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the perfect stadium seating for optimal<br />
sightlines, you have to have little<br />
variation in treads and riser<br />
heights," he says. "Actually it's<br />
safer. You get a gentler curve."<br />
Smith says he plans to approach<br />
building officials to lobby for such<br />
changes. "I think it'll happen<br />
gradually. It's like Buckminster<br />
Fuller, who compared himself to<br />
the rudder on an ocean liner: He<br />
puts his foot out a bit and the liner<br />
turns very slowly."<br />
THE EVOLUTION<br />
OF LOBBIES<br />
Although a cinema's heart is the<br />
darkened auditorium in which a<br />
movie flickers, its face is its lobby<br />
the feature that patrons notice first<br />
and the one that defines a particular<br />
cinema's public image. Montague,<br />
the Lone Star-based interior designer,<br />
sees a shift from the bright colors<br />
and flashing lights that she's been<br />
doing for the past 14 years.<br />
"There are more baby boomers<br />
out there," she says. "I know a lot<br />
of my friends who are baby<br />
boomers don't feel comfortable in<br />
those brightly colored, flashy theatres....<br />
Life is getting more hectic...<br />
Everyone's trying to get more<br />
comfortable and relax more. I<br />
think they can do it in more understated<br />
interiors."<br />
Montague predicts a return to<br />
natural finishes and metals, and<br />
more curving lines and subdued colors.<br />
"A good example would be<br />
what Cinemark is doing with their<br />
interiors," she says. "They're taking<br />
elements of the old movie theatres<br />
of the '30s and '40s, and making<br />
them grander, more Art Deco,<br />
more Art Nouveau."<br />
Jim Baker, president of Dimensional<br />
Innovations, and Trotter, his<br />
design vice president, say theatres<br />
will need impressive lobbies even<br />
more in the upcoming decade in<br />
order to distinguish themselves from<br />
the competition. Offers Trotter,<br />
"There's a need for theatre companies<br />
to come up with other ways to<br />
get people in there, other than just<br />
showing movies."<br />
Trotter points to themed interiors<br />
and three-dimensional attractions<br />
that make the entertainment experience<br />
begin the minute the patron<br />
steps through the door. "People go<br />
to movies so they can escape," he<br />
says. "Disneyworld and Disneyland<br />
and Las Vegas are really good<br />
examples of places that have created<br />
environments that take you away<br />
to another world."<br />
Trotter and Baker suggest that<br />
Disney is more than an entertainment<br />
inspiration; it's an economic<br />
one as well. Says Baker, "If you<br />
look at Disneyworld, casinos and<br />
other themed entertainment businesses..<br />
.they seem completely recession-proof<br />
and bulletproof as a<br />
company. That says to me that the<br />
public will still pay to go into a highly<br />
themed, sensory-overloaded environment<br />
to be entertained."<br />
A BIT OFHEMINGWAY:<br />
A CLEAN<br />
WELL-LIGHTED PLACE<br />
"Smaller and better" seems to<br />
be the mantra for the first decade<br />
of this big new millennium.<br />
Cinema designers are preparing<br />
for the new age by taking the best<br />
of the past and blending it with the<br />
latest technology.<br />
Then again, according to a veteran<br />
of the industry, cinema success in<br />
2010 may come down to a simple<br />
roll of toilet paper. "The function of<br />
the motion picture industry is the<br />
need to entertain the public and<br />
need to do it in a first-class way,"<br />
says Jacobsen of Glatz-Jacobsen.<br />
"They don't have to spend outrageous<br />
amounts of money to build a<br />
fancy building, because people<br />
aren't coming to see the building;<br />
they're coming to see what's on<br />
inside. They need to keep clean,<br />
well-lighted restrooms that don't<br />
smell," he says. "That's the kind of<br />
stuff that hampers the success of<br />
the theatre business.<br />
"They need to do what they do<br />
better, and they need to get over<br />
this latest techno-whiz stuff," says<br />
Jacobsen. "They never want to<br />
spend enough money to have a<br />
good toilet paper roll, but those<br />
are the kind of things that fail and<br />
the kind of things that make people<br />
unhappy."<br />
SBM<br />
Images in this story (in order of<br />
appearance) are from: Loeks-Star<br />
(exterior, Southfield, Mich.);<br />
Showcase (neon sign. Orange,<br />
Conn.); Cinemark (hallway);<br />
Loews (Hollywood sign, Sony<br />
IMAX, New York); Muvico (grill,<br />
Pompano Beach, Fla.); Century<br />
(exterior. Orange, Calif).<br />
Good booth service techs I<br />
can generate a wide<br />
range of emotions<br />
among managers. Most<br />
often, ours is<br />
CONFIDENCE.<br />
*<br />
Theater service from a new<br />
perspective YOURS !<br />
1-800-310-7940<br />
service@ddts.com<br />
1-877-FAX-DDTS<br />
Ifs your money.<br />
Response No. 530<br />
Response No 1<br />
March. 2000 29