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Lublin 2016 – Appendix - Kultura Enter

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3.2 To broaden the “imported” offer - this objective focuses on the development of artistic management<br />

(impresariat), as well as opening up of all other cultural institutions to allow the exchange<br />

of artistic events and festivals. This goal is particularly important for the ECC <strong>2016</strong> celebration,<br />

but it is equally vital for the broadening of cultural competence (2.5) and for encouragement<br />

of external networking (4.5).<br />

3.3 To optimize the offer of the <strong>Lublin</strong> cultural institutions - this goal covers the need for upgrading<br />

and strengthening the character of the local offer complying with social expectations and<br />

capable of implementing the adopted vision and programming axes. The assessment of this offer<br />

- through an on-going debate led by the SPOKO, and in the analysis of the Cultural Observatory<br />

(Governance) - should help those institutions flexibly adapt their programs to current needs.<br />

Thanks to the socializing of cultural governance, more favourable conditions will be created for<br />

improved cooperation between cultural institutions, the building of complementary programs and<br />

the broadening of cultural contexts (cultural background) for their offers.<br />

3.4 To develop the offer of “involuntary” contact with arts - this objective covers events and exhibitions<br />

held in public spaces, commercial facilities and centres, offices, hospitals, schools and other<br />

places open to various “clientèle”; their aim will be to slip in artistic impressions among other types<br />

of activities.<br />

3.5 To expand and improve recreational and sports offer- seen as an essential supplement to cultural<br />

action; promoting physical activity as vital for a healthy lifestyle. It is important that this offer<br />

is tailored to the recipients’ capabilities in terms of age, physical condition and preferences. It<br />

should also open up the opportunity for social integration and contact with arts (3.4).<br />

3.6 To develop the outdoor offer - located in public and green areas (1.5); it is of key importance for<br />

the use and exposure of city’s spatial features and promotion of an active lifestyle. It is not enough<br />

for <strong>Lublin</strong> surrounded by landscape and national parks to merely provide well cared-for green<br />

spots; more importantly, such places should be filled with visual art, events and attractions encouraging<br />

outdoor leisure within the city boundaries.<br />

3.7 To develop an offer for foreigners - available in foreign languages and respecting distinct cultural<br />

codes. This offer will be intended for foreign students (currently about 3,000 people), immigrants<br />

(also from the refugee centre), foreign tourists and foreign business people. Their opinion<br />

about <strong>Lublin</strong> influences the city’s image worldwide. This offer will also be a preliminary step in<br />

the integration of immigrants.<br />

Cultural Development<br />

Strategy<br />

4. Availability of culture<br />

means favourable conditions for participation in culture, both in time and space, also owing to wise<br />

organization (Participation and Governance).<br />

The operational objectives set out in this area are:<br />

4.1 To develop a network of “first contact” cultural establishments - this objective aims to maintain<br />

the existing small district community centres and libraries and broaden their offer (3.1); at<br />

the same time, this network should grow to include new establishments or sites, so that ultimately<br />

such cultural locations were no farther than within a walking distance (15 minutes) for any resident.<br />

Their opening hours should take account of the daily and weekly rhythm of the local community.<br />

This network should be further built up by locations occupied by NGOs involved in cultural<br />

activity (5.7).<br />

4.2 To build a “system of cultural logistics” - an indispensable tool in view of the expanding cultural<br />

offer; this system will collect and distribute information on cultural events; it will enable<br />

event synchronization and timing and will be an ample resource for publications of event schedules<br />

and calendars - all aligned with the audiences’ needs and preferences. Information - up-to-date<br />

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