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THE VIEW IS SO GREAT IT'S MAKING<br />
HISTORY AT 2 NEW YORK THEATRES!<br />
ON THE EAST SIDE SUTTON ON THE WEST SIDE iDEIVIILLE<br />
AVIEVtfFROMTHE BRIDGE<br />
of the best opening days in the history of the house<br />
has appeal beyond the so-called ''art"<br />
LIMITED ENGAGEMENT<br />
opened at the East Side SUTTON THEATRE to one<br />
Because we felt that this unique film<br />
audiences, and because of the tremendous overflow<br />
crowds, we decided to play the picture concurrently on the West Side-at Broadway's DeMille<br />
Theatre<br />
The rest is history in the making. The figures below prove the fantastic pull of ''A<br />
View From The Bridge' -a motion picture that promises to give the entire industry a red-hot<br />
view of success!<br />
^ •<br />
.holiday week m m«»<br />
«M m the hisfory of the theatrel)<br />
"THIS IS A GREAT MOTION PICTURE!"<br />
-Winslen.N. y. Post<br />
"COMPELLING... so absolute and<br />
authentic that actuality seems<br />
to pulsate on the screen."<br />
-Crowther, N. Y. Times<br />
"**•*"<br />
(Highest Rating)<br />
—Dorothy Masters, Daily News<br />
A View From The Bridge' is<br />
the first strong American<br />
film of 1962 and may<br />
well remain one of<br />
the year's best."<br />
— BecKey, Herald Tribune<br />
"EXTRAORDINARY!"<br />
— Zunser, Cue Mogoz/ne<br />
from<br />
CONTINENTAL<br />
llTTAWRINQ<br />
AND INTRODUCING<br />
RAF VALLONE MAUREEN STAPLETON CAROL LAWRENCE<br />
Screenplay NORMAN ROSTEN<br />
- ProaucedbyPAULGRAETZ<br />
'^PvP.PJ.^ «^i^£'.'^QXAt5^ r-»- i J t, oinMirN/^iT^ii'^crT a continental distributing inc release<br />
tZ-MIN o
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