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From Football to Film Isnt Easy,<br />
But Joe Kapps Done It<br />
Joe Kapp<br />
By STU GOLDSTEIN<br />
Associate Editor<br />
KANSAS CITY—Joe Kapp has made ihe<br />
transition from football hero to movie actor<br />
;o associate producer<br />
.1 smooth one. He's<br />
made it a successful<br />
one, too. going from<br />
All-Pro quarterback<br />
to a succession of acting<br />
roles including<br />
parts in "The Longest<br />
Yard" and "Semi-<br />
Tough," both with<br />
Burt Reynolds. Now<br />
Kapp has turned his<br />
attention to the production<br />
side of film. Thanks to a little prodding<br />
from producer George Litto, Kapp is<br />
associate producer of Orion's "Over the<br />
Edge," being leleased through Warner Bros.<br />
The husky athlete-turned-actor execulive<br />
is eager to get his message out about "Over<br />
the Edge." The message is that the picture<br />
is<br />
for everybody. "Adults and young people<br />
will each get their own message from this<br />
film," Kapp believes. For young people<br />
(undoubtedly "Edge's" primary audience)<br />
there is the "message" of seeing kids like<br />
themselves on the screen, dealing with the<br />
contemporary peer pressures that Kapp calls<br />
"typical" for today's youth. For the adults,<br />
especially the parents. Kapp believes "Edge"<br />
is a "must-see" film that will allow them lo<br />
understand what today's kids are experiencing.<br />
A Typical Mixture<br />
Not all the kids in the picture are bad<br />
kids. The characters offer a rather typical<br />
potpourri of average middle-class American<br />
young people, Kapp believes. This "typical<br />
mixture" includes both good and bad kid.s<br />
youths that have already gone "over the<br />
edge" and one who is still "on the edge."<br />
"In fact, our working title was 'On Ihc<br />
Edge.' " explained Kapp. A central plot line<br />
in the film is the dilemma one character<br />
must face in trying to decide between peer<br />
pressure and parental guidance. He is, quite<br />
literally, "on the edge."<br />
There is a good deal of violence and drug<br />
usage depicted, subjects that Kapp believes<br />
arc rea.sons for parents to see the movie,<br />
too. "Drug use is everywhere," insists Kapp.<br />
"It's important for parents to realize this is<br />
going on." The film doesn't condone drug<br />
u.se, but in an attempt to relate to young<br />
audiences, some ambiguous "inside" humor<br />
has been included. "The humor in the picture<br />
may pass by the adults," Kapp admiiud.<br />
One such humorous incident concerns<br />
a 14-year old drug dealer who tells<br />
his customers (other teenagers) his prices<br />
must go up "due to inflation." The dealer<br />
in this case comes from a moderately affluent<br />
family, has extra money and his<br />
With 'Edge<br />
mother is seemingly unaware of what hei<br />
son's involved with.<br />
"These are the kids today." says Kapp.<br />
"They have money and this is what some<br />
of them do with it. These incidents are based<br />
on true occurrences." "Drug use is like<br />
white collar crime." he went on to explain.<br />
"It's there, but no one wants to talk about<br />
it." Kapp believes the situations that are<br />
depicted in the affluent suburban neighborhoods<br />
of "Over the Edge" are totally realistic.<br />
"Believe me, the picture is very much in<br />
tune with what's going on."<br />
No Violence Expected<br />
The violent aspect of "Over the Edge" is<br />
a big part of the film. Kapp, however, does<br />
not expect any violent outbreaks like those<br />
that occurred with "The Warriors" and<br />
other gang pictures. "No one in this picture<br />
is out to hurt another human being." Kapp<br />
related. "The only violence is that against<br />
property."<br />
The young actors recruited for the picture,<br />
are, for the most part, amateurs. One<br />
young actor, Matt Dillon, who Kapp says<br />
didn't change his name, reminds Kapp of<br />
a young Marlon Brando with his tough-guy<br />
mannerisms. Kapp credits director Jonathan<br />
Kaplan with bringing out the "realistic"<br />
acting styles as evidenced by Dillon and the<br />
other stars including Pamela Ludwig, Tom<br />
Fergus. Jeff Fleury and Vincent Spano, one<br />
of the few "professional" actors in the<br />
group.<br />
One of the main "messages" in the film,<br />
accoiding to Kapp, is the need for communication<br />
within the family. The main<br />
character in the movie, the one who's "on<br />
the edge," finally gets through to his parents<br />
when he gets into trouble. Then his<br />
father, who up to then had only been interested<br />
in furthering his career, finally<br />
begins to understand some of the problems<br />
his son has been facing.<br />
Problems Are Real<br />
"Many parents have related stories to me<br />
about how their own kids are 'on the edge.'<br />
Hopefully, this picture will scare them into<br />
seeing how real these problems are." Kapp<br />
also sa'd that<br />
working with the young actors<br />
has helped him to understand these problems<br />
himself, especially the kinds of pressures<br />
that could confront his own son, who<br />
is 15. "Hopefully, everyone will see a little<br />
bit of themselves in the picture."<br />
The film was produced on a $.1 million<br />
budget and was completed after 40 days<br />
of principal photography. All lensing was<br />
on location in Colorado, photographed by<br />
Andy Davis. Major ad campaigns for the<br />
picture includ; TV buys on youth-oriented<br />
programs. "Over the Edge" opened May 18<br />
in eight markets, with a soundtrack album<br />
scheduled for June. When asked about future<br />
projects, Kapp said there are other<br />
projects in the works with George Litto, the<br />
names of which will be announced in the<br />
future.<br />
Technicolor Reports<br />
Record Third Quarter<br />
LOS ANGELES — Technicolor Inc.<br />
reported<br />
net income for the quarter ended<br />
March 31, 1979, of $2,133,000 or $.73 per<br />
share, calculated on 2,932,877 average<br />
shares outstanding. For the third consecutive<br />
quarter, the company achieved its<br />
highest quarterly earnings and- earnings per<br />
share from operations. In the comparable<br />
period of the prior year, the company reported<br />
a net loss of $445,000 or $1.5 per<br />
share on 2,926,459 overage shares. Sales<br />
and other income were $40,737,000 as<br />
compared to $34,387,000 in the prior year.<br />
The net income increase was mainly due<br />
to a non-recurring charge to earnings made<br />
in the prior year of $1,786,000 or $.61<br />
per share, improved operating results at the<br />
company's professional film processing facility<br />
in Rome, the acquisition of all of the<br />
outstanding minority shares of The Vidtronics<br />
Company Inc. and increased sales<br />
activity at the company's North Hollywood<br />
professional film processing facility.<br />
Loews Reports 79 Percent<br />
Income Rise for Quarter<br />
NEW YORK—The Loews Corp. has<br />
reported<br />
its most profitable first quarter ever<br />
with net income rising 79 percent to $51.8<br />
million. Last yeai's report indicated $28.9<br />
million. Revenues rose 12.5 percent to $916<br />
million, up from $814 million during Ihe<br />
same period in 1978.<br />
These 1979 figures include investmeni<br />
gains of $12.3 million, or $1.07 per share,<br />
up from $3.1 million, or 26 cents per share.<br />
a year earlier.<br />
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