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1 EURIPIDES' TROJAN WOMEN PREFACE, TRANSLATION, and ...

1 EURIPIDES' TROJAN WOMEN PREFACE, TRANSLATION, and ...

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This play shows us a new type of heroism, that of the victim. The way that suffering<br />

purifies them may ultimately ennoble their souls. Any audience seeing this play also<br />

experiences the suffering of these women, <strong>and</strong> possibly a renewal, what the Greeks called<br />

catharsis. After such an experience, the lessons learnt may lead to a better life <strong>and</strong> better<br />

choices. Here the suggested choice is not to wage war, but, if one does, at least to be<br />

respectful of the gods <strong>and</strong> holy places, <strong>and</strong> merciful to prisoners.<br />

Women of Troy has to be seen to be appreciated; it offers superb dramatic roles.<br />

Sometimes the play has been criticized for lack of action, but Euripides knew exactly<br />

what he was doing. He alternates the most despairing scenes with lighter ones <strong>and</strong> plays<br />

the audience like the psychological virtuoso that he is. He leads them into emotional<br />

crescendos that few plays can match. His curious structure is hugely effective in<br />

performance.<br />

Euripides <strong>and</strong> his Philosophy<br />

Euripides often reflected the sophistic elements of his time. Sophists were professional<br />

teachers in fifth-century Athens who claimed they could teach a person to win by sheer<br />

ability, rather than by the validity of their claim. Their philosophy is parodied by<br />

Aristophanes in the Clouds. Euripides often featured a debate, <strong>and</strong> in the Women of Troy<br />

he pits Helen against Hecuba <strong>and</strong>, true to what the sophists claim, Helen wins the<br />

argument on emotional grounds. Menelaus h<strong>and</strong>s over the intellectual victory to Hecuba<br />

<strong>and</strong> says that she is quite right, but Helen gets her own way. Any sophist would be<br />

pleased to have Helen as his pupil. Hecuba also has a prayer in this play which begins by<br />

addressing Zeus as either a force in the universe or in the mind of man. This was a<br />

sophistic construction of the gods, <strong>and</strong> certainly not something which one would regard<br />

as typical of the Hecuba in this play. Even Menelaus comments on it being a strange<br />

prayer. Euripides lets his free thought about the gods reveal itself in dialogue like this.<br />

Euripides questions traditional beliefs <strong>and</strong> attitudes. His philosophical musings bothered<br />

many critics in the nineteenth century, who would have preferred inspired emotionalism<br />

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