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Boxoffice-November.17.1956

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TOA-Allied Joint Meet<br />

Prospects Loom Dim<br />

NEW YORK—Unless there is a last<br />

minute change in plans, Allied States<br />

Ass'n will not hold its 1957 national convention<br />

In Miami just before or just after<br />

the TTieatre Owners of America annual<br />

conclave next November. It had been proposed<br />

that Theatre Equipment and<br />

Supply Manufacturers Ass'n would continue<br />

its tradeshow through both conventions.<br />

A TESMA spokesman said here this<br />

week that it may be too late now to include<br />

Allied in its tradeshow plans. On<br />

the other hand, it is reported that the<br />

TOA convention heads are opposed to<br />

having Allied share the TESMA program,<br />

the opposition being so strong that some<br />

threatened to pull out of the committee<br />

if Allied went into it.<br />

Rube Shor, Allied president, was in<br />

New York several weeks ago to explore<br />

the 1957 convention setup. He has not<br />

commented on his findings since then.<br />

Allied Artists Stockholders<br />

Re-Elect Entire Board<br />

HOLLYWOOD — Allied Artists Pictures<br />

Corp. stockholders, at their annual meeting<br />

held at the studio and presided over by Steve<br />

Broidy, president, re-elected the entire board<br />

of directors for the coming year. The members<br />

are: G. Ralph Branton, Broidy, George<br />

D. Burrows, W. Ray Johnston, Harold J.<br />

Mirisch, Edward Morey, Herman Rifkin, Norton<br />

V. Ritchey and Howard Stubbing.<br />

Broidy revealed at the meeting that the<br />

operations of the company and its wholly<br />

owned subsidiaries for the first quarter of<br />

the present fiscal year, ended Sept. 29, 1956,<br />

resulted in a net loss after federal income<br />

taxes of approximately $47,000. This amount<br />

compares with a net profit of $117,000 for the<br />

quarter ended Oct. 1, 1955.<br />

Following the stockholders meeting, a powwow<br />

of the board of directors was held at<br />

which all of the present officers were reelected.<br />

The quarterly dividend of 13% cents<br />

per share on the company's 5% per cent<br />

cumulative convertible preferred stock was<br />

voted for payment Dec. 15, 1956, to stockholders<br />

of record Dec. 3, 1956.<br />

Walt Disney Life Story<br />

Published in the Post<br />

PHILADELPHIA—The Saturday Evening<br />

Post, which seems to be specializing in publishing<br />

full-scale treatment of the lives of<br />

motion picture personalities, turns to the<br />

story of Walt Disney in Its current (17)<br />

issue. Published is the first part of a biography,<br />

"My Dad, Walt Disney," by Mrs.<br />

Diane Disney Miller.<br />

The initial installment deals with his early<br />

impoverished days in Kansas City, when he<br />

was 19 years old, and trying desperately to<br />

get a start in the cartoon business. No<br />

mouse, church or Mickey, writes Mrs. Miller,<br />

was ever as poor as Disney was at this period<br />

of his life. He traded drawings for haircuts,<br />

and depended on a check from an older<br />

brother to re-establish his credit at a nearby<br />

restaurant.<br />

7i^€t4^i»t^toK<br />

•PHE excise tax subcommittee of the House<br />

Committee on Ways and Means, headed<br />

by Rep. Aimee Forand (D-R.I.), will begin<br />

hearings again on November 26 here, and<br />

motion picture representatives are expected<br />

to plug for complete elimination of the admittance<br />

tax.<br />

Robert W. Coyne, special counsel for the<br />

Council of Motion Picture Organizations,<br />

formally has asked for permission to have<br />

COMPO witnesses testify at the hearings. A<br />

brief is to be prepared by COMPO representatives<br />

at a New York meeting before Thanksgiving.<br />

The fight to do away with the admittance<br />

taxes this coming session may not be as<br />

successful as the fight to lower the tax in<br />

the recent sessions of Congress. On the<br />

other hand, considering the resourcefulness<br />

of the motion picture representatives, no<br />

prediction is made that there cannot be success.<br />

When aroused, the Theatre Owners of<br />

America, and the other Interests in the industry,<br />

can make a terrific impression on<br />

Congress.<br />

0-0-0<br />

THEATRICAL Interests Plan, Inc., New<br />

York, N. Y., has filed a registration statement<br />

seeking to register 52,000 shares of its<br />

Class A stock, par value 5 cents per share,<br />

and 28,000 shares of its Class B stock, par<br />

value 5 cents per share. The proposed maximum<br />

offering price per share for the Class<br />

A stock is $10 and the proposed offering price<br />

per share for the Class B stock is 5 cents.<br />

Class A stock is being offered for subscription<br />

at not less<br />

than 25 shares of Class<br />

A stock per subscription at a proposed maximum<br />

offering price, per minimum subscription,<br />

of $250. Class B stock is being offered<br />

only to the original 23 stockholders of the<br />

registrant, concurrently with the public offering<br />

of Class A stock, as more fully described<br />

in the registration statement (SEC<br />

FUe 2-12884).<br />

Theatrical Interests Plan, Inc., was formed<br />

under New York laws in April 1956. It has<br />

not engaged in any business activity and<br />

initially will operate primarily as a nondiversified<br />

closed-end management Investment<br />

company in the theatrical and entertainment<br />

fields and in related businesses.<br />

The plan has been registered under the Investment<br />

Co. Act of 1940.<br />

The purpose of the Theatrical Interests<br />

Plan, Inc., is to provide an investment<br />

medium to investors who are interested in<br />

the field of theatrical investments, theatrical<br />

production and management, theatrical<br />

ownership and operation, and other aspects<br />

of the entertainment Industry.<br />

The corporation intends to invest in entitles<br />

organized for the production, management,<br />

operation and exploitations of ventures of<br />

various kinds In the theatrical and entertainment<br />

fields. These ventures may include but<br />

will not be limited to legitimate plays, motion<br />

pictures, television plays, operettas, operas,<br />

road companies, etc.<br />

0-0-0<br />

PWENTY-THREE writers, actors and other<br />

film industry employes who plead the<br />

Fifth Amendment when asked questions of<br />

Congressional investigating committees, or<br />

^e^tont<br />

By LARSTON D. FARRAR<br />

otherwise refused to answer such queries for<br />

various reasons, have entered a plea with the<br />

U. S. Supreme Court to uphold their "blacklisting"<br />

charges against the major film<br />

studios.<br />

T'he artists sued the Motion Picture Ass'n of<br />

America, Society of Independent Motion Picture<br />

Producers, major film production companies,<br />

top filmdom executives and members<br />

and staff employes of the House Committee<br />

on Un-American Activities.<br />

They charged that the companies and individuals<br />

engaged in a concerted effort to exclude<br />

them "from all employment opportunities"<br />

in the film industry.<br />

California courts ruled against the artists.<br />

Judges there held that there had been no<br />

evidence of any "specific or intended" contract<br />

for the artists and that, therefore, there<br />

was no evidence that any legally-protected<br />

interest had been abrogated.<br />

In appealing to the Supreme Court, the<br />

plaintiffs argue that their constitutional<br />

rights have been transgressed. They include<br />

Gale Sondergard, Anne Revere, Guy Endore,<br />

Waldo Salt, Howard Da Silva and Paul Jarrlco.<br />

o-o-o<br />

lyTOVIE Bits: Morris Cafritz, sometimes<br />

called "Mr. Gwen Cafritz" by social<br />

leaders who go to soirees given by his wife<br />

Gwendolyn and one of Washington's wealthiest<br />

men, has purchased the Albee Building<br />

here, which includes Keith's Theatre, and<br />

he plans to convert the theatre to legitimate<br />

showings' Keith's is leased by RKO Theatres<br />

until 1960, but the lease can be cancelled<br />

in 30 months, or even sooner by agreement<br />

. . . Theodore C. Streibert has resigned as<br />

U. S. Information Agency director, being succeeded<br />

by Arthur Larsen, formerly assistant<br />

secretary of labor and a devotee of the "new<br />

Republicanism" . . . Theatre Owners of America<br />

may ask Congress to change Small Business<br />

Administration regulations to broaden<br />

the agency's authority to make mortgage<br />

loans, if SBA officials can't be made to see<br />

that some of its present rules are onerous to<br />

theatremen, it has been learned here . . . The<br />

U. S. Supreme Court has agreed to hear arguments<br />

in a motion picture tax case which involves<br />

almost a half million dollars . . .<br />

Bessie and Jesse L. Lasky appealed to the<br />

High Court from the U. S. Tax Court and<br />

Ninth Circuit Court of Appeals decisions that<br />

earnings from the sale of their interest In<br />

profits from "Sergeant York" were ordinary<br />

income rather than capital gains. The High<br />

Court agreed to hear the case, perhaps sometime<br />

during the present fall term.<br />

General Precision Votes<br />

Three Stock Dividends<br />

NEW YORK — The General Precision<br />

Equipment Corp. has declared a dividend of<br />

60 cents a share on the common stock, payable<br />

December 15 to stockholders of record<br />

November 30. The company also declared a<br />

regular quarterly dividend of $1.18% a share<br />

on the $4.75 cumulative preferred stock and<br />

a quarterly dividend of 40 cents a share on<br />

the new $1.60 cumulative convertible preference<br />

stock, both payable December 15 to<br />

stockholders of record November 30.<br />

BOXOFFICE :<br />

: November<br />

17, 1956<br />

15

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