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Determined to catch up on his lost sleep, Senhor José got into bed as soon as he arrived home, but<br />
only two hours later, he was awake again. He had had a strange, enigmatic dream in which he saw himself<br />
in the middle of the cemetery, amid a multitude of sheep so numerous that he could barely see the mounds<br />
of the graves, and each sheep had a number on its head that kept changing continually, but, because the<br />
sheep were all the same, you couldn't tell if it was the sheep that were changing numbers or if the numbers<br />
were changing sheep. He heard a voice shouting, I'm here, I'm here, it couldn't come from the sheep<br />
because they stopped talking a long time ago, nor could it be the graves because there is no record of a<br />
grave ever having spoken, and yet the voice kept calling insistently, I'm here, I'm here, Senhor José looked<br />
in that direction and saw only the raised snouts of the animals, then the same words rang out behind him,<br />
or to the right, or to the left, I'm here, I'm here, and he would turn swiftly, but he couldn't tell where it was<br />
coming from. Senhor José began to grow desperate, he wanted to wake up and he couldn't, the dream was<br />
continuing, now the shepherd was there with his dog, and Senhor José thought, <strong>The</strong>re's nothing this<br />
shepherd doesn't know, he'll tell me whose voice it is, but the shepherd didn't speak, he just made a<br />
gesture with his crook above his head, the dog went to round up the sheep, herding them towards a bridge<br />
which was crossed by silent cars with signs made of lightbulbs that flickered on and off, saying Follow<br />
me, Follow me, Follow me, in a moment the flock disappeared, the dog disappeared, the shepherd<br />
disappeared, all that remained was the cemetery floor strewn with numbers, the ones that before had been<br />
on the heads of the sheep, but, because they were now all together, all attached end to end in an<br />
uninterrupted spiral of which he himself was the centre, he couldn't tell where one began and the other<br />
finished. Anxious, drenched in sweat, Senhor José woke up saying, I'm here. His eyes were closed, he<br />
was half-conscious, but he said, I'm here, I'm here, twice out loud, then opened his eyes to the mean little<br />
space where he had lived for so many years, he saw the low ceiling, the cracked plaster, the floor with its<br />
warped floorboards, the table and the two chairs in the middle of the living room, if such a term has<br />
meaning in a place like this, the cupboard where he kept the clippings and photos of his celebrities, the<br />
corner beyond which lay the kitchen, the narrow recess that served as a bathroom, that was when he said,<br />
I must find a way of freeing myself from this madness, he meant, obviously, the woman who would now<br />
forever be unknown, the house, poor thing, was not to blame, it was just a sad house. Fearful that the<br />
dream would return, Senhor José did not attempt to fall asleep again. He was lying on his back, looking<br />
up at the ceiling, waiting for it to ask him, Why are you looking at me, but the ceiling ignored him, it<br />
merely observed him, expressionless. Senhor José gave up any hope of help coming from there, he would<br />
have to resolve the problem on his own, and the best way would still be to persuade himself that there<br />
was no problem, When the beast dies, the poison dies with it, was the rather disrespectful proverb that<br />
came to his lips, calling the unknown woman a poisonous beast, forgetting for a moment there are poisons<br />
so slow-acting that they produce an effect only when we have long since forgotten their origin. <strong>The</strong>n the<br />
penny dropped, he muttered, Careful, death is often a slow poison, then he wondered, When and why did<br />
she begin to die. It was at that point that the ceiling, without there being any apparent connection, direct or<br />
indirect, with what it had just heard, emerged from its indifference to remind him, <strong>The</strong>re are at least three<br />
people you haven't spoken to yet, Who, asked SenhorJosé, Her parents and her ex-husband, It wouldn't be<br />
a bad idea to go and talk to her parents, I thought of doing that earlier on, but I decided to leave it for<br />
another occasion, If you don't do it now, you never will, meanwhile you can divert yourself by going a<br />
little farther down this road, before you finally bump your nose against the wall, If you weren't a ceiling,<br />
stuck up there all the time, you would know that it has not been a diverting experience, But it has been a<br />
diversion, What's the difference, Go and look it up in the dictionary, that's what they're there for, I was