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Fall 2011 - The University of Scranton

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the room so he can gather everything from the view. And once again, by<br />

gazing, the light falls westward as the night takes over. Yet the figure always<br />

anticipates the hanging moon. Desirously he hopes it will hold with a<br />

glow from the heavens on this particular evening. So he waits, in prayer,<br />

squatted and bent upon the wooden chair, with the door still locked in fear<br />

<strong>of</strong> reprisal. Unbeknownst to him, however, the other tenants move along<br />

through their lives, climbing the stairs in the outside hallways and reaching<br />

their own rooms. <strong>The</strong>y go in and out, up the stairs and down, through the<br />

door and out the cobblestone lane <strong>of</strong>f always to somewhere, some other<br />

place.<br />

<strong>The</strong> man in the room had been there before but felt his feet<br />

missing meeting all the other feet that flapped the ground and marked<br />

certain positions; he prefers to rest his own at will.<br />

<strong>The</strong>y now grip the shaded tile floor and from time to time he<br />

imagines himself as a firm tree trunk which gives itself to its embedded<br />

roots. So he clutches his legs for a long while and his muscles tighten<br />

uniquely. His temple clenches and he vanishes while his eyes close. Like<br />

the half-hooked moon that hangs from its fellow atmosphere, this figure<br />

renews his various formulations this way and that, as daily he swells a smile<br />

or loops a lip or lifts his head, being so that he can only be seen from the<br />

window in always a different gesture. Our man from behind pleasures<br />

himself in all the faces that he can rearrange to the passing strangers, but<br />

does anyone see his spine? No, only the keyhole can. He sets himself up<br />

that way.<br />

Nearby, along the white plastered wall, sits the bed. It lies alone<br />

for the day and is retreated to only during the night. He goes there now.<br />

That then is when the door is locked and so also the window lets no more<br />

wind in. <strong>The</strong> drapes enclose the room. <strong>The</strong>n being he can make faces<br />

for nobody but his blackened mind, enclosed in its own kind <strong>of</strong> white<br />

walls. So the man behind the locked door weeps and wrangles within his<br />

covers, twisting this way and that until his placid mind falls upon some<br />

disassociated reminiscence recalling the child’s movements: whimsically, he<br />

dreams in colors.<br />

It takes a long time for him to wake himself. He arises from his<br />

cornered bed and stands naked to himself alone, the newborn sun peeking<br />

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