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Boxoffice-March.2000

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the perfect stadium seating for optimal<br />

sightlines, you have to have little<br />

variation in treads and riser<br />

heights," he says. "Actually it's<br />

safer. You get a gentler curve."<br />

Smith says he plans to approach<br />

building officials to lobby for such<br />

changes. "I think it'll happen<br />

gradually. It's like Buckminster<br />

Fuller, who compared himself to<br />

the rudder on an ocean liner: He<br />

puts his foot out a bit and the liner<br />

turns very slowly."<br />

THE EVOLUTION<br />

OF LOBBIES<br />

Although a cinema's heart is the<br />

darkened auditorium in which a<br />

movie flickers, its face is its lobby<br />

the feature that patrons notice first<br />

and the one that defines a particular<br />

cinema's public image. Montague,<br />

the Lone Star-based interior designer,<br />

sees a shift from the bright colors<br />

and flashing lights that she's been<br />

doing for the past 14 years.<br />

"There are more baby boomers<br />

out there," she says. "I know a lot<br />

of my friends who are baby<br />

boomers don't feel comfortable in<br />

those brightly colored, flashy theatres....<br />

Life is getting more hectic...<br />

Everyone's trying to get more<br />

comfortable and relax more. I<br />

think they can do it in more understated<br />

interiors."<br />

Montague predicts a return to<br />

natural finishes and metals, and<br />

more curving lines and subdued colors.<br />

"A good example would be<br />

what Cinemark is doing with their<br />

interiors," she says. "They're taking<br />

elements of the old movie theatres<br />

of the '30s and '40s, and making<br />

them grander, more Art Deco,<br />

more Art Nouveau."<br />

Jim Baker, president of Dimensional<br />

Innovations, and Trotter, his<br />

design vice president, say theatres<br />

will need impressive lobbies even<br />

more in the upcoming decade in<br />

order to distinguish themselves from<br />

the competition. Offers Trotter,<br />

"There's a need for theatre companies<br />

to come up with other ways to<br />

get people in there, other than just<br />

showing movies."<br />

Trotter points to themed interiors<br />

and three-dimensional attractions<br />

that make the entertainment experience<br />

begin the minute the patron<br />

steps through the door. "People go<br />

to movies so they can escape," he<br />

says. "Disneyworld and Disneyland<br />

and Las Vegas are really good<br />

examples of places that have created<br />

environments that take you away<br />

to another world."<br />

Trotter and Baker suggest that<br />

Disney is more than an entertainment<br />

inspiration; it's an economic<br />

one as well. Says Baker, "If you<br />

look at Disneyworld, casinos and<br />

other themed entertainment businesses..<br />

.they seem completely recession-proof<br />

and bulletproof as a<br />

company. That says to me that the<br />

public will still pay to go into a highly<br />

themed, sensory-overloaded environment<br />

to be entertained."<br />

A BIT OFHEMINGWAY:<br />

A CLEAN<br />

WELL-LIGHTED PLACE<br />

"Smaller and better" seems to<br />

be the mantra for the first decade<br />

of this big new millennium.<br />

Cinema designers are preparing<br />

for the new age by taking the best<br />

of the past and blending it with the<br />

latest technology.<br />

Then again, according to a veteran<br />

of the industry, cinema success in<br />

2010 may come down to a simple<br />

roll of toilet paper. "The function of<br />

the motion picture industry is the<br />

need to entertain the public and<br />

need to do it in a first-class way,"<br />

says Jacobsen of Glatz-Jacobsen.<br />

"They don't have to spend outrageous<br />

amounts of money to build a<br />

fancy building, because people<br />

aren't coming to see the building;<br />

they're coming to see what's on<br />

inside. They need to keep clean,<br />

well-lighted restrooms that don't<br />

smell," he says. "That's the kind of<br />

stuff that hampers the success of<br />

the theatre business.<br />

"They need to do what they do<br />

better, and they need to get over<br />

this latest techno-whiz stuff," says<br />

Jacobsen. "They never want to<br />

spend enough money to have a<br />

good toilet paper roll, but those<br />

are the kind of things that fail and<br />

the kind of things that make people<br />

unhappy."<br />

SBM<br />

Images in this story (in order of<br />

appearance) are from: Loeks-Star<br />

(exterior, Southfield, Mich.);<br />

Showcase (neon sign. Orange,<br />

Conn.); Cinemark (hallway);<br />

Loews (Hollywood sign, Sony<br />

IMAX, New York); Muvico (grill,<br />

Pompano Beach, Fla.); Century<br />

(exterior. Orange, Calif).<br />

Good booth service techs I<br />

can generate a wide<br />

range of emotions<br />

among managers. Most<br />

often, ours is<br />

CONFIDENCE.<br />

*<br />

Theater service from a new<br />

perspective YOURS !<br />

1-800-310-7940<br />

service@ddts.com<br />

1-877-FAX-DDTS<br />

Ifs your money.<br />

Response No. 530<br />

Response No 1<br />

March. 2000 29

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