Warners
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—<br />
Protests and Bookings<br />
Race on Stromboli'<br />
NEW YORK—At the weekend it appeared<br />
that a national race was in progress with<br />
RKO on one side trying to roll up as many<br />
bookings as possible for a February 15<br />
opening of "Stromboli." and with clergymen,<br />
civic groups and exhibitors on the<br />
other side trying to roll up national opposition<br />
to the booking of any Ingrid Bergman<br />
films.<br />
Observers agreed that women and the<br />
younger set among moviegoers would be the<br />
judges of Miss Bergman's future as a screen<br />
attraction. Public reactions to escapades of<br />
screen stars is unpredictable, as has been<br />
demonstrated in the Flynn, Mitchum and<br />
other cases.<br />
JOHNSTON IS NONCOMMITAL<br />
&ic Johnston, MPAA president, refused to<br />
make any comment in response to a request<br />
from a coast ministerial union that he attempt<br />
to bar "Stromboli" from the screen, and<br />
RKO went ahead with its plan for general<br />
key city openings February 15. This is the<br />
day on which, it is expected, Miss Bergman's<br />
Mexican divorce will become effective.<br />
In order to do this RKO canceled tradeshowings<br />
scheduled for February 14 in some<br />
places and February 15 in others. The sales<br />
department moved swiftly and set the New<br />
York opening for the Criterion Theatre and<br />
38 RKO houses with 300 bookings in other<br />
cities.<br />
In the meantime ministerial associations<br />
were publishing protests, individual clergymen<br />
were expressing themselves from the<br />
pulpit and by means of communications to<br />
newspapers, and columnists were having<br />
field days. From the trade standpoint interest<br />
centered in the decision of Interstate<br />
Circuit of Texas and of other smaller organizations<br />
not to play the film.<br />
Karl Hoblitzelle, president of the Interstate<br />
circuit, which operates more than 175<br />
theatres in Texas, issued a statement in<br />
which he declared that "We regret exceedingly<br />
the unfortunate circumstances and publicity<br />
which surround the picture. Without<br />
having any desire to act as self-appointed<br />
censors, we feel that we would be rendering<br />
our communities a disservice to exhibit<br />
this picture."<br />
ALLIED UNITS OPPOSE FILM<br />
In Indiana, TYueman Rembusch, president<br />
of A.ssociated Theatre Owners of Indiana,<br />
recommended that the picture not be played<br />
and J. p. Finneran, author of Allied's socalled<br />
Finneran plan for disciplining of film<br />
stars, announced that he would not book the<br />
picture into any of his 12 theatres.<br />
North Central Allied issued a bulletin in<br />
which it suggested that its members take<br />
newspaper space and radio time to inform<br />
patrons that they will not play the film,<br />
pointing out that if the film is played it<br />
will be the exhibitor who is blamed.<br />
In Ohio, the attorney general handed down<br />
an opinion that the state censor board is<br />
without authority to recall its approval of<br />
"Stromboli," originally given January 30. Dr.<br />
Clyde HLssong, chief state film censor, was<br />
told that there is no legal authority for<br />
the recall of a film because the state cannot<br />
Ban on Ingrid s Films i<br />
Spreading Over U.S. \<br />
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American Women<br />
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Urged to Boycott |<br />
Ingrid's Pictures<br />
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The above reproduction of newspaper<br />
clippings is indicative of press reaction<br />
to the showing of Ingrid Bergman films.<br />
go into the private lives of characters in the<br />
cast. Dr. Hissong thought he had a legal<br />
right to recall the film although his original<br />
approval indicated there was nothing objectionable<br />
about the film itself.<br />
The Memphis Press- Scimitar editorially<br />
opposed the banning of the picture and other<br />
Bergman films, although the town's wellknown<br />
censor, Lloyd Binford, banned the<br />
film. "If the people want to stay away from<br />
the pictures to rebuke Ingrid Bergman and<br />
Roberto Rossellini for their conduct, they<br />
are free to do so," the newspaper commented.<br />
"But this is not a field for official public<br />
censors to enter. Official banning would tend<br />
to defeat its own purposes. The mere banning<br />
of a picture prejudices many people in<br />
favor of it and tends to heroize those who<br />
made it."<br />
During the week, there also was an attempt<br />
in the Texas legislature to introduce<br />
a resolution seeking to ban the picture in<br />
that state. By a 67-43 vote, the house refused<br />
to take immediate action on the legislation<br />
and referred it to a committee.<br />
Chicago Censor Okays<br />
Showing of Picture<br />
CHICAGO—The Chicago censor board has<br />
approved "Stromboli" for showing at the<br />
Grand Theatre, starting February 15.<br />
Police Captain Harry Fulmer, head of the<br />
board, commented: "It's the board's job to<br />
judge a film on its merits and not worry<br />
about the personal life of the actors. If we<br />
werp going to delve into the past of every<br />
Hollywood actor, we'd be eliminating about<br />
two-thirds of the films."<br />
Guilds Should Enforce<br />
Discipline: Sullivan<br />
SPRINGFIELD, ILL.—The responsbility<br />
for disciplining erring members of the industry<br />
rests with the guilds to which they<br />
belong because producer chastisement is<br />
ineffective, Gael Sullivan, Theatre Owners<br />
of America executive secretary, told<br />
the opening meeting of the annual convention<br />
of the United Theatre Owners<br />
of Illinois. He did not mention any individual<br />
by name.<br />
"Each segment of the industry has its<br />
own guild and its own definite obligation<br />
to its members—actors, directors, technicians<br />
and the others," he said. "Each<br />
guild has the right and the duty of selfdiscipline.<br />
Each guild must work aggressively<br />
to advance the welfare of its worthy,<br />
conscientious members. Each guild<br />
should have the grave responsibility to<br />
discipline those members whom they find<br />
to be fugitives from moral decency and<br />
offenders against good taste. That is<br />
where the real responsibility lies.<br />
"All the codes in creation will not help<br />
unless there is some penalty for flaunting<br />
those codes, and when any members of<br />
the separate guilds run out on their responsibility<br />
to the accepted canons of<br />
good taste and right acting, they should<br />
be answerable to their guilds and disciplined<br />
in line with their public offense<br />
and disciplined also in line with what<br />
that guild considers a public offense."<br />
Sullivan said that "Individual producer<br />
chastisement of any erring star is ineffective<br />
to prevent any star's further employment.<br />
Combined producer chastisement<br />
may well be a violation of the nation's<br />
laws."<br />
Ask Atlanta Court Ruling<br />
On Freedom of Screen<br />
ATLANTA—U.S. Judge Neil Andrews was<br />
asked this week to decide whether motion<br />
pictures come under the freedom of the<br />
press provision of the Constitution.<br />
Samuel I. Rosenman. New York, counsel<br />
for Louis DeRochemont and Film Classics,<br />
producer and distributor of "Lost Boundaries,"<br />
contended that motion pictures are entitled<br />
to the same privileges that newspapers and<br />
other publications receive. Christine Smith,<br />
city censor, and the board of directors of the<br />
Carnegie, through attorney J. M. B. Bloodworth,<br />
argued that films do not come under<br />
the freedom of the press provision and are<br />
subject to community censorship.<br />
Rosenman became nationally known as<br />
personal adviser to the late President Roosevelt.<br />
If Judge Andrews upholds Rosenman's<br />
view, the local board of film censors, and<br />
similar boards throughout the nation, possibly<br />
could be outlawed.<br />
DeRochemont is seeking an injunction<br />
against enforcement by the board of its banning<br />
the showing of the racial film on<br />
ground that it "would adversely affect the<br />
peace, morals and good order" of the city.<br />
The legal arguments involved a 35 -yearold<br />
decision of the Supreme Court in an<br />
Ohio case that motion pictures do not come<br />
under the press freedom clause. Rosenman<br />
argued that the points of the case have been<br />
swept away by the Supreme Court and asked<br />
Judge Andrews to "throw away this last<br />
obstacle."<br />
16 BOXOFFICE :: February 11, 1950