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TOA-Allied Joint Meet<br />
Prospects Loom Dim<br />
NEW YORK—Unless there is a last<br />
minute change in plans, Allied States<br />
Ass'n will not hold its 1957 national convention<br />
In Miami just before or just after<br />
the TTieatre Owners of America annual<br />
conclave next November. It had been proposed<br />
that Theatre Equipment and<br />
Supply Manufacturers Ass'n would continue<br />
its tradeshow through both conventions.<br />
A TESMA spokesman said here this<br />
week that it may be too late now to include<br />
Allied in its tradeshow plans. On<br />
the other hand, it is reported that the<br />
TOA convention heads are opposed to<br />
having Allied share the TESMA program,<br />
the opposition being so strong that some<br />
threatened to pull out of the committee<br />
if Allied went into it.<br />
Rube Shor, Allied president, was in<br />
New York several weeks ago to explore<br />
the 1957 convention setup. He has not<br />
commented on his findings since then.<br />
Allied Artists Stockholders<br />
Re-Elect Entire Board<br />
HOLLYWOOD — Allied Artists Pictures<br />
Corp. stockholders, at their annual meeting<br />
held at the studio and presided over by Steve<br />
Broidy, president, re-elected the entire board<br />
of directors for the coming year. The members<br />
are: G. Ralph Branton, Broidy, George<br />
D. Burrows, W. Ray Johnston, Harold J.<br />
Mirisch, Edward Morey, Herman Rifkin, Norton<br />
V. Ritchey and Howard Stubbing.<br />
Broidy revealed at the meeting that the<br />
operations of the company and its wholly<br />
owned subsidiaries for the first quarter of<br />
the present fiscal year, ended Sept. 29, 1956,<br />
resulted in a net loss after federal income<br />
taxes of approximately $47,000. This amount<br />
compares with a net profit of $117,000 for the<br />
quarter ended Oct. 1, 1955.<br />
Following the stockholders meeting, a powwow<br />
of the board of directors was held at<br />
which all of the present officers were reelected.<br />
The quarterly dividend of 13% cents<br />
per share on the company's 5% per cent<br />
cumulative convertible preferred stock was<br />
voted for payment Dec. 15, 1956, to stockholders<br />
of record Dec. 3, 1956.<br />
Walt Disney Life Story<br />
Published in the Post<br />
PHILADELPHIA—The Saturday Evening<br />
Post, which seems to be specializing in publishing<br />
full-scale treatment of the lives of<br />
motion picture personalities, turns to the<br />
story of Walt Disney in Its current (17)<br />
issue. Published is the first part of a biography,<br />
"My Dad, Walt Disney," by Mrs.<br />
Diane Disney Miller.<br />
The initial installment deals with his early<br />
impoverished days in Kansas City, when he<br />
was 19 years old, and trying desperately to<br />
get a start in the cartoon business. No<br />
mouse, church or Mickey, writes Mrs. Miller,<br />
was ever as poor as Disney was at this period<br />
of his life. He traded drawings for haircuts,<br />
and depended on a check from an older<br />
brother to re-establish his credit at a nearby<br />
restaurant.<br />
7i^€t4^i»t^toK<br />
•PHE excise tax subcommittee of the House<br />
Committee on Ways and Means, headed<br />
by Rep. Aimee Forand (D-R.I.), will begin<br />
hearings again on November 26 here, and<br />
motion picture representatives are expected<br />
to plug for complete elimination of the admittance<br />
tax.<br />
Robert W. Coyne, special counsel for the<br />
Council of Motion Picture Organizations,<br />
formally has asked for permission to have<br />
COMPO witnesses testify at the hearings. A<br />
brief is to be prepared by COMPO representatives<br />
at a New York meeting before Thanksgiving.<br />
The fight to do away with the admittance<br />
taxes this coming session may not be as<br />
successful as the fight to lower the tax in<br />
the recent sessions of Congress. On the<br />
other hand, considering the resourcefulness<br />
of the motion picture representatives, no<br />
prediction is made that there cannot be success.<br />
When aroused, the Theatre Owners of<br />
America, and the other Interests in the industry,<br />
can make a terrific impression on<br />
Congress.<br />
0-0-0<br />
THEATRICAL Interests Plan, Inc., New<br />
York, N. Y., has filed a registration statement<br />
seeking to register 52,000 shares of its<br />
Class A stock, par value 5 cents per share,<br />
and 28,000 shares of its Class B stock, par<br />
value 5 cents per share. The proposed maximum<br />
offering price per share for the Class<br />
A stock is $10 and the proposed offering price<br />
per share for the Class B stock is 5 cents.<br />
Class A stock is being offered for subscription<br />
at not less<br />
than 25 shares of Class<br />
A stock per subscription at a proposed maximum<br />
offering price, per minimum subscription,<br />
of $250. Class B stock is being offered<br />
only to the original 23 stockholders of the<br />
registrant, concurrently with the public offering<br />
of Class A stock, as more fully described<br />
in the registration statement (SEC<br />
FUe 2-12884).<br />
Theatrical Interests Plan, Inc., was formed<br />
under New York laws in April 1956. It has<br />
not engaged in any business activity and<br />
initially will operate primarily as a nondiversified<br />
closed-end management Investment<br />
company in the theatrical and entertainment<br />
fields and in related businesses.<br />
The plan has been registered under the Investment<br />
Co. Act of 1940.<br />
The purpose of the Theatrical Interests<br />
Plan, Inc., is to provide an investment<br />
medium to investors who are interested in<br />
the field of theatrical investments, theatrical<br />
production and management, theatrical<br />
ownership and operation, and other aspects<br />
of the entertainment Industry.<br />
The corporation intends to invest in entitles<br />
organized for the production, management,<br />
operation and exploitations of ventures of<br />
various kinds In the theatrical and entertainment<br />
fields. These ventures may include but<br />
will not be limited to legitimate plays, motion<br />
pictures, television plays, operettas, operas,<br />
road companies, etc.<br />
0-0-0<br />
PWENTY-THREE writers, actors and other<br />
film industry employes who plead the<br />
Fifth Amendment when asked questions of<br />
Congressional investigating committees, or<br />
^e^tont<br />
By LARSTON D. FARRAR<br />
otherwise refused to answer such queries for<br />
various reasons, have entered a plea with the<br />
U. S. Supreme Court to uphold their "blacklisting"<br />
charges against the major film<br />
studios.<br />
T'he artists sued the Motion Picture Ass'n of<br />
America, Society of Independent Motion Picture<br />
Producers, major film production companies,<br />
top filmdom executives and members<br />
and staff employes of the House Committee<br />
on Un-American Activities.<br />
They charged that the companies and individuals<br />
engaged in a concerted effort to exclude<br />
them "from all employment opportunities"<br />
in the film industry.<br />
California courts ruled against the artists.<br />
Judges there held that there had been no<br />
evidence of any "specific or intended" contract<br />
for the artists and that, therefore, there<br />
was no evidence that any legally-protected<br />
interest had been abrogated.<br />
In appealing to the Supreme Court, the<br />
plaintiffs argue that their constitutional<br />
rights have been transgressed. They include<br />
Gale Sondergard, Anne Revere, Guy Endore,<br />
Waldo Salt, Howard Da Silva and Paul Jarrlco.<br />
o-o-o<br />
lyTOVIE Bits: Morris Cafritz, sometimes<br />
called "Mr. Gwen Cafritz" by social<br />
leaders who go to soirees given by his wife<br />
Gwendolyn and one of Washington's wealthiest<br />
men, has purchased the Albee Building<br />
here, which includes Keith's Theatre, and<br />
he plans to convert the theatre to legitimate<br />
showings' Keith's is leased by RKO Theatres<br />
until 1960, but the lease can be cancelled<br />
in 30 months, or even sooner by agreement<br />
. . . Theodore C. Streibert has resigned as<br />
U. S. Information Agency director, being succeeded<br />
by Arthur Larsen, formerly assistant<br />
secretary of labor and a devotee of the "new<br />
Republicanism" . . . Theatre Owners of America<br />
may ask Congress to change Small Business<br />
Administration regulations to broaden<br />
the agency's authority to make mortgage<br />
loans, if SBA officials can't be made to see<br />
that some of its present rules are onerous to<br />
theatremen, it has been learned here . . . The<br />
U. S. Supreme Court has agreed to hear arguments<br />
in a motion picture tax case which involves<br />
almost a half million dollars . . .<br />
Bessie and Jesse L. Lasky appealed to the<br />
High Court from the U. S. Tax Court and<br />
Ninth Circuit Court of Appeals decisions that<br />
earnings from the sale of their interest In<br />
profits from "Sergeant York" were ordinary<br />
income rather than capital gains. The High<br />
Court agreed to hear the case, perhaps sometime<br />
during the present fall term.<br />
General Precision Votes<br />
Three Stock Dividends<br />
NEW YORK — The General Precision<br />
Equipment Corp. has declared a dividend of<br />
60 cents a share on the common stock, payable<br />
December 15 to stockholders of record<br />
November 30. The company also declared a<br />
regular quarterly dividend of $1.18% a share<br />
on the $4.75 cumulative preferred stock and<br />
a quarterly dividend of 40 cents a share on<br />
the new $1.60 cumulative convertible preference<br />
stock, both payable December 15 to<br />
stockholders of record November 30.<br />
BOXOFFICE :<br />
: November<br />
17, 1956<br />
15