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Lublin 2016 – Appendix - Kultura Enter

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ty. On the contrary, the forming of civil society in <strong>Lublin</strong> and the region has been influenced by the<br />

opposition to distorted and forgotten history, and by looking for ways to solve conflicts and to introduce<br />

new forms of coexistence.<br />

Intercultural<br />

<strong>Lublin</strong><br />

If one considers the fact that similar initiatives have been launched also outside Schengen, in Ukraine<br />

and Belarus, one will acknowledge that the activities undertaken by cultural and social movers and<br />

representatives of local government have contributed to creation of the European civil society. It originates<br />

from thousands of small, but rooted in the everyday life, bold and long-term transborder projects,<br />

bi- and trilateral partnerships, and interpersonal relations. The borderlands and establishment of<br />

intercultural dialogue create an European identity that is open to community, abides by human rights,<br />

and is able to oppose cultural unification.<br />

Other examples of implementation and promotion of <strong>Lublin</strong> Charter of Intercultural Dialogue:<br />

• movers of the European civil society, mentioned in the First or Second Application, have become<br />

part of the ECC team and co-creators of <strong>2016</strong> programme;<br />

• municipal and regional authorities will support activities in the field of multiculturalism according<br />

to the Charter, and they will focus on financing of grassroots and long-term projects;<br />

• the Centre for the Encounter of Cultures, dedicated to intercultural dialoge in art, education and<br />

science, will be open in <strong>Lublin</strong>;<br />

• European College of Cultural Studies that is being created as part of ECC program will conduct research<br />

and teach intercultural dialogue, one of the key competencies of a culture driver;<br />

• “Generation <strong>2016</strong>” project that prepares young generation to participate in the ECC programme is<br />

mostly based on getting to know the cultures of the borderlands, meetings with their representatives,<br />

travels, and integration projects;<br />

• multithreaded Critical Culture programme will reestablish space lost in the times of self-promotion<br />

and populism designated for thought and critical art;<br />

• The Seeing <strong>Lublin</strong> project will construct a platform for reclaiming, taming and getting to know the<br />

past in the city of remembrance; it will be a unique forum of visionaries whose debates will be accompanied<br />

by presentations of visionary art and markets of utopian social programmes.<br />

125

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