br />
Young Harry Bankston<br />
(newcomer Daniel Clark)<br />
goes on an expedition to<br />
the Canadian wilderness<br />
with his Indiana Jones-style<br />
dad (Bryan Brown). It's a<br />
bonding experience to<br />
make up for father being<br />
absent for much of his<br />
young life, including when<br />
his mother died.<br />
The purpose of the trek is to bring<br />
back a live grizzly and, naturally, it doesn't<br />
all go according to plan. In fact it<br />
goes so awry that Harry gets kidnapped<br />
by a mother grizzly whose two cubs have<br />
been captured by the expedition. Only<br />
fair, you might say.<br />
Ma Grizzly is actually good at her<br />
chosen profession and Harry's only<br />
problem seems to be that his diet is a little<br />
undercooked. Apart from berries it<br />
consists of raw fish, freshly-killed animals<br />
and purloined eggs. Quit complaining,<br />
kid—sushi and steak tartar would<br />
cost you a packet in Beverly Hills.<br />
The scenes with the bears are very<br />
convincing and whatever special effects<br />
there may be are seamless, though the<br />
film could have done with a few less of<br />
human-style gestures. Do grizzlies<br />
really do that crooked arm wave thing<br />
when they want you to hurry up? And<br />
some of the continuity is very sloppy.<br />
several days of being schlepped by<br />
a bear, Harry's shirt looks like it just<br />
came out of the dryer.<br />
Still, it's a pretty entertaining trip for<br />
the whole family, except for very little<br />
kids who might find some of the scenes<br />
too intense. Performances are adequate,<br />
with young Mr. Clark a standout.<br />
Richard Harris, as the much older<br />
Harry, bookends the story and shamelessly<br />
sets up a potential sequel. Mike<br />
Kerrigan<br />
REVIEWS<br />
SPECIAL FORMATS<br />
MYSTERIES OF EGYPT • ••<br />
Starring Omar Sharif and Kate Maberly. Directed by Bruce Neibaur. Written in consultation<br />
with Dr. Mark Lehner, Dr. Zahi Hawass and Dr. Nicholas Reeves. Produced<br />
by Scott Swofford and Lisa Truit. A National Geographic release. Documentary.<br />
Unrated. Running time: 40 min.<br />
Set against the wondrous backdrop of the sweeping Nile and the majestic Ciza pyramids,<br />
"Mysteries of Egypt" takes the viewer on an engaging journey through the Land<br />
of the Pharaohs. Meant to be educational as<br />
well as inspirational, the large-format film<br />
conveys pertinent information in the form of<br />
a running conversation between a wise old<br />
grandfather (Omar Sharif), who stresses the<br />
importance of historic perspective as well<br />
as respect toward the ancients, and his<br />
inquisitive granddaughter (Kate Maberly),<br />
who is eager to hear about the legendary<br />
Mummy's Curse and the more titillating<br />
tales associated with the region.<br />
Seeking to satisfy both this thirst for knowl-<br />
"'<br />
^m* JS edge and the morbid curiosity about<br />
f.\<br />
ancient Egyptians, the film is interspersed<br />
with reenactments of events such as the<br />
mummification of royal family members<br />
and the plundering of rich tombs by intrepid<br />
grave robbers, with Sharif's voice-overs serving to explain the onscreen depictions of<br />
the archaic traditions and their historical significance.<br />
Despite the potentiality for contrived dialogue or distraction caused by the grandfather-granddaughter<br />
relationship, "Mysteries of Egypt" is quite successful at communicating<br />
basic information about the country's history as well as avoiding the pitfalls<br />
associated with a documentary featuring real events and places, but fictional characters.<br />
The only flaw of any note is the film's inability to delve deeper into topics it introduces,<br />
including the short life of King Tut and the mysterious construction methods<br />
behind the pyramids, igniting viewer curiosity only to let it down much too quickly.<br />
However, having to cover an entire civilization in just 40 minutes is no small task,<br />
and director Bruce Neibaur makes the most of the time he is allotted by using the<br />
giant screen to depict Egypt's breathtaking landscape and timeless monuments on a<br />
scale in which they deserve to be seen.<br />
DOLPHINS<br />
Starring Dr.<br />
•••<br />
Francesca Dinglasan<br />
Kathleen Dudzinski, Alejandro Acevedo-Guitierrez and Dean Bernal.<br />
Directed and produced by Greg MacGillivray. A MacGillivray Freeman release.<br />
Documentary. Unrated. Running time: 40 min.<br />
This is the first Imax release for MacGillivray Freeman since its "Everest" broke all<br />
boxoffice records for the giant screen. This is<br />
unlikely to scale any new financial<br />
peaks but it is a visually pleasing and thought-provoking peek at life beneath the<br />
waves. In short, it's just the ticket for the Imax treatment.<br />
"Galapagos" had Dr. Carole Baldwin swimming with the sharks and this one has Dr.<br />
Kathleen Dudzinski in Dances with Dolphins. Dr. Dudzinski sports a fetching red<br />
bikini as she frolics without diving gear in a group of dolphins. Actually Dr. D is<br />
doing serious and important work—trying to decipher dolphinspeak. If she ever<br />
cracks the code, we are in for some very interesting discussions with out aquatic<br />
cousins.<br />
Enhancing the visual delights is a great score by Sting, whose music perfectly complements<br />
the film's atmospherics. Mike Kerrigan<br />
March, 2000 (R-19) 53